In The Gates Ajar, Elizabeth Phelps uses the character of Aunt Winifred to articulate a view of heaven which stands in sharp contrast to other views of the time. Namely, Aunt Winifred proposes a heaven where rather than an individual losing their relationships and former joys, the individual is still able to know and love other people. Furthermore, remaining in community with others is not a threat to worshipping God, but a natural and appropriate thing due to humanity’s nature as individual and communal creatures. This view of heaven has long reaching effects beyond Phelps’ immediate context in post-Civil War America, and is still popular in certain churches today.
For Phelps, heaven is indeed a place where the object is to worship God; however,
Throughout centuries, humans have expressed different perspectives toward a single idea. The subject of religion invites challenging discussions from skeptical minds because religion is diversely interpreted based on personal faith. The authoress sets her novel in a fictional town, Cold Sassy, where religion plays a predominant role in people’s lives. Through Will Tweedy’s narration she explores the religious opinions of the town’s most prominent citizen Rucker Blakeslee, Will’s grandpa. Although Blakeslee spent his whole life in a religiously conservative town, he has a radical approach toward religious concepts such as predestination, suicide, funerals, faith, and God’s will, thus forcing him to challenge the traditional views of organized religion.
Despite the tough environment around the Ida B. Wells, people who live there are still faithful in God. However, some of them also question God for ignoring the black community. Based on this ambiguity, I think the gospel jazz “Is God a three letter word for Love” by Duke Ellington precisely portrays the complex emotion of the residents.
Morley Callaghan’s novel More Joy in Heaven follows the short life of notorious bank robber and gunman Kip Caley. Callaghan's novel is based off and follows Red Ryan's now forgotten story almost word for word. Red Ryan and the fictional Kip Caley both face the effects of a being an outsider in a forceful, high-class society. Individuals and organizations play a huge responsibility role to ex-convicts; readers of More Joy in Heaven unfortunately see the side effects when selfishness and thirst for glory play into this important, delicate role. Nonetheless that readers see what the wrong individuals will do to an ex-convict, readers will also see what kinder individuals can do to someone trying to reform. Yet what the public does and does not do is not to be blamed systematically; Red Ryan and Kip Caley crave societies attention and even begin to depend on it before their story is over. Their craving for attention makes them vulnerable to being abused by society. Both society and parolees want to live the upstanding lives, but neither takes into account what the others wants and needs are, so who’s fault is it when a parolee fails to meet societies precast expectations?
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Their Eyes Were Watching God is a story centered on the idea of life cycles. The experiences that Janie faces and struggles through in her life represent the many cycles that she has been present for. Each cycle seem to take place with the start of each new relation ship that she faces. Each relationship that Janie is involved in not just marriages, blooms and withers away like the symbol of Janie's life the pear tree from her childhood.
In week one, I immediately found myself interested and alert as I tried to absorb as much as possible from Examined Life. It was difficult to find a balance between taking as many good notes as possible, with making sure not to miss anything these eight philosophers had to say. I took to heart many of the thoughts and ideas that were shared throughout the film. The first that struck a cord with me was that it is not necessary to find meaning. At first that sounds contrary to philosophy at its core, because I find that is usually what we ponder; the meaning of whatever it is we are thinking, doing, or discussing. I realized that sometimes it is fine for things to just be, and not know why. Much of the film has to do with how we think, and what we do in private. Collectively, through these moral and ethical acts (or lack of them) we can impact the public. Also by sharing these thoughts and concepts with the public in the documentary, it can affect our thoughts and actions in our private lives; I know it has at least for myself.
The Great Divorce by C.S. Lewis suggests that choices made on earth have a consequential effect towards our acceptance into heaven or our plummet into hell. In this book pride manifests itself in a hundred subtle ways as souls whine about perceived injustices or irrational motives. Thankfully, a few tourists do humble themselves, become transformed into marvelously real beings, and remain in heaven. But most don't, about which the great Scottish author George MacDonald, Lewis' heavenly guide, says, “They may not be rejecting the truth of heaven now. They may be reenacting the rejection they made while on earth”.
According to dictionaries a cult is 1) a system of religious worship or ritual. 2) A religion or sect considered extremist of false. 3) Obsessive devotion to a person or principle. It is believed that every cult ties into some kind of religion, and religions all have a common basis of “a leap of faith”. Whether this so-called leap of faith is going to heaven or being reincarnated, or moving on to some other planet, depends on the beliefs of the cult itself.
...eath, it ends with happiness. Peter being judged at his own funeral is heartbreaking, but there is a bright side. He can no longer hear their hate. He is already long gone by his funeral. He is in heaven. The hate can no longer hurt him. The speaker questions why humans would choose a hard life over an easy afterlife. In his poem, Doty proves that death is an escape from judgment, but he’s not saying death is the answer. He is saying that bigotry is causing these suicides or people hoping for death. Stopping the hate will let more people live free and be individuals. They would not have to conform to society’s mold any longer. When Earth reflects the morals and acceptance of this “heaven” that is mentioned, that is when people can be truly free. Peter is now free to be happy. His new life is a chance to start over and be him without fear of judgment or expectations.
When civilians look at the men and women in the military, they think of strength, courage, and freedom. When those same men and women get out, civilians should treat them with respect, honor, and dignity. In their own minds however, it may be a different story. A loss of strength, a lack of courage, and a never-ending battle within that keeps them all but free. In the music video “Wrong Side of Heaven”, FFDP successfully argues that homeless veterans and veterans with PTSD need assistance. Through the use of visual aspects, literary devices, and symbolism, FFDP shows that their music video holds a strong argument.
“My future husband was becoming to me my whole world; and, more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for his creature whom I had made my idol” (Brontë, 361).
On March 26, 1997, in what has become known as one of the most noteworthy mass suicides in history, thirty-nine men and women affiliated with the Heavens Gate cult took their own lives by ingesting a combination of Phenobarbitals mixed with applesauce and alcohol. Each was dressed all in black, their faces covered by a purple shroud. Those who wore glasses had them neatly folded next to their body, and all had identification papers for the authorities to find. The house was immaculate, tidier even than before the victims had moved in. It was as if, in preparing for their death, they were heeding the words of the prophet Isaiah: “Set thine house in order; for thou shalt die, and not live.” And while their abrupt end may seem rather strange, the way they lived is even more perplexing.
...hing “bad” happened they found a way to rejoice in the suffering. The Puritan believers were selfish with sharing their faith. A plantation missionary stated that sharing the gospel to slaves would “promote our own mortality and religion.” However the gospel and religion the masters shared with their slaves did not remain the same. The slaves were able to apply their faith to their lives, their work, and their future. The faith the slaves possessed was rich in emotion and free from preexisting regulations. In this class we focus on the many faces and interoperations of Christ that change with the seasons of history. The slave faith represented in Jupiter Hammon’s poem shows a high level of integrity and selfless, personal application of faith. The emotion and need for Christ the slaves had during this time created a new realm of relationship in the evangelical era.
Spirit : My Grandma, Mildred Johnson, is a true woman of faith. For as far back as I can remember, my Grandma has been a conveyor of the word of God in developing her family and living her daily life. Never would she miss a Sunday to share the word and love of God. As time moves forward not all of God’s children remain strong enough as before to lead his flock. Nor can all of God’s choir continue to sing quite as loudly as they always have. This is the time when the Lord takes them into his hands to rest their souls as he has now done with Mildred. Make no mistake, however, as the legacy of spirit that she has created in all of us will continue to live on.