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Shakespeare literary techniques
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1. Throughout the play, the playwright Edward Albee made it so there is a clear showing of several different literary allusions. But in this case, in that particular scene, the focus is on Tennessee Williams A Street Car Named Desire. First of all, In the beginning of the scene, the point where she is talking to herself, you can spot that she makes some references to “The Poker Game” the painting based on the scene in which fragile Blanche comes in on her animalistic brother-in-law Stanley's poker game. And secondly, George, when he enters with the flowers in hand, or snapdragons, he is seen quoting a line of dialogue that comes from Williams play, the famous line "Flores para los muertos," which means flowers for the dead. Now here is the explanation or the comparison that can be made here. We all know that, in the play Streetcar, this particular line is used to foreshadow Blanches death. Not her physical death though, more so, it is used to foreshadow her emotional and spiritual death. In Woolf, George is using that line to foreshadow his announcement of "sonny-Jim's" death. Not only that, but it is also used to proceed the spiritual decimation of his and Martha's marriage. In addition to that, there is m ore death foreshadowing that can be seen, when we think or the part where Martha yells "Pansies! Rosemary! Violence! My wedding bouquet!" This line is making a reference to Hamlet, the part where Ophelia does her crazy speech where she offers imaginary flowers. Martha is heard using the word violence instead of violets in order to characterize her marriage. This offers shadowing of death also since Ophelia gives her mad speech before drowning herself. I think the greatest theme that this scene, this Act and the play in... ... middle of paper ... ... At the start, Nick and Honey seem to paint the perfect picture of of the American Dream. We have here a good looking young couple, and Nick is an ambitious young man that appears to have inevitable success coming down his way, and Honey seems to be a supportive, polite woman. But, as the play goes on, we can see that everything isn’t that nice! We learn the very sad truth that the only reason why Nick married Honey was for money, and also because she was preggos. He even cheats on her with Martha, and Honey ends up drinking. All of these examples shows us how Albee’s thoughts of the America Dream was not that of the mainstream, and again, this shows validates once more his unwillingness to sell out. So I get the feeling that the creation of this play was settled on truthfulness and a want to express the truth regardless of it being transferred to the big screen.
In the novel The Great Gatsby, the "American Dream" will never be a failure if Jordan does not develop Nick into his final character. Nick Carraway's realization of the equality of man altered through his origin sets him up as a morally sound standard, until confronted by Jordan Baker. Men and Women seem to be in constant battle for certain right but in the end, it is obvious that society has a real difficult time dealing with such issues. It is the job of society to understand this, and come to a realization about themselves.
Each woman in the Dead family is associated with their own wilted flower, which is significant because the flowers exist out of oppression and lack of affection. Before it is clear in the story that Macon and Ruth do not love each other, the flowers that Ruth interacts with beforehand serve as a precursor for the dead romance that is to come. Morrison notes the flower arrangement on Ruth’s dining table, which “once exposed, behaved as though it were itself a plant and flourished into a huge suede-gray flower that throbbed like fever.” The “suede-gray flower” is an artificial fabric flower associated with Ruth reveals that she is deprived of love. By following the life cycle of the “grey-suede flower,” the reader can understand the evolving position that Ruth has had in her home. When the flower was alive, her father was also with her, so she would communicate with her husband and dictate the matters of the household. When the flower was alive, Ruth and Macon were somewhat more in love. Macon was also kept quiet. As the flower weakens and dies, we see Ruth’s strength, independence, and love life dwindling and dying. Thus, it is clear that a
In the beginning Tennessee Williams formed Stanley and Blanche from the soil of repression and indulgence; he breathes desire into their nostrils causing them to become living souls. In the mist of the Elysian Fields garden was the tree of knowledge of death and redemption. Stanley the merciless predator of Blanche used the knowledge of the death of Belle Reve to expose Blanche’s nakedness. Blanche covers herself with puritanical fig leaves inadvertently exposing the primitive beast like qualities in Stanley. Tennessee Williams infuses Stanley and Blanche with contradictions of opposing class, differing attitudes about sex and the incongruent perspective on reality. Effortlessly these expressions of desire moves like a pendulum back and forth between Blanche and Stanley, the clock stops, ultimately exposing the neurosis of their souls. The author’s emancipation proclamation reveals how their contradictions became complementaries thus transcending the imagery of death into a pious redemption. Emphatically the author’s soul cries out from the grave, “Out beyond right-doing and wrong-doings there is a field I’ll meet you there,” (Rumi).
