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Themes and poetic style of Sylvia Plath
How sylvia plath's life is reflected in her poem
Feministic elements of sylvia plath poetry
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Recommended: Themes and poetic style of Sylvia Plath
A Woman Troubled
When first reading “Edge”, one will immediately be able to note that the poem’s flow is very peculiar. This is, in a very large part, due to the brevity and abstractness of each stanza throughout this piece of work. Plath is immediately able to make the reader think by organizing the flow of the poem in such a unique style. At first it is hard to pay attention to the contents of the poem without being distracted by the organization of it. Although it may appear pointless at first, there is a reasoning behind the structure and stylistic tendencies; “Edge” conveys a very dark and a very bleak tone throughout its entirety. This can be shown through some very subtle, and some rather obvious events throughout the poem.
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At first glance, the reader will see that the author decided to pen the poem in the third person. It becomes clear that the narrator is very familiar with the woman in the poem, and that she seems to be heavily opinionated on the events throughout the reading. When one thinks of the third person point of view, one thinks of the narrator tending to be more objective in their narration, but it is most certainly clear that the narrator, too, believes that this woman has immortalized her perfection through the means of suicide. Immediately, the poem stresses that the woman has perfected her life through death, which implies that she did not do anything wrong, or disgrace anyone. “The woman is perfected”. Such a blanket statement surely requires some analysis from the reader. The woman herself never speaks about the tragedy that has occurred in the poem. Readers are urged to side with the narrator from the very beginning of the poem. As the poem goes on, the details that are revealed become more horrifying. The woman appears to have poisoned her children. It is said in such a way that the narrator seems to not even acknowledge the gravity of the situation. Clearly the woman in this poem was a deeply troubled individual, but the narrator …show more content…
One could argue that Plath was trying to end her life on her own terms like the woman in question. This is surely a stretch, and we will never know, but, according to the narrator, there is certainly a case to be made for the woman in the poem. It is stressed throughout “Edge” that the death of this woman has led to her life ending with perfection. “Her dead/Body wears the smile of accomplishment”. This conveys that the woman seems to be content with everything that has happened. However, we as readers must not forget the mentioning of the “illusion” that this woman had of embodying perfection in her death. This line in the second stanza may contradict the perfection in death standard that this poem seems to convey. “The illusion of a Greek necessity/Flows in the scrolls of her toga…”. It may be assumed that the “Greek necessity” refers to the ritual suicides that took place in Ancient Greek times. Often times great people were forced into committing suicide for one reason or another, but this poem completely contradicts that idea. This woman has not done anything wrong, and on the contrary the reader is informed that she has done everything perfectly up to, and including, her death. This is why the reader may be able to infer that this woman had some serious issues going on inside of her. Death is rarely ever described as being a good thing, which immediately makes the reader
In the end of the narrator’s consciousness, the tone of the poem shifted from a hopeless bleak
In the short story “Initiation” author Sylvia Plath suggests that conformity, although the societal norm, is not always as grand as it is made out to be, while also suggesting that even though conformity typically hinders one’s self growth, there are times when the fear of conforming can make one’s sense of self stronger. These two ideas together show that Plath uses this short story to convey the message that even though conformity is not inherently a positive thing, it can drive a person to look in on themselves and develop a unique identity. Plath uses symbolism, and character introspection to assert this idea.
She also mentions that she “[knows] no reason why [she] should be – happy,” clearly expressing the idea (Ibsen, Act II). The fact that she is unhappy with her life, and can do nothing much to change it, draws sympathy from the audience. Her final act of suicide also causes the audience to feel sympathetic. When she realizes Judge Brack has some control over her, she states that she will be “subject to [his] will and [his] demands” and refuses to “endure the thought of that” (Ibsen, Act IV). This thought is what leads her to killing herself, and viewers and readers feel bad that she thought death was better than being suppressed by others even further.
“One of the greatest regrets in life is being what others would want you to be, rather than being yourself.”- Shannon L. Alder, American author. Even with all the temptation and pressure we feel just to fit in today's society, or to be normal, it's crucial that you hold on to your passions, goals, dreams, values, and to hold on to yourself. Being yourself is very hard to do especially in today’s society. Such as the short story “Initiation” by Sylvia Plath.
There is no shortage of media encouraging adolescents to ‘be themselves’, promoting self-worth regardless as to what others think. While many may be fed this message throughout music and film, rarely ever is it conveyed to actually have a lasting effect on one’s personal views quite like Sylvia Plath’s “Initiation”. Although formulaic, Plath’s uniquely optimistic short story warns against an obsession with belonging, and explores the importance of individuality through the protagonist Millicent Arnold’s gradual character development, from a self-conscious teenage girl to a stronger and more confident individual.
...he language of war. One of her last poems shows how this vision both restricted and unconstrained her expression (Magill 2225). Some of Plath’s poems, though the personal voice may be dying out, are still very personal (Magill 2226). Plath’s symbolism comes from an arrangement of misfortune. The purpose of Plath’s poems is to show a deeper pattern (Hughes 5). Plath’s narrative, The Bell Jar, remained important to most readers (“The Importance…” 2). Plath believes relationships are necessary, but destructive (Smith 6).
