Being different makes one special, and being special makes you extraordinary. A Streetcar Named Desire tells the story of deranged Blanche Dubois, a schoolteacher from Mississippi. Blanche shows up unexpectedly at her sister, Stella’s, home in New Orleans and what follows after that is a complete trail of madness. A very important character included in the play is Harold Mitchell, referred to mostly as “Mitch.” Mitch holds many traits that distinguish him and make him different from the rest of the men in the play. One of them is how sensitive and loving he is. Also, he is definitely portrayed as a very calm man compared to his boisterous friends. Most importantly, Mitch is very understanding, especially when it comes to Blanche. These traits can not only be Mitch’s strengths, but they can ultimately be his weaknesses as well. …show more content…
This makes him very different when compared to the other men he surrounds himself with. In scene three, Mitch says, “ I gotta sick mother. She don’t go to sleep until I go in at night.” Mr. Mitchell’s mother is very important to him. He makes it his commitment to take care of his sick mother for as long as he can. Mitch also says, “She says to go out, so I go, but I don’t enjoy it. All the while I keep wondering how she is” (page 46). Despite his efforts, his friends still continue to heckle him about his obligations. Yet, it rarely phases him. It is clear that his friends aren’t as sensitive as he is. In fact, they’re quite the opposite. Stanley, Stella’s husband, can be well seen as more of an alpha male. He is not afraid to step up to the plate and play rough. Meanwhile, Mr. Mitchell isn’t that kind of man in the slightest. He’s awkward, shy, and has a heart that yearns for love. The commitment he’s made to take good care of his mother is just one example of
In this passage, Williams’ emphasises the nature of Blanche’s demise through the contrapuntal mode of the scene juxtaposing Blanche’s bathing with Stanley and Stella’s conversation. Williams wrote in a letter to Elia Kazan, who was to direct the film production of the play, that ‘It is a thing (misunderstanding) not a person (Stanley) that destroys (Blanche) in the ends’. This passage is significant as it shows the extent of Stanley’s misunderstanding of Blanche and his stubbornness to ascertain his condemnations to Stella. Furthermore, the use of colloquial lexis shows the true feebleness of Stanley’s claim because his judicial façade is diminished and shows the dangerous influence of claims as he sways Mitch away from Blanche. Stella’s character
Each and every individual develops some sort of perspective and opinion on many different subjects, objects, and people throughout life. However, these perspectives are prone to change. The play, A Streetcar Named Desire, by Tennessee Williams is a great example of new outlooks on life making an effect on personal beliefs. It shows the denouement of two opposing perspectives and how they can eventually damage or even destroy an individual. Some ideas established by Tennessee Williams are shown by incidents such as Blanche's gay husband committing suicide, Stanley and his perspective of reality revealing the fantasy in which Blanche confides herself in, and Mitch's aspect that every individual is to be given an equal opportunity in life.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Since Blanche’s arrival, Stanley has questioned Blanche’s lifestyle, accused her of theft and engaged in other verbal confrontation. As Mitch’s friend, Stanley deems it necessary to share what he has uncovered about Blanche’s deception and misbehavior with Mitch. After not attending Blanche’s birthday dinner, Mitch visits Blanche late in the evening. In this passage, Mitch reveals to Blanche what he now knows about her and tears off the paper lantern so that he can expose Blanche for who she is. This passage suggests that Mitch embodies the same masculinity already established in Stanley. Utilizing dialogue, characterization, and stage directions, Williams reveals the likeness between the two men.
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.