6). Williams’s sister Rose is the real-life parallel of Blanche – Blanche’s illusions about life mirror Rose’s after her forced lobotomy*. However, unlike Rose Blanche is presented as knwing that she is “on the verge of - lunacy” (p.7). Similarly, Williams declared that after the events of ‘A Streetcar Named Desire’, Blanche left the asylum and lived a fulfilling life with a young gentleman – he was perhaps deluding himself, pushing his hopes for Rose onto Blanche, the fictional character believed to have been inspired by his
In the play A Streetcar Named Desire author Tennessee Williams writes about Blanche DuBois, a woman who is seeking help from her older sister Stella Kowalski. Blanche comes to stay with Stella and her husband Stanley after finding out that Blanche and Stella’s childhood home had been taken from under them. The play goes on to show the dramatic downfall of what is Blanche DuBois. Throughout the play we see her slowly break down till finally she is pushed over the edge. William's uses a great deal of allusion to convey a real meaning to why characters do what they do. It’s not just an example, each allusion has a deeper meaning to the character it’s associated with. Blanche DuBois is the character used associated with allusion. Williams uses allusion with Blanche to present how she masks her true identity to the real world, saying she’s a pure southern belle when really she is truly a lost lonely soul.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
...think that the play is about desire between people and the different ways they can express it, which the title, A Streetcar Named Desire, informs us. Blanche came to town on a streetcar because she was ostracized in her old home as a result of her desires. Blanche had a desire for sex in general to cope with her divorce and the loss of her family; she just needed to feel loved. Stanley expressed his hidden desire for Blanche by being cruel to her through the whole story, and then having sex with her. Mitch showed his desire for Blanche by asking her to marry him. Stella had a desire for Stanley’s love and for Blanche’s well being. The play is a display of the drama involved in families, and it shows that sometimes people have to make decisions and choose one relationship over another. In Stella’s case, she chose her relationship with Stanley over her sister.
In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.
As one can see, Tennessee Williams used colours in several ways. The significance of colours reveals the real appearance of Blanche throughout the play. The colours have their own meanings. The significance of colours is a central theme in Tennessee Williams’ A Streetcar Named Desire; the author uses colours to reflect states of mind, make further commentary on particular characters, and what sorts of things specific colours represent.
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
A stronger foreshadowing is when O’Connor states the reason for the grandmother’s beautiful dress, "In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady." (11). She herself predicts her own death.
William’s foreshadowed Blanche’s downfall from the beginning of the play in scene one. Blanche 's transfer from the Streetcar Named Desire to the Streetcar Named Cemeteries showed sexuality and death are connected in the play. Blanche said in scene one she took a Streetcar Named Desire, and then transferred to a Streetcar Named Cemeteries which brought her to Elysian Fields. Those cars
The American dream has an inspiring connotation, often associated with the pursuit of happiness, to compel the average citizen to prosper. In Fitzgerald’s novel, The Great Gatsby, Jay Gatsby’s infatuation for Daisy drives him towards wealth in order to respark his love. Due to Daisy’s rich background, the traditional idea of love becomes skewed because of the materialistic mindsets of people in the 1920s. In the novel the wealthy are further stratified into two social classes creating a barrier between the elite and the “dreamers”. Throughout the novel, the idea of the American dream as a fresh start fails. As Nick, the narrator, spends time in New York, he realizes the corruption pursuing goals. Characters such as Gatsby and Myrtle constantly strive toward an the American dream, which Nick realizes to be fruitless in the end.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
The American dream described in the play can be achievable, but Willy’s ways of achieving that American dream leads him to a failure. According to an article published by the South Atlantic Modern Language Association, the play builds the idea of American dream that it is harmful and immoral as long as it is based on selfishness and greediness. However, the dream us described realistic when it is achieved on values that ar...