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Aaron Douglas was an African-American painter and illustrator who played a prominent role during the Harlem Renaissance, a movement that had emerged in the early 20th century where many African-Americans were striving for equality. Of the many different paintings at the De Young Museum, Aspiration (1936) seemed to be the one artwork that had caught my attention. This painting, Aspiration, is one of two extant paintings from a four-part mural that Douglas had created and represents the path from slavery to freedom that the African-Americans took. Aspiration is an oil on canvas painting. The first thing that I have noticed in this painting would have to be the color. Throughout the entire painting, Douglas used the same colors over and over again, the only difference was that it was variety of different shades of purples, blues, and yellows. None of these colors were very vibrant or stand out on its own, there was a lack in the pop of colors within this painting and all of …show more content…
I found that the message Douglas was trying to convey behind the painting to be very powerful and fascinating. He did an amazing job at showcasing the difficult path on how the majority of the African-Americans had trouble going through. Each part of the painting indicates each step of their journey and told a different story in their lives that they had faced and by using the three individual African-Americans in the painting, it represents how the people who went from being enslaved in shackles into people who overcame the many obstacles that they had to face and is currently trying to pursue their dreams. This message made me reflect on the amount of pain and suffering they had to go through and how many of them struggled to get to where they are today. It also made me intrigued to learn more about the Harlem Renaissance in
It shows that Negros were able to purchase their freedom and purchase the freedom of their family members. It shows a sense of equality in the way that free blacks could go to court and potentially win cases against white farmers. Free blacks owning slaves and indentured servants, some of which were white, could also be seen as equality. It also shows how free blacks had a thought of a future in the way that they drew up wills in which their family members were granted land and livestock. Knowing that white farming landowners and free blacks lived together in a sense of harmony goes back to the main theme of Myne Owne Ground. It shows that slavery is indeed an embarrassment to our nation. Knowing that blacks and whites were able to live together, trade, and be civil towards each other shows that slavery was unfounded and not
The hopeful and then helpless tones in Douglass' passage reflect his inner turmoil throughout the process of his escape from the wretched south. At first, Frederick Douglass feels the utter feeling of happiness covering every inch of his body and soul. However, he soon finds out that the rosy path has thorns that dug into his skin as freedom was dangled in front of his face through a tunnel of complete darkness.
Meta Warrick Fuller’s sculpture “Ethiopia Awakening” served as a metaphoric yearning for African culture, a symbolic image of emancipation, an awakening of African Americans diaspora identity, resurgence of Fuller’s artistic career and as a self-portrait of Fuller. The Progressive era, from 1890 to 1920, forms the backdrop to Fuller’s life and art. This period has come to symbolize the reform efforts of the middle class. White middle class progressives sought to reengineer industry and government, pushed for economic and social reforms. The Progressive era was also a time of intense contradictions and ambiguities. Race was the blind spot of white progressives. 1 At the turn of the twentieth-century African Americans continued to be caricatured and stereotyped as buffoons, servile menials, comic entertainers, threatening sub-humans which led to African Americans being objectified.2 When white Americans confronted African Americans in any meaningful way, they did so through the filter of a web of racist images that they placed over the black face of humanity like a mask over an actor. African American intellectuals understood that one of their central tasks to counter the negative representation of African Americans in art would be through the reimage of the physiognomy of African Americans. The task was an enormous one, especially since African Americans had only the most minimal control over the mass production and dissemination of information. In addition, the manufacture of products that displayed stereotypical and derogatory images of African Americans was particularly lucrative.3
...ce was recognized for his talent. Despite the primitive look of Lawrence’s painting the gesture are read and reveals a set of principles inspired by African-Americans. Thus, the modernist aesthetic of his art shows the critical faith of a people oppressed and striving to get ahead. Therefore, elements of his work and themes like man’s struggle produce one of the United States most famous African-American Artist of all times Jacob Lawrence.
Gun-slinging, militant-looking, irate adolescent African American men, women, and children: an incessant image employed by the revolutionary artist Emory Douglas. Douglas is perhaps one of the most iconic artists’ of the 20th century and has created thousands of influential protest images that remain unforgettable to this day. Through the use of compelling images Emory Douglas aided in defining the distinct visual aesthetic of the Black Panther Party’s newspapers, pamphlets, and posters. It was through such mediums that Douglas had the ability to enlighten and provoke a predominately illiterate and uneducated community via visual communication, illustrating that art can evolve into an overpowering device to precipitate social and political change.
