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Reconstruction american civil war
Reconstruction american civil war
The importance of the reconstruction era
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During the Reconstruction Era, the Union and the Confederate States were very much opposed to one another. Many efforts were put in place to advance the treatment of freedman, but many efforts were also put in place to oppress the freedman. Freedman of the United States in both Southern and Northern States was placed in a tug-a-war of whether or not they can finally have natural, constituted rights. Politics within itself is very complex, so political cartoons offered a more understandable way of getting points across. Thomas Nast, one of the most famous political cartoonists was usually an illustrator for the Republican standpoint; he worked for Harper’s Weekly in New York. Unfortunately, he became persuaded by the mentality of African-Americans from Democrats, and began to draw racist depictions of blacks. One controversial illustration by Nast was “ Colored rule in a Reconstructed State”, which he caricatured the features of blacks. Thomas Nast was very racist, and misrepresented the integrity of free people; siding with the ignorance of Democrats. This image was very critical of freed people, because they were put in a simile for mocking the act of low whites; low whites are ignorant and irrational. Also, the features of blacks were very exaggerated: making their lips, …show more content…
The use of cartoons in the political world began in the year of 1754; though cartoons are thought to be amusing, political cartoons make you think about current issues in society. When a particular cartoonist illustrates something he or she wants to persuade you to be on their side of the issue. Mostly, cartoons are more appealing than worded articles, so when looking at drawings the artist has to be sure that they are being expressive rather than being demeaning to the subjects
Meta Warrick Fuller’s sculpture “Ethiopia Awakening” served as a metaphoric yearning for African culture, a symbolic image of emancipation, an awakening of African Americans diaspora identity, resurgence of Fuller’s artistic career and as a self-portrait of Fuller. The Progressive era, from 1890 to 1920, forms the backdrop to Fuller’s life and art. This period has come to symbolize the reform efforts of the middle class. White middle class progressives sought to reengineer industry and government, pushed for economic and social reforms. The Progressive era was also a time of intense contradictions and ambiguities. Race was the blind spot of white progressives. 1 At the turn of the twentieth-century African Americans continued to be caricatured and stereotyped as buffoons, servile menials, comic entertainers, threatening sub-humans which led to African Americans being objectified.2 When white Americans confronted African Americans in any meaningful way, they did so through the filter of a web of racist images that they placed over the black face of humanity like a mask over an actor. African American intellectuals understood that one of their central tasks to counter the negative representation of African Americans in art would be through the reimage of the physiognomy of African Americans. The task was an enormous one, especially since African Americans had only the most minimal control over the mass production and dissemination of information. In addition, the manufacture of products that displayed stereotypical and derogatory images of African Americans was particularly lucrative.3
2- Carl Schurz wrote reports called Reports on the Condition of the South, in 1865 in which he investigated the sentiments of leaders and ordinary people, whites and blacks, from the defeated South. He describes that was not safe to wear the federal uniform on the streets and soldiers of the Union were considered intruders, Republicans were considered enemies. But, even worse was the situation of freedmen in which were expected to behave as slaves for white Southerners. Schurz heard the same phrase, “You cannot make the negro work, without physical compulsion,” (Schurz) from so many different people that he concluded that this sentiment was rooted among the southern people. He related this case of a former slaveholder that suggested blacks were unfitted for freedom, “I heard a Georgia planter argue most seriously that one of his negroes had shown himself certainly unfit for freedom because he impudently refused to submit to a whipping.”
Gun-slinging, militant-looking, irate adolescent African American men, women, and children: an incessant image employed by the revolutionary artist Emory Douglas. Douglas is perhaps one of the most iconic artists’ of the 20th century and has created thousands of influential protest images that remain unforgettable to this day. Through the use of compelling images Emory Douglas aided in defining the distinct visual aesthetic of the Black Panther Party’s newspapers, pamphlets, and posters. It was through such mediums that Douglas had the ability to enlighten and provoke a predominately illiterate and uneducated community via visual communication, illustrating that art can evolve into an overpowering device to precipitate social and political change.
