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The role of music in war
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Wrong Side of Heaven
When civilians look at the men and women in the military, they think of strength, courage, and freedom. When those same men and women get out, civilians should treat them with respect, honor, and dignity. In their own minds however, it may be a different story. A loss of strength, a lack of courage, and a never-ending battle within that keeps them all but free. In the music video “Wrong Side of Heaven”, FFDP successfully argues that homeless veterans and veterans with PTSD need assistance. Through the use of visual aspects, literary devices, and symbolism, FFDP shows that their music video holds a strong argument.
In the music video, they use grey and tan a lot. Both in the warzone and in the city. This shows that for these
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This suggests that they have been barred from heaven for what they have done in the past, but have not done enough wrong to be placed into hell. This means the place they are in now could be classified as a kind of purgatory, where all they can do is wait. Nothing they do can change who they are. The singer also mentions that he spoke to God, and she said that she is ashamed. So for these vets, God to them could have been their wife, daughter, or family in general, and they left the vet out of shame. Then the singer suggests that he spoke to the devil, and the devil states that he is not to blame. The devil in this sense could be the vets internal dialog, not knowing where he went wrong to deserve this. As the song goes on, Gods’ words start to affect the vet, making him feel ashamed of who he is become. The devils words also start to affect him, making his inner dialog turn into a self-hatred to the point where he can not even look at himself. The lyrics progress to the point where the vet starts to “get closer to the end, getting closer every day” (5FDPVevo, 2013). It is clear that the vets self-hatred and shame towards himself has led him to the brink of
From the mothers and fathers of the daughters and sons in the military to the friends that are left back home when someone enlists and prepares on their journey, this film provides a starting point to influence conversation’s about the sexual violence and injustice prevalent across the DOD. The film speaks out to the audience’s emotions by delivering jaw-dropping statistics all while providing a strong ethical basis of trustworthy resources, interviews, and statistics. This documentary is a great example of how using pathos, ethos and logos to implore an audience to question how the DOD reacts to MST. By combining all these rhetoric appeals, Kirby is able to convince the audience that there is sexual misconduct in the military and there is no evidence to prove that they are doing anything about
It’s hard for civilians to see what veterans had to face and still do even after all is said and done. The rhetorical strategies that contribute to Grady’s success in this article is appealing to the reader’s emotions through the story of Jason Poole. Denise Grady’s “Struggling Back From War’s Once Deadly Wounds” acts as an admonition for the American public and government to find a better way to assist troops to land on their feet post-war. Grady informs the reader on the recent problems risen through advancements in medical technology and how it affected the futures of all the troops sent into the Iraq war.
The back panel of 1 Dead in Attic: Post-Katrina Stories by columnist Chris Rose does not summarize his self-publication. Rather, it dedicates the book to a man named Thomas Coleman who met his demise in his attic with a can of juice and the comforts of a bedspread at his side. This dedication closes with “There were more than a thousand like him.” That is the life force of Rose’s book. It is not a narrative, it does not feature a clear conclusion, and there is not a distinct beginning, middle, or end. Rather, it exists as a chronology of Rose’s struggle to reestablish normalcy following a time of turmoil. Rose himself states in his introduction “After the storm, I just started writing, not attempting to carve out any niche but just to tell
In Brian Turner’s poem “Jundee Ameriki” (American soldier), he gives gruesome details of a situation that triggered posttraumatic stress disorder in a soldier of war. The poem, written in 2009, addresses a suicide bombing which occurred during the War on Iraq in November of 2005. At first the poem shares the events of his doctor’s visit. While getting the shrapnel fragments removed, the soldier is quickly reminded of the horrific events that led to the injury. The poem then begins to describe the emotional effects of posttraumatic stress disorder. The narrator uses symbolism and the structure of the poem to demonstrate how the emotional pain of posttraumatic stress disorder is much greater than the physical pain it causes (even if the emotional
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Brian Turner's "The Hurt Locker" captures his personal and painful experiences during his time spent in war and furthermore, express the tragic events he witnessed. Brian Turner's poem is miraculously able to gather multiple first hand accounts of tragic, gory, and devastating moments inside a war zone and project them on to a piece of paper for all to read. He allows the audience of his work to partially understand what hell he himself and all combat veterans have endured. Although heartbreaking, it is a privilege to be taken inside "The Hurt Locker" of a man who saw too many things that should not ever be witnessed by anybody. Turner's words bring to life what many have buried deep inside them which subsequently is one of the major underlying problems facing combat veterans today. Reading this poem, I could not help but wonder what the long term effects of war are on a human being, if it is worth the pain, and how does a combat veteran function properly in a society that is unfamiliar with their experiences?
