The Voice from Ghetto: Soundtrack for Our America

1687 Words4 Pages

In the book Our America: Life and Death on the South Side of Chicago, LeAlan Johns and Lloyd Newman, as two kids grow up in ghetto, document their life from 1993 to 1996 to show the rest of the America the reality of living in a poor black neighborhood. Through vast interviews, diaries and monologues, Johns and Newman provide a new perspective on the ongoing issues in the ignorant black community; they encourage the black residents to express their point of views on gang, drug, crime, and they also address their hope. Since this book is story with long time span and fragmental writing styles, it is impossible to finish the soundtrack for chapters in detail within eight songs. Therefore, if I am going to be the music composer of the movie based on this book, I would choose eight songs for the following eight themes.

The Religious Faith: “Is God a Three Letter Word for Love” Duke Ellington
Despite the tough environment around the Ida B. Wells, people who live there are still faithful in God. However, some of them also question God for ignoring the black community. Based on this ambiguity, I think the gospel jazz “Is God a three letter word for Love” by Duke Ellington precisely portrays the complex emotion of the residents.
To start with, no matter age or gender, even the ones facing severe problem of surviving, these individuals trust God. For example, when LeAlan and Lloyd try to investigate the murder, they meet Tymeka, a teenage mom who still lives in the high-rise the murder took place in. Although she is having a hard life, she stays religious to “pray for all them children” (p.111), for both the young victim and murderers in the crisis. This is connected to the title gospel element of the song. “Is God a Three Letter Word ...

... middle of paper ...

...ghborhood, and this makes him to be different from the rest. His own story of escaping the ghetto can blend into “I Believe I Can Fly” by R. Kelly, one of the best R&B, gospel and soul song from last century. The gospel impulse within brings the sense of hope, and the jazz impulse in the rhythm celebrates the new solution to current problem. Believing in himself, LeAlan becomes one of the black Americans that finally embraced by the main stream society. Striving for his future, LeAlan leaves the parallel “our “America he used to live in, for he now proceeds into the real America that guarantees freedom, votes and equality.

In conclusion, these are all the eight songs that I select for Our America: Life and Death on the South Side of Chicago. Several are not from African-American artists, but it doesn’t take away the gospel, jazz or blues impulse from the songs.

Open Document