A Room of One's Own, by Virignia Woolf

2164 Words5 Pages
bulb-icon

Recommended: Virginia woolf countribution in feminism

In A Room of One’s Own, Virignia Woolf presents her views evenly and without a readily apparent suggestion of emotion. She treads softly over topics that were considered controversial in order to be taken seriously as an author, woman, and intellectual. Woolf ensures this by the use of humor, rationalization, and finally, through the art of diversion and deflection. By doing this Woolf is able to not alienate her audience but instead create a diplomatic atmosphere, as opposed to one of hostility that would assuredly separate the opinions of much of her audience. As Woolf herself says, “If you stop to curse you are lost” (Woolf 93). Because of this, anger is not given full sovereignty but instead is selected to navigate the sentiments of her audience where she wills with composed authority and fascinating rhetoric. That being said, Woolf is not without fault. She occasionally slips up and her true feelings spill through. Woolf employs a stream-of-consciousness narrative, satire, and irony to express her anger towards male-controlled culture in what is deemed a more socially acceptable way than by out rightly saying that they suck.

The style of writing that Woolf is best known for is that of the stream-of-consciousness. When considering why she chose to write A Room of One’s Own using a stream-of-consciousness narrative, it should be taken into account the purpose of the frequent interruptions that occur for the speaker. She is stopped by an Oxbridge beadle for walking on the lawn of the college and in due course forgets what she was contemplating. She says, “The only charge I could bring against the Fellows and Scholars of whatever the college might happen to be was that in protection of their turf, which has been rolled for 300 ...

... middle of paper ...

...overcome this part of herselfand just write as a person, as Austen does, that her book and story suffer.

Woolf argues that literature should be written calmly, wisely, and without personal sentiments but “personally”, I don’t think this is possible as emotion equates to passion. How is one to write well without some type of passion, whether it is derived from anger or love or hate or even fear? Where issue may arise is if the level of emotion is so high that it causes the writer to lose perspective. If the writer does in fact lose perspective, then it may generate flaws in the writing or be too opinionated that it could in turn cause disinterest or offense to the intended audience. It has been said that the purpose of all writing is to have an effect on those who read it, but how can an author accomplish that without passion – and therefore without emotion?

Show More
Related

  • Death Of The Moth Rhetorical Analysis

    1636 Words  | 4 Pages

    Woolf’s pathos to begin the story paints a picture in readers minds of what the

    Read More

  • Alice Walker's In Search of Our Mothers' Gardens and Virginia Woolf's A Room of One's Own

    1341 Words  | 3 Pages

    Woolf, Virginia. A. A Room of One's Own.

    Read More

  • Woolf’s A Room of One’s Own and James Joyce’s The Dead

    1674 Words  | 4 Pages

    In her extended essay, A Room of One’s Own (1928), Virginia Woolf argues that in order to write great literature, women have two central needs: an incomes and a room with a locking door. For Woolf, the figure standing between women and literature is the patriarch: “Professor von X, engaged in writing his monumental work entitled The Mental, Moral, and Physical Inferiority of the Female Sex” (Woolf 2107). The Professor becomes the face of oppression in Woolf’s text as she discusses the “dominance of the professor” because “[his] was the power and the money and the influence…With the exception of the fog he seemed to control everything. Yet he was angry” (Woolf 2109). To Woolf, the patriarch only “seems” to control everything, suggesting he – in reality – does not. Instead, he is unable to control everything, and thus is angry. Yet, because the Professor is in possession of money, he controls influence. Meanwhile, women become the patriarch’s moneyless, influence-less inferior. In James Joyce’s short story “The Dead,” the Professor is Gabriel Conroy. He too “tries to control everything.” For example, when he buys his wife Gretta galoshes, she jokes “he’ll buy [her] a diving suit” next (Joyce 25). Gabriel is the one charged with “piloting” a drunk Freddy Malins into his aunt’s house for their annual dinner party (Joyce 28), the one to give the pre-dinner speech (Joyce 24), and carve the goose (Joyce 38). For most of the story, Gabriel acts as if he controls every aspect of his life: even the weather. When the dinner scene grows claustrophobic, Gabriel imagines people standing in the snow, believing “the air is pure there” (Joyce 46). Separated from the weather by a pane of glass, he imposes meaning upon it as he does everyth...

