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Euripides portrayal of women
Euripides portrayal of women
Research on father daughter relationships
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Father-Daughter Relationship in the Film, William Faulkner: A Life on Paper While the relationship between fathers and sons has been documented at length, the father/ daughter dynamic figures less prominently in literary tropes; in fact the last canonical piece I can recall reading was Euripedes’ Electra in high school. The tenuous relationship between Daddy and his little girl, however, harbors depths more personal and tangible than Greek tragedy and psychological analyses invoking the Electra complex. The emotionally void or aloof father in particular often burdens the female psyche, for his absence proves just as palpable as his sought after presence, shaping the landscape of a daughter’s future relationships and the construction of a self-image fragmented and disjointed by an early and intimate knowledge of rejection and abandonment. Transcending characterizations attached primarily to filial duty as experienced by the matriarch, the father figure remains the subject of mythologization, just as Sylvia Plath turned her father into a Colossus, a cold, inanimate stone edifice revealing none of his secrets or affection. If the absent or emotionally unavailable father takes on shades of grandeur for the daughter that knew little of him, one can only imagine the impression left by the father figure whose imagined significance in the eyes of his child is only matched by the reality of his fame. William Faulkner, A Life on Paper conveys an image of the literary colossus that both perpetuates the persona of the great American writer and deflates it. Representing the author as a fallible man who endows the world with a narrative legacy while leaving his own daughter little more than a few candid glimpses into his character, the film relays the commentary of Faulkner’s daughter as she attempts to piece together a sketch of an apathetic, mercurial, and brilliant father. Jill Faulkner Summers pulls from her memory pictures of her father as “extremely courtly and elegant” but lacking a depth and sincerity in his personal relationships: “Pappy didn’t really care about people. I think he cared about me, but I also think I could have gotten in his way and he would have walked on me.” Faulkner’s coarse words penetrated more than the page as well. After imploring “pappy” not to succumb to another drinking bout, Faulkner informs his daughter, “no one remembers Shakespeare’s child”. The film, then, relates a father/ daughter dynamic built upon emotional lack, as the father expressly negates the significance of his own child.
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
While I was watching the documentary William Faulkner, a Life on Paper I found it striking how the different people that were interviewed talked about two different sides of the author William Faulkner. His daughters, Jill Faulkner Sommers and his stepdaughter, spoke mainly about his alcohol abuse and his moodiness whereas Faulkner’s contemporaries from Oxford underlined Faulkner’s generosity and kindness. The documentary shows Faulkner not only as father of Jill and his stepdaughter but also as a father figure for many others. He had to take care of several families at once. At one point Faulkner had seventeen dependents to provide for. Many of the people that were interviewed describe Faulkner as being very generous and always willing to help others even when he had almost nothing himself. One special example is his brother Dean who died in an airplane accident and because Faulkner had bought the plane he apparently felt guilty about the death of his brother for the rest of his life as his sister-in-law says in the interview.
Hewson, Marc. ""My children were of me alone": Maternal Influence in Faulkner's As I Lay Dying." Mississippi Quarterly 53.4 (2000): n. pag. Literature Resource Center. Web. 17 Apr 2011.
Porter, Carolyn. "William Faulkner: Innocence Historicized." Seeing and Being: The Plight of the Participant Observer in Emerson, James, Adams, and Faulkner. Middletown, CT: Wesleyan University Press, 1981. Cited as rpt. in Bloom.
William Faulkner’s A Rose for Emily tells a story of a young woman who is violated by her father’s strict mentality. After being the only man in her life Emily’s father dies and she finds it hard to let go. Like her father Emily possesses a stubborn outlook towards life, and she refused to change. While having this attitude about life Emily practically secluded herself from society for the remainder of her life. She was alone for the very first time and her reaction to this situation was solitude.
In the story Little Women, the sisters all have to work together when their mother leaves. Mrs. March leaves to meet with the girls’ father after she is told he has become ill. During the weeks Mrs. March is gone it’s a test for the girls’ work ethic, since their mother is not there to tell them to do their work. The March girls start to change after a couple of weeks.
Another important element in My Girl is the absence of parental attention or support in Vada’s life. Her father, preoccupied with his business and likely still grieving over his late wife’s death, is frequently unavailable to his daughter, both emotionally and otherwise....
This is a book that tells the important story about the social significance and long-standing implications of fatherless families from a seldom heard point of view. The male siblings are linked by their struggles achieve peace with father and with the women in their lives as they move from adolescence adulthood. This text is filled with rich characterization and visual imagery.
The South is tradition, in every aspect of the word: family, profession, and lifestyle. The staple to each tradition in the south, and ultimately masculinity, is to be a southern gentleman. William Faulkner, a man with the most southern of blood running through his veins, was everything but a southern gentleman.
In ancient times Babylonians used oil as mortar, Native Americans used oil as a topical medicine, and, before electricity, oil was used to create light. Mankind has been dependant on oil as a resource for generations. It has influenced growth, warfare, and technological advancement, but what if mankind were to run out (Alois)? The possibility of this eventuality was first vocalized by M. King Hubbert who introduced the notion of “peak oil.” When global oil production “peaks” it reaches its greatest output level and then permanently declines (Hubbert). There is much debate as to whether this “peak” exists, has already been passed, or will be passed in the near future. Despite the debate there is one undeniable fact; there is a finite amount of oil since it is a non renewable resource. Considering a sudden systemic collapse of all oil production seems unlikely, oil will probably be replaced gradually. This loss of oil could be positive; possibly less CO2 would enter the atmosphere and global warming may be stalled. However, the success of this transition away from fossil fuels will be largely dependant on the ability of developed nations to manage their time. If the US, or any other nation, is going to be successful, they need to start now.
On September 25, 1897 in New Albany, Mississippi, a son was born to Murry Cuthbert and Maud Butler Faulkner. This baby, born into a proud, genteel Southern family, would become a mischievous boy, an indifferent student, and drop out of school; yet “his mother’s faith in him was absolutely unshakable. When so many others easily and confidently pronounced her son a failure, she insisted that he was a genius and that the world would come to recognize that fact” (Zane). And she was right. Her son would become one of the most exalted American writers of the 20th century, winning the Nobel Prize for Literature and two Pulitzers during his lifetime. Her son was William Faulkner.
In the biography, the narrator writes about his childhood life, and how he tries to live up to his dad who he never met. In theory, mothers and fathers are very essential in child development. Mothers are there to nature and provide for a child; while fathers are there to give guidance and be a role model. There are two kinds of
Oil sands are unconventional petroleum deposits that consist of loose sand and partially consolidated sand stone that contains natural mixtures of natural clay, sand and water which is saturated with a highly viscous form of petroleum that flows extremely slowly known as bitumen (Yunchez, 2012).
Bergson’s philosophy apparently influenced Faulkner’s notion of time, an admission he has made in an interview with Loic Bouvard. He remarked, “In fact I agree pretty much with Bergson’s theory of the fluidity of time” (Lion in the Garden 70). In the Bergsonian scheme, man experience time as period, a continuous stream, according to which, past, present, and future are not rigid and clear-cut points of difference in time, but they flow in one’s consciousness, persistently impacting one another. From this angle, the past is not strictly past; on the other hand, it is conserved in the present as a living force that influences the way in which one undergoes the present. Furthermore, in different interviews, Faulkner explained that his outlook of time was linked to his aesthetic view:
Hewson, Marc. "'My Children Were Of Me Alone': Maternal Influence In Faulkner's As I Lay