The political cartoon displays an aerial view of a man explaining to a woman that the United States Capitol building has been working with a split down its center before the earthquake occurred. In the center of the image, Uncle Sam is hanging onto an edge with one hand as he is going to fall in the large crevice through the ground in front of the Congress building. The author exemplifies how the bias of Congress cannot understand the citizens’ interests; he attempts to describe that excessive favoritism harms Congress which makes it difficult to complete anything when neither one of the political parties agree to a compromise. The meaning of the picture is that Congress has recently been divided into two parts, and an earthquake was not the
Many people know of the famous illustrator and author of children 's books Theodor Geisel Seuss or better know as Dr. Seuss. Dr. Seuss is most famous for the children 's books he wrote and illustrated, but what most people don 't know about him is that he also drew political cartoons during world war II.while he was too old for the draft he wanted to contribute to the war effort. So for two years, 1941-1943, He was the chief cartoonist at the new york newspaper PM and drew over 400 cartoons. These cartoons were america propaganda and tried to get the american people to help with the war. Out of the numerous cartoons he made the one that this essay will discuss over is A. Hitler Taxidermist. It was created in june 25,1941 and gives a perspective
Blacks have become the most often targeted in hate crime. The slightly covered moon might be an indirect indication that there will be some kind of transformation going on at night. For example, the little African boy grew horns at night which makes him look like a devil after catching a duck by the river or lake. There is a white man lifting a black woman on the end of this artwork. It looks like he is about to throw her off to ground. The broom she is carrying in her hand may be a signal that she is a witch for the reason that she is high up above the ground. To whites, these slaves from Africa are portrayed as devils in disguise and witches who practice witchcraft. In the 21st century, our society still has stereotypes remain rooted for African Americans. Those stereotypes are often created during our first impression. However, most of our negative stereotypes are created by advertising, media, and our society. The problem is we are developing an image of African Americans based on generalizations and not our encounter or first impression of them.
James Oakes’ The Radical and the Republican narrated the relationship between two of America’s greatest leaders: Frederick Douglass, the “radical” abolitionist, and Abraham Lincoln, the “Republican” politician. He did an astonishing job of demonstrating the commonalities between the views of Douglass and Lincoln, but also their differences on their stance of anti-slavery politics and abolitionism. Despite being on the same side of the argument of slavery, Douglass and Lincoln went about their opinions separately. Lincoln held a more patient and orthodox stance on anti-slavery, while Douglass was proven to be obstinate and direct with
...n of the 15th amendment. The 15th amendment provided a ray of hope to ex-slaves and their desire for equal rights in a racially unequal country. However, because of its passing, the 15th amendment also spurred racial sentiments even more then before 1870. Because of the new amendment, many whites saw there positions of power being threatened. What seemed at first a new found sense of belonging, quickly transformed to an increased sense of alienation and political pressure However, political cartoons directly after the ratification seem to side step the issue of disenfranchisement of black voters. While many show the new freedoms enjoy by black citizens, few show depictions of white supremacist group coercing black citizens. It would not be until almost one hundred years after the 15th amendment that this political pressure would be relieved from black voters.