During times of war, man is exposed to the most gruesome aspects of life such as death, starvation, and imprisonment. In some cases, the aftermath is even more disastrous, causing posttraumatic stress disorder, constant guilt, as well as physical and mental scarring, but these struggles are not the only things that humans can take away from the experience. War can bring out the appreciation of the little things in life, such as the safety people take for granted, the beauty of nature, and the kindness of others. These universal consequences of fighting all contribute to what war is really capable of doing, sometimes bringing out the best and worst in people, and constantly shaping society. In The Things They Carried, Tim O’Brien goes through this himself when he writes about setting up base camp in the Vietnamese pagoda, the return to site of Kiowa’s death, the story about the old poppa-san guide, and Mitchell Sanders’ “moment of peace”. When O’Brien includes these stories, it is not to insert joy into a tragedy, but rather to create a more wholesome and authentic feel into a tough, realistic war story. O’Brien’s’ “sweet” stories are there to show the hope he had during war, and also serve as a universal example that even in the darkest tunnels, it is always possible to find rays of light.
An emotional burden that the men must carry is the longing for their loved ones. The Vietnam War forced many young men to leave their loved ones and move halfway across the world to fight a ...
Envision a man that sat on a grimy concrete block, as nightfall began to crystallize before his eyes. His hair, charcoal-grey, was matted and straggly, as if he had ever known the pleasure of a hot shower or comb except when he was in the war. His once shimmering brown eyes were know hollow and cold. His eyes, that were once filled with the upmost blissfulness, now sagged like the bulky bags underneath his eyes, consumed by the loneliness and despair he felt for himself, for his lack of purpose in life. This man did not bare a smile, only crinkles where one used to be. He wore his only faded blue jacket with a tan shirt tucked underneath it. He wore cruddy worn out jeans that barely seized his thin waist and boney legs. His only pair of shoes that were once white, we're now grungy. His finger nails were bitten and dirty. This man, like many other homeless veterans, struggle everyday of their lives.
...though people believe that, those on the home front have it just as a bad as the soldiers, because they have to deal with the responsibilities of their husbands, there is nothing that can compare to what these men have gone through. The war itself consumed them of their ideology of a happy life, and while some might have entered the war with the hope that they would soon return home, most men came to grips with the fact that they might never make it out alive. The biggest tragedy that follows the war is not the number of deaths and the damages done, it is the broken mindset derives from being at war. These men are all prime examples of the hardships of being out at war and the consequences, ideologies, and lifestyles that develop from it.
“In September 2005”, Van Dahlen created a nonprofit organization called Give an Hour, where she and other highly skilled psychologists work together for the common goal of providing free mental health care to military personnel and their loved ones (“About Us”). Slowly but surely, Van Dahlen has created this organization that has produced “volunteers capable of responding to both acute and chronic conditions” and she has had the honor and privilege to forever change the lives of our country’s protectors for the better (“Mission Statement”). Growing up, a young Barbara Van Dahlen always had an immense respect for our military, as the daughter of an injured World War II veteran. Occasionally, she would hear her father reminiscing about his days in the service and all of the battles and training that he participated in. However, she recalls that he would often excise the da...
Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
The short story “The Veteran” by Stephen Crane has many techniques such as dialogue, imagery, and setting to show how even in war a soldier can be afraid, but one’s strength can show later in life when the
Many individuals look at soldiers for hope and therefore, add load to them. Those that cannot rationally overcome these difficulties may create Post Traumatic Stress Disorder. Tragically, some resort to suicide to get away from their insecurities. Troops, notwithstanding, are not by any means the only ones influenced by wars; relatives likewise encounter mental hardships when their friends and family are sent to war. Timothy Findley precisely depicts the critical impact wars have on people in his novel by showing how after-war characters are not what they were at the beginning.