Fathers is a short story by Alice Munro that was set in the 1940s during World War II. It is told from the perspective of a narrator in rural America who reflects back on girls she knew and was friends with during her youth, and gives her recollections on their fathers. It is an interesting look at the father-child dynamic during the World War II years, and illustrates how that dynamic has changed in the years since.
This was a period in time in which life was difficult and often short, as we found out right at the onset of the story when the first thing we read about is the death of Harvey Ryan Newcombe, a farmer who died of electrocution and the first of the fathers we are introduced to. The death notice indicated that the funeral had already passed by the time the paper went to print, indicating that deaths of this sort were not uncommon and, due to the pressing matter of contributing to the war effort, not something that warranted much time to grieve. Harvey beat his wife and kids when provoked, and while not regarded as saintly in any way, is presented as being fairly typical of what fathers were like in those days.
Newcombe's daughter, Dahlia, had a bad enough relationship with him that the implication early on with the line, “‘Dahlia Newcombe could not possibly have had anything to do with her father’s accident” is that the possibility existed that she killed him. Another line alluding to this possibility came when she watched her father coming out of the stable with a pitchfork and thought to herself (and confided in the narrator) that she should kill him now while she's still young enough to avoid being hung as punishment.
The relationship between a father and son stems from an unspoken competition in many countries. Whether it is a physical or mental rivalry the superior role slowly transcends on to the son as he grows into a man. In Brad Manning’s short story “Arm Wrestling With My Father,” and Itabari Njeri’s “When Morpheus Held Him,” both contain admiring sons and impassive fathers. Despite both stories similarities in unspoken emotions they differ in the aspect of their physical relationships. This unrequited bond between a father and son in these stories portray various types of love.
The Bragg family grew up with virtually nothing. The father left the family a number of times, offering no financial assistance and stealing whatever he could before he left. When he was there, he was usually drunk and physically abusive to the mother. He rarely went after the children, but when he did the mother was always there to offer protection. Mr. Bragg's mother's life consisted of working herself to exhaustion and using whatever money she had on the children.
“Those Winter Sundays” by Robert Hayden, “My Father as a Guitar” by Martin Espada, and “Digging” by Seamus Heaney are three poems that look into the past of the authors and dig up memories of the authors fathers. The poems contain similar conflicts, settings, and themes that are essential in helping the reader understand the heartfelt feelings the authors have for their fathers. With the authors of the three poems all living the gust of their life in the 1900’s, their biographical will be similar and easier to connect with each other.
The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.
A wife and church member are two quintessential factors that share “the blame” in Emma Jean’s decision to raise her baby boy as a girl. The time period that the novel is set in is the early 1900’s, when patriarchy and gender roles were more heavily indoctrinated into society. Gus, Emma Jean’s husband, encompasses a traditional father. Despite Gus being hardworking, and instilling a highly commendable work ethic in all six of his sons, Gus neglects ‘motherly duties’ like changing diapers and being intimate and affectionate with his children. Does fatherhood extend only to physical labor and
In Alice Munro’s “Boys and Girls” she tells a story about a young girl’s resistance to womanhood in a society infested with gender roles and stereotypes. The story takes place in the 1940s on a fox farm outside of Jubilee, Ontario, Canada. During this time, women were viewed as second class citizens, but the narrator was not going to accept this position without a fight.
There is a special bond between parents and children, but there is always uncertainty, whether it’s with the parents having to let go or the children, now adults, reminiscing on the times they had with their parents. The poem “To a Daughter Leaving Home” by Linda Pastan is a very emotional poem about what you can assume: a daughter leaving home. Then the poem “Alzheimer 's" by Kelly Cherry is about the poet’s father, a former professional musician who develops the disease. These are only two examples that show the ambivalence between the parents and the children.
Just before World War II Rudi Kaplan starts learning a very important lesson. A Father’s Promise is a historical fiction written by Donnalynn Hess. The setting is in 1939 right before World War II in Warsaw, Poland.
O’Connor’s characterization of the Grandmother serves to create conflicting ideas of what a “good man” is. The Grandmother constantly talks about the past and how in her time people could leave their “screen door unlatched.
"All of it is clear to a person who has understanding and right to those who have acquired knowledge." (Proverbs 8:6-9)
Alice Munro’s “Boys and Girls” is a story about a girl that struggles against society’s ideas of how a girl should be, only to find her trapped in the ways of the world.
Curiosity is the wick in the candle of learning and also the basis of education. Curiosity had killed the cat indeed, however the cat died nobly. Lives of Girls and Women is a novel written by Nobel Prize Literature winner, Alice Munro. This novel is about a young girl, Del Jordan, who lives on Flats Road, Ontario. The novel is divided into eight chapters; and each chapter refers to a new, unique event in Del's life. As an overall analysis of the book reveals that Del Jordan's intriguing curiosity has helped her throughout her life, and enabled her to gain further knowledge The character is often seen in scenarios where her attention is captivated, and through the process of learning she acquires information in order to her answers her questions about particular subjects. There are many examples in the book that discuss Del’s life, and how she managed to gain information, as well as learn different methods of learning along the way.
The relationship between a father and his son can be articulated as without a doubt the most significant relationship that a man can have throughout the duration of his life. To a further extent the relationship between a father and a son can be more than just a simple companionship. Just like a clown fish and a sea anemone, both father and son will rely on each other in order to survive the struggles of their everyday lives. Cormac McCarthy’s The Road and Gabriele Muccino’s The Pursuit of Happyness both depict a story between a father and son using each other as a means of survival when faced with adversity. When placed in a tough situation father and son must create a symbiotic relationship in order to survive. Upon the duo of father and son can creating a symbiotic relationship, it will result in a mutual dependency on each other. This theme of paternal love is omnipresent given the bond between the two characters.
In Alice Munro’s “Boys and Girls,” there is a time line in a young girl’s life when she leaves childhood and its freedoms behind to become a woman. The story depicts hardships in which the protagonist and her younger brother, Laird, experience in order to find their own rite of passage. The main character, who is nameless, faces difficulties and implications on her way to womanhood because of gender stereotyping. Initially, she tries to prevent her initiation into womanhood by resisting her parent’s efforts to make her more “lady-like”. The story ends with the girl socially positioned and accepted as a girl, which she accepts with some unease.
While the relationship between fathers and sons has been documented at length, the father/ daughter dynamic figures less prominently in literary tropes; in fact the last canonical piece I can recall reading was Euripedes’ Electra in high school. The tenuous relationship between Daddy and his little girl, however, harbors depths more personal and tangible than Greek tragedy and psychological analyses invoking the Electra complex. The emotionally void or aloof father in particular often burdens the female psyche, for his absence proves just as palpable as his sought after presence, shaping the landscape of a daughter’s future relationships and the construction of a self-image fragmented and disjointed by an early and intimate knowledge of rejection and abandonment. Transcending characterizations attached primarily to filial duty as experienced by the matriarch, the father figure remains the subject of mythologization, just as Sylvia Plath turned her father into a Colossus, a cold, inanimate stone edifice revealing none of his secrets or affection.