In “Characteristics of Negro Expression”, Zora Neale Hurston discusses the different characteristics of African Americans and explains why they are such a complex race with intriguing qualities. Hurston talks about dancing, Negro folklore, and originality among many others. Hurston captures the complexity of African Americans by writing about all of the different characteristics that cause them to be unique, despite sometimes being mimicked by the whites. The “common folks” that she writes about are anything but common. The “common folks” had qualities that allowed them to be innovative with their music, art, and language. Hurston uses all of these different attributes to clearly set African Americans apart from whites. She shows how wonderful it was to be African American and how it could help African Americans advance as a race. However, unlike Hughes who wanted African Americans to be proud to be African American, I believe she wrote this with the intention of showing the whites how rich and beautiful the African American is culture truly is. Hurston saw how culturally diverse and rick their folk culture was and still continues to be till this day. Hurston demonstrates the richness of the folk culture through her section titled, “Negro Folklore.” She explains it not as something old, but as something that is ever changing. She says, “Negro folklore is not a thing of the past. It is still in the making. Its great variety shows the adaptability of the black man: nothing is too old or too new, domestic or foreign, high or low, for his use.” This was an excellent example of how she decided to demonstrate the richness of the African American culture to the white world. It is an attempt to show the whites that; although there folk culture may be stuck in the past African Americans are always adapting and their culture is always to be appreciated for it is one of a
In the 1800’s it would’ve been considered a crime for a person of color to do anything that a “white” person was doing. They were considered to do one thing and one thing only and that’s work. They weren’t supposed to be writing, making music, or creating art. All of these were used to express someone’s feeling towards a subject and people of color were not allowed to do that. The people of color were using these ways of art to communicate and express how they were treated and how they wanted to be treated. Source D says, “The Art Institute of Chicago's collection of African American art provides a rich introduction to over 100 years of noted achievements in painting, sculpture, and printmaking. Ranging chronologically from the Civil War era to the Harlem Renaissance and from the civil-rights struggles following World War II to the contemporary period, these works constitute a dynamic visual legacy.” This statement shows how important it was for the African American people to make art and express what they were going through. It has opened the eyes of people and changed history. The art itself has changed human nature in many ways and showed that they deserve to be treated the same as everyone else. This is why it was a crime in those times. Now everyone is free to express their feelings in any type of art such as writing, musical art, and making art as an artist. Art is a beautiful thing that everyone should be able to express. Art is a part of human nature and it can be expressed in many ways and everyone needs to have the right to do that. This is why human nature has changed. It has changed in a good way and made everyone’s views and opinions change on what people of color should be able to
Political cartoons, normally made to pick fun of or shine some light on various topics are used to explain different political ideas and standings. They in a way help us understand in a bias way the crazy world of politics that we live in today. Throughout this journal I will go about explaining many of these political cartoons. I saw this cartoon poking fun of Hillary Clinton to be quite comical. It depicts her being shredded by a paper shredder that she in turn is using to shred various documents and in this case her emails. The cartoonist represented Hillary with a large protruding nose that I believe symbolises her lying about not actually deleting those said documents. She is also depicted as sweating profusely with that of a nervous look
Metaphor- “ A pyramid of flesh with the whitefolks on the bottom, as the broad base, then the indians with their silly tomohawks and teepees and wigwams and treaties, the Negroes with their mops and recipes and cotton sacks and spirituals sticking out of there mouths.”(22) This really shows the judgement and the hatred towards the blacks.
Political Cartoons are illustrations containing significant symbolism that expresses the artist 's point of view towards a political or social issue. Political cartoons are meant to rouse the viewers to take some sort of action upon the message the artist is trying to give or at least get the viewer to see the where the artist 's viewpoint stands. During the eighteenth century political cartoons started to rise in popularity in America culture, they weren’t exactly what we are used to today in exaggerating a person’s features into a type of caricature image. Examining two political cartoons, one dating back to the eighteenth century by Paul Revere and the other from the twenty first century by Bob Englehart.
In the pre-presidential candidacy fog, Steve Breen, a Pulitzer Prize winning author, publishes a cartoon about the GOP or Republican Party. This cartoon is meant to inform potential voters to of the GOP’s view on Latino’s, and of how this view is affecting their voter base in Latino groups.
Mike Keefe is a political cartoon artist for cagle cartoons, if you look at all his drawings you can see he is not for nor against a specific person, but he recognizes the situations people are being put in. The drawing of the statue of liberty with a pink hat on, signifies the unity with the current women's marches taking place all over the united states. The issue it seems to be addressing is the lack of respect the current president of the united states has shown towards women and how it has brought citizens of all genders, races, and religions together as one to support the rights that women in the world hold. In a basic form this cartoon is showing that women are human beings, citizens, and are being supported more than ever.