A Study of Hello, All About Eve; Scarlet and Joy Division; and The Eternal

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A Study of Hello, All About Eve; Scarlet and Joy Division; and The Eternal

Introduction

I have chosen to study Evanescence – Hello, All About Eve – Scarlet

and Joy Division – The Eternal. These pieces are all from the gothic

genre yet each has individual features that make them very different

from each other. This can provoke people into believing that they lie

more comfortably into a sub-genre, for example; gothic rock, gothic

folk etc. The main features of gothic music are hard to pinpoint

because of this diversity however they regularly include melancholy

lyrics, unusual vocals created by singers who are not accepted into

the “charts”, often with drawn out notes and, more recently, female

fronted.

This is certainly true of Evanescence and All About Eve however, Joy

Division were the most ground breaking band in the history of the

sub-culture according to the publications of the time e.g. NME. Their

lead singer Ian Curtis is well known for his on stage performance

where he often looked possessed by devils. His vocals range from a

fast, tenor, atmospheric sound to a steady, bass, haunting sound as in

The Eternal. The mix of their songs causes the bass and drums to be

very prevalent and the vocals and lead guitar in the background. The

tempo, dynamic and melody always influence the content of the lyric.

Evanescence did, in fact get into the charts when their ‘debut’ album,

Fallen, was released in 2003. The front lady Amy Lee has a beautifully

crystal clear voice that, while being digitally enhanced on the CD,

also comes across in the live performances. The guitar, bass and drums

are secondary to the vocals in most of the songs and this is the

standard set up. On the other hand, Hello has a marvellous piano

melody which is a refreshing break from the guitar rock and, in my

opinion, allows it to fit more comfortably under the ‘gothic’

classification.

All About Eve played their first gig in 1985 and by this time the

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