...oire of poetry with a male personage acting as an opposing force. Her work is full of content hinting at her mental instability, yearning for her deceased father, and her desire to end her life. It can be understood that Plath had a sort of Elektra complex obsession with her father. In her personal life, it caused several suicide attempts (one every decade of her life) and her to seek another male to fill the role of her missing father. It was not until she encountered the poet Ted Hughes that Plath thought she had met her soul mate; it was also because of this fiery relationship that Plath tragically ended her life when she ended her seven-year marriage to Hughes after discovering his illicit affair. Ultimately, in her desperate and distressed state, Plath ended her life; she could not face her inner demons, and no one could truly offer her the support she sought.
Throughout the poem, Plath contradicts herself, saying, ‘I was seven, I knew nothing’ yet she constantly talks of the past, remembering. Her tone is very dark and imposing, she uses many images of blindness, deafness and a severe lack of communication, ‘So the deaf and dumb/signal the blind, and are ignored’. Her use of enjambment shows her feelings and pain in some places, in other places it covers up her emotional state. She talks of her father being a German, a Nazi. Whilst her father may have originated from Germany, he was in no way a Nazi, or a fascist. He was a simple man who made sausages. ‘Lopping the sausages!’ However she used this against her father, who died when she was but eight, saying that she still had night mares, ‘They color1 my sleep,’ she also brings her father’s supposed Nazism up again, ‘Red, mottled, like cut necks./There was a silence!’. Plath also talks of her father being somewhat of a general in the militia, ‘A yew hedge of orders,’ also with this image she brings back her supposed vulnerability as a child, talking as if her father was going to send her away, ‘I am guilty of nothing.’ For all her claims of being vul...
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
The speaker’s language towards the woman’s death in “The Last Night that she lived” portrays a yearning attitude that leads to disappointment; which reiterates human discontent with the imperfections of life. The description of woman’s death creates an image of tranquility that causes the speaker to aspire towards death. Her death compares to a reed floating in water without any struggle. The simile paradoxically juxtaposes nature and death because nature’s connotation living things, while death refers to dead things, but death becomes a part of nature. She consents to death, so she quietly dies while those around her refuse to accept her imminent death. The speaker’s description of death sounds like a peaceful experience, like going to sleep, but for eternity. These lines describe her tranquil death, “We waited while She passed—It was a narrow time—Too jostled were Our Souls to speak. At length the notice came. She mentioned, and forgot—Then lightly as a Reed Bent to the water, struggled scarce- Consented, and was dead-“ .Alliteration in “We waited”, emphasizes their impatience of the arrival of her death because of their curiosity about death. The woman’s suffering will be over soon. This is exhibited through the employment of dashes figuratively that form a narrow sentence to show the narrowing time remaining in her life, which creates suspense for the speaker, and also foreshadows that she dies quickly. The line also includes a pun because “notice” refers to the information of her death, and also announcement, which parallels to the soul’s inability to speak. “She mentioned, and forgot—“, refers to her attempt to announce her farewell to everyone, which connects to the previous line’s announcement. The dashes fig...
Notably, the personification happens to be what “ing” means. Although in the English language “ing” is considered a vowel sound, in this poetic form it falls under the consonance description because of the connotation involved. This is where the twist of emotions with the allusion of being present in the room watching the woman sleeping. Figuratively speaking, allowing this emotional connection and becoming an active part of the beautifully painted picture that the poem portrays, the emotions run free inside. This also emphasizes the emotions involved while dealing with life after such a death is initiated and the present. As far as the poetic critical terms are concerned, the poem could be described as free-verse due to its lack of distinct rhythmic pattern and rhyme scheme. This inconsistency made it sound little off kilter the first read through. However, with emphasis on the intended pauses and a slower reading of the lyrics the emotions of sadness are
looked at it so long I think it is part of my heartâ?¦Faces and darkness
This stanza reveals that Plath has finally ridden herself of her father’s control- he is dead now. Plath is most likely represented in the villagers who “never liked” her father and are now “dancing and stamping on him,” rejoicing over his death. She always knew he was a monster and no she is rid of him. Plath has cleansed herself of the domination placed on her by her father and husband. (Giles, 2229)
Poetry is the wind for a trapped and wounded soul. A great example of a wounded soul is, Sylvia Plath. She was an immaculate poet, who expressed her personal troubles through writing. As Plath’s life smouldered into a heap of dust at the age of 30, her poetry grew and bloomed. In the years before her death, her most troubled period, Plath penned three of her most well-known poems, “Daddy”, “Lady Lazarus” and “Tulips”—all three illustrating the horrors of despair with strong, expressive literary devices. Plath, who committed suicide in 1963 at the age of 30, has been hailed ubiquitously as one of the most acclaimed and preeminent poets of the 21st century. Plath’s poetry was influenced by tragic events in her life and her prolonged battle against her deep depression and obsession with death. Plath’s personal issues made her the definition of a confessional poet. In the poems, “Daddy”, “Tulips”, and “Lady Lazarus”, Plath confesses her emotional and nervous breakdowns during her endless depression.
In conclusion, Plath is successful in the poetry because she managed to express certain things such as death in the variety of ways. She views death as being something horrible, a condition at which people are de-humanized and lack all th emotions and feelings. At the same time Plath connects death to life and makes an assumption that it is impossible to understand life without knowing that death exists. Dickinson, on the contrary, depicts death as something humans are both afraid of and at the same time are waiting for all their lives. Death in the poetry of Dickinson is not so horrible as in the writing of Plath. Dickinson views death as being a perfect condition when person gets freedom from all the troubles and can have eternal life.