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Important allusions in literature
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In the play A Streetcar Named Desire author Tennessee Williams writes about Blanche DuBois, a woman who is seeking help from her older sister Stella Kowalski. Blanche comes to stay with Stella and her husband Stanley after finding out that Blanche and Stella’s childhood home had been taken from under them. The play goes on to show the dramatic downfall of what is Blanche DuBois. Throughout the play we see her slowly break down till finally she is pushed over the edge. William's uses a great deal of allusion to convey a real meaning to why characters do what they do. It’s not just an example, each allusion has a deeper meaning to the character it’s associated with. Blanche DuBois is the character used associated with allusion. Williams uses allusion with Blanche to present how she masks her true identity to the real world, saying she’s a pure southern belle when really she is truly a lost lonely soul. “The blind are leading the blind”(44) This biblical allusion first appears in the Bible "Let them alone: they be blind leaders of the blind. And if the blind lead the blind, both shall fall into the ditch."(Matthew 15:14) Williams uses this allusion to show how Blanche is headed for a tragic road. Blanche relies on Stella ,her sister, to help try to rebuild her. Blanche is so lost that she needs someone to …show more content…
guide her through this dark time in her life. Since Stella is too involved with Stanley she is unable to see the pain Blanche is feeling behind her southern belle façade, she’s blind to what’s truly occurring with her sister’s mental state. Which is why Williams uses this quote, to indicate that Stella is and will do nothing to pull Blanche in the direction she needs to be going. It’s not just Stella though, Blanche is also blind. After the tragedy of her husband killing himself Blanche has been decaying inside, trying to live on by keeping it hidden. It’s the blind leading the blind to a downhill road. One of the first thing Blanche does when she comes into the Kowalski’s home is take a bath. Blanche is known throughout the play to take baths, she says that it makes her feel like a brand new human being!.”(37) Williams doesn’t make this allusion as noticeable but he is comparing Blanche to William Shakespeare's character Lady Macbeth from they play Macbeth. Williams is specifically referring to the iconic scene where Lady Macbeth is washing her hands over and over saying “Out damn spot, out I say!” after committing murder. Lady Macbeth is trying to wash away her sing but it seems like no matter how hard she tries she can’t. The same is happening with Blanche, Williams is conveying how Blanche knows she has done something wrong and thinks that by bathing it will wash away her sins, which it does for her for a small amount of time but then it comes back each time and therefore she must bathe again. Williams is showing the readers how Blanche doesn’t want to face her problems, that she is so lost that she can’t manage to own up to her actions, so she covers them in, yet another, a steamy facade. In scene seven Blanche is bathing while singing the song "Paper Moon." The song is Blanche voicing her true desire. "It's only a paper moon just as phony as it can be but it wouldn't be make-believe if you believed in me."(100) What Williams is showing with this allusion is that Blanche wants to go back. This song alludes to the fact that Blanche is truly living this fake life, and she knows it. This is William’s show of Blanche’s cry for help, that is what this song is. The lyrics “It’s only a paper moon just as phony as it can be”(100) is talking about Blanche’s life, how she has been making up stories and lies to cover up that she is actually truly lonely, lost and most importantly, scared. The remaining lyrics “but it wouldn’t be make-believe if you believed in me”(100) is Blanche calling to almost everyone in her life, saying that none of this would have happened if people were there to help her through all the emotional situations she has been through. Ironically Blanche is singing this song while Stanley is telling Stella all that Blanche has been hiding from them and how he wants her out of the house. That is what Williams is saying here, that if people only believed and helped Blanche she wouldn’t have turned out this lonely lost soul. Blanche is associated with many allusions but there the first one she actually says herself is The Pleiades allusion. “Looking for the Pleiades, the Seven Sisters” (86). The Pleiades were the seven daughters of Atlas and Pleione. Unlike the Pleiades, Blanche is alone. What is most important about this allusion is that only six of the seven stars are clearly visible to the naked eye. It was told in the Greeks’ story “Lost Pleiad” that one of the sisters deserted her other sisters, to take a mortal husband. William uses this allusion to show how Stella is the lost sister and how Stella left Blanche in order to be with Stanley. So by Blanche trying to find the seven sisters she is trying to find her sister, but she can’t because she is already gone. Once again Blanche is lost and alone. The phrase “Je suis la Dame aux Camellias!
Vous êtes- Armand” (88) which was said by Blanche is an allusion to the play “Camille” by Alexandre Dumas. The line means, "I am the Lady of the Camellias! You are Armand!" The play is about a lady who is a prostitute who abandons Armand. William is alluding Blanche with the character “Lady of Camellias” they are both weak and polluted by past loves that they are wanting attention and a new start. Williams also uses this allusion to show the outcome of Blanche and Mitch, in the play Lady Camellias leaves Armand, and since Blanche says this quote knowing the outcome of the story, Blanche herself may see no hope for
Mitch.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Tennessee Williams is known to be a Southern playwright of American drama. Williams knew how to show haunting elements like psychological drama, loneliness, and inexcusable violence in his plays. Critics say Williams often depicted women who were suffering from critical downfalls due to his sister Rose Williams. Rose was always fighting with a mental health condition known as schizophrenia all her life. The character Laura in The Glass Menagerie is always compared to Rose, because they were both socially awkward and very quiet girls. This may be true, but one can look at Blanche DuBois from A Street Car Named Desire shadows his sister’s life and characteristics more than Laura did. In the obituary of Rose Williams that was written by Philip Hoare, he says, “She grew up outgoing, using make-up earlier than other girls, and was remembered as “very pretty and a bit standoffish” (Hoare). This parallel sounds remarkably like Blanche and does not sound like Laura’s characteristics. Laura never wore make up and her personality did not keep others distant. She was distant to others, because of her disability. Also Roses down fall is very similar to Blanche DuBois down fall in the play and end result. Laura never has a down fall in The Glass Menagerie. Laura seems to have hope in the end of the play. Laura was a tribute to show Rose’s innocence, but Blanche was to show Rose’s true colors. Tennessee Williams uses elements of appearance, age, gentleman callers, sexuality, and the fear of homosexuality to show his sisters down fall in the character Blanche DuBois in A Streetcar Named Desire.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
One main usage of symbolism that Williams implements is the use of the symbolism of blindness. When Blanche first arrives at Stella’s house, she is blinded by the sun, which symbolizes her start of being blind to others and her own problems (Williams 16). Blanche throughout the play has instances of blindness, which all together demonstrate the blindness that Blanche has towards her own sanity and the circumstances that she is in. Even when the blind street peddler arrives at the door Blanche exclaims that “the blind are even leading the blind” (Williams 44). What Blanche said is even true to herself and her circumstances where Blanche is blindly following her path and too is setting herself up for in the future a mental breakdown. Blanche’s
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
Up until the moment she sees the doctor at the end of the play, she is convinced her former man, Shep Huntleigh, now a millionaire, is coming to get her and take her away to a life of stability and ease. As the doctor leads her away she says, “I’ve always depended on the kindness of strangers.” This deluded calmness and happiness that Blanche has while being lead away to the insane asylum she still doesn’t know about, is suggestive that despite reality’s eventual and definite victory, fantasy is a strong and vital thing that is used by all individually in their own circumstances. Williams uses Blanche as one way to demonstrate and explore his points on the tragedy of reality versus
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.