...y afraid at first but finds out that there are many ex-slaves willing to take a stand and risk their lives to help their own. Douglass realizes that with the help from the ex-slaves he could also help his fellow slaves.
beautiful works of art. Douglas reached Harlem and instantly fell in love with the culture and
In using descriptions of slave life, ironic situations, and general frankness, Douglass is appealing to the emotions of his audience. Douglass is letting people know of the terrors of slavery by touching their emotions. He gets them motivated by being interesting and then builds upon this by describing his life in simple terms that all humans can relate to.
America in the mid to early nineteenth century saw the torture of many African Americans in slavery. Plantation owners did not care whether they were young or old, girl or boy, to them all slaves were there to work. One slave in particular, Frederick Douglass, documented his journey through slavery in his autobiography Narrative of the Life of Frederick Douglass. Through the use of various rhetorical devices and strategies, Douglass conveys the dehumanizing and corrupting effect of slavery, in order to show the overall need for American abolition. His use of devices such as parallelism, asyndeton, simile, antithesis, juxtaposition and use of irony, not only establish ethos but also show the negative effects of slavery on slaves, masters and
Many of his vivid descriptions of how the slaves were treated and talked are clearly aimed to hit a soft spot. Mr. Alud called Douglass awful names and spoke of him like he was property. “Now,” said he, “if you teach that nigger (speaking of myself) how to read, there would be no keeping him” (Douglass page 30). If a slave got lucky there new mistress would be nice but more times than not she was mean. Another story about Douglass’ life that he put in the book to make the reader’s sympathies, was the cruel mistress Mrs. Hamilton. “The girls seldom passed her without her saying, “Move faster, you black gip!” at the same time giving them a blow with the cowskin over the head or shoulders, often drawing the blood”(Douglass 31). Many things in Douglass’ narrative supported pathos and how it appealed to the
...edge. In his narrative, Douglass layers the many brutal, cruel, inhumane, and true components of slavery in his life, underlying each story with a political motive and relation. This method of writing was for his audience removed from slavery, those ignorant of slavery, uninformed, misunderstood, and those who were fortunate to have freedom. Douglass illustrates living conditions, experiences, tragedies, and struggles to great depths. Everywhere, African Americans escaped the binds of slavery due to Frederick Douglass' determination. He revolutionized America, being one of the greatest leaders of the abolition, being the reason for so many freed lives, and leading to the complete abolition and illegality of slavery in America.
A truly exquisite work of art would both be aesthetically appealing as well as morally empowering. The painting Aspiration by Aaron Douglas achieves these two things. Aaron Douglas was a prominent art figure in the Harlem Renaissance, the time period in which there was an artistic; intellectual; and literary explosion that sparked a new black cultural identity. The majority of his artworks contain many central ideas from the Harlem Renaissance. Aspiration is one of the strongest pieces of art Douglas produced. When viewing Aspiration, one can observe that the painting contains many central ideas from the Harlem Renaissance. Aspiration includes ideas from African-Americans’ shared heritage and cultural identity, the progression from slavery
In this final research analysis, I will be doing a comparison between the “Narrative of the Life of Frederick Douglass” and the “Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson” to show how both Douglass and Rowlandson use a great deal of person strength and faith in God to endure their life and ultimately gain their freedom.
...a lot of atrocities at the hands of their owners, who were successful in using ignorance as a tool of slavery, besides treating them as personal property. However, the slaves struggled to gain education on their own, ultimately knowing their rights and questioning some of the heinous acts. Slave owners ensured that slaves worked tirelessly so that they do not get time to idle around and gather in groups that would shake the administration. The narrative, through highlighting the experiences of Douglass himself, painted a true picture of the type of life slaves were undergoing under the surveillance of their slave masters in the United States, a picture that the slaveholders did not want to be brought to the limelight.
This image was very critical of freed people, because they were put in a simile for mocking the act of low whites; low whites are ignorant and irrational. Also, the features of blacks were very exaggerated: making their lips,