Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
1920s a decade of change
The role of women through history
Social implications of the 1920s
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: 1920s a decade of change
I believe during the 1920s both men and women relationships were very difficult to understand how the relationships worked. The 1920s was the time period of the Roarin’ Twenties. At this actual time period all of the women were becoming more comfortable with themselves. They were slowly getting use to the life of enjoying themselves such as having a little entertainment and not being isolated all the time. The only thing they were use to was just doing what the husbands told them to do, for example, cleaning, cooking, and taking care of the children. The short story by Ernest Hemingway, “Hills Like White Elephants”, provides evidence that throughout the Roarin’ Twenties, majority of the women were still facing different types of obstacles, however as in the 1920s it was becoming a change. As Louise stated, “A woman of 1920 would be surprised to know that she would be remembered as a “new woman” (Benner 1). The character jig in the story was not given a decision or opportunity majority of the time; she was expected to please The American. However, in some situation The American was a little laid back and let her made a few decisions. As Sara stated, “The American says he does not want Jig to have it if she does not want to, but he says it would be best if she did” (Evans 3). This proves that The American was a little laid back and let Jig make some of her decisions. The lives of women back in earlier decades and centuries were very strident and certain. They women were always treated as slaves. On the other hand, the men were always the dominant person. They got to do whatever they wanted, even though they worked. The men also expected the women to do whatever they directed them to do. The way that Hemingway’s story is laid ou... ... middle of paper ... ...ttp://ncpedia.org/history/20th-Century/1920s-women>. Evans, Sara. Wang, Bella ed. "Short Stories of Ernest Hemingway Study Guide : Summary and Analysis of "Hills Like White Elephants"". GradeSaver, 10 December 2010 Web. 9 March 2014. L'heureux, John. "Talk That Walks." The Wall Street Journal. Dow Jones & Company, 12 Feb. 2011. Web. 09 Mar. 2014. . Ball, Jeremy. "A Biographical Analysis of "Hills like White Elephants"" Yahoo Contributor Network. Yahoo, 27 May 2009. Web. 09 Mar. 2014. . Hemingway, Ernest. Hills Like White Elephants. Student ed. 2012. Michael Rosenberg, n.d. Print. Lyn Uhl. 09 March. 2014.
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs becomes increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible for the inability to communicate their feelings to one another.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Frederick Lewis Allen, in his famous chronicle of the 1920s Only Yesterday, contended that women’s “growing independence” had accelerated a “revolution in manners and morals” in American society (95). The 1920s did bring significant changes to the lives of American women. World War I, industrialization, suffrage, urbanization, and birth control increased women’s economic, political, and sexual freedom. However, with these advances came pressure to conform to powerful but contradictory archetypes. Women were expected to be both flapper and wife, sex object and mother. Furthermore, Hollywood and the emerging “science” of advertising increasingly tied conceptions of femininity to a specific standard of physical beauty attainable by few. By 1930, American women (especially affluent whites) had won newfound power and independence, but still lived in a sexist culture where their gender limited their opportunities and defined their place in society.
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
Hemingway, Ernest. "Hills Like White Elephants." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1471-1485.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
“Women’s roles were constantly changing and have not stopped still to this day.” In the early 1900s many people expected women to be stay at home moms and let the husbands support them. But this all changes in the 1920s, women got the right to vote and began working from the result of work they have done in the war. Altogether in the 1920s women's roles have changed drastically.
Renner, Stanley. "Moving to the Girl's Side of 'Hills Like White Elephants'." The Hemingway Review 15.1, 1995. 27-41.
Stukas, Jake. "Literary analysis: Hills Like White Elephants, by Ernest Hemingway." Helium.com. Web. 21 Nov. 2009. .
"Hills like White Elephants" is not the normal story where you have a beginning, middle and end. Hemingway gave just enough information so that readers could draw their own conclusions. The entire story encompasses a conversation between two lovers and leaves the reader with more questions than answers. Ernest Hemingway was a brilliant writer. People that study Hemingway's works try to gain insight and draw natural conclusions about Hemingway and his life. Hemingway led a difficult life full of martial affairs and misfortune. Some of these experiences have set the foundation for Hemingway's greatest works. This essay will analyze the influence that Hemingway's separation from Pauline and divorce from Hadley had on "Hills like White Elephants."
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
A little background information of Hemingway’s short story “Hills like White Elephants” would be the historical and literary context that influenced this story. Hemmingway published “Hills like White Elephants” in 1927 along with his
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.