    Read More

  • Confrontation of Gender Roles in the Works of Mill, Tennyson, and Woolf

    1976 Words  | 4 Pages

    Woolf, Virginia. "A Room of One's Own." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 7th ed. New York: W.W. Norton & Co., 2000. 2153-2214.

    Read More

  • Virginia Woolf: Assertive or Introspective?

    3593 Words  | 8 Pages

    Virginia Woolf begins her memoir Moments of Being with a conscious attempt to write for her readers. While writing her life story, however, she begins to turn inwards and she becomes enmeshed in her writing. By focusing on her thoughts surrounding the incidents in her life instead of the incidents themselves, she unconsciously loses sight of her outward perspective and writes for herself. Her memoir becomes a loose series of declarations of her beliefs connected only by her wandering train of thought. Although Moments of Being deals largely with her conjectures, she is not trying to convince the reader of these beliefs' validity since she is so absorbed in the act of writing. What begins as an outwardly focused memoir evolves into Virginia Woolf's exploration of her thoughts and feelings.

    Read More

  • Death, Gender, and Social Roles in Virginia Woolf's To The Lighthouse

    5284 Words  | 11 Pages

    ... society has tried to discourage such mixing of gender within self by creating distinctive roles for women and men. Woolf feels that women must learn to accept their femininity, cultivate their masculinity and choose the role that they want to play. Only when they do this can immortality through self-fulfilment be achieved.

    Read More

  • Virginia Woolf

    413 Words  | 1 Pages

    Virginia Woolf, in her novels, set out to portray the self and the limits associated with it. She wanted the reader to understand time and how the characters could be caught within it. She felt that time could be transcended, even if it was momentarily, by one becoming involved with their work, art, a place, or someone else. She felt that her works provided a change from the typical egotistical work of males during her time, she makes it clear that women do not posses this trait. Woolf did not believe that women could influence as men through ego, yet she did feel [and portray] that certain men do hold the characteristics of women, such as respect for others and the ability to understand many experiences. Virginia Woolf made many of her time realize that traditional literature was no longer good enough and valid. She caused many women to become interested in writing, and can be seen as greatly influential in literary history

    Read More

  • The Theme Of Personal Identity In A Room Of One's Own

    1010 Words  | 3 Pages

    How can one establish one’s own personal identity when one’s societal expectations rules one’s life? Virginia Woolf uses her story, A Room of One’s Own, to show the stifling reality of the struggles in making room for women in the twentieth century culture. Virginia Woolf established a feministic view in the patriarchal world of the early 1900s. Woolf begins the story with a witty narrator preparing a lecture on women and fiction, and that the reality for a female to write fiction was not conducive to the weary life handed to her. The narrator of A Room of One’s Own points out that the cultural expectations for women in society was quite different from what many women’s goals actually were in life.

    Read More

  • A Room of Ones Own by Virginia Woolf

    2178 Words  | 5 Pages

    In the essay, Woolf asks herself the question if a woman could create art that compares to the quality of Shakespeare. Therefore, she examines women's historical experience and the struggle of the woman artist. A Room of One's Own explores the history of women in literature through an investigation of the social and material conditions required for writing. Leisure time, privacy, and financial independence, are important to understanding the situation of women in the literary tradition because women, historically, have been deprived of those basics (Roseman 14). The setting of A Room of One's Own is where Woolf has been invited to lecture on the topic of Women and Fiction.

    Read More

  • Virginia Woolf’s A Room of One’s Own

    1324 Words  | 3 Pages

    Though published seventy years ago, Virginia Woolf's A Room of One's Own holds no less appeal today than it did then. Modern women writers look to Woolf as a prophet of inspiration. In November of 1929, Woolf wrote to her friend G. Lowes Dickinson that she penned the book because she "wanted to encourage the young women–they seem to get frightfully depressed" (xiv). The irony here, of course, is that Woolf herself eventually grew so depressed and discouraged that she killed herself. The suicide seems symptomatic of Woolf's own feelings of oppression within a patriarchal world where only the words of men, it seemed, were taken seriously. Nevertheless, women writers still look to Woolf as a liberating force and, in particular, at A Room of One's Own as an inspiring and empowering work. Woolf biographer Quentin Bell notes that the text argues:

    Read More

  • A Room Of One’s Own by Virginia Woolf

    835 Words  | 2 Pages

    Throughout history, women writers used pen names and pseudonyms to avoid the eyes of the patriarchal society. The female writers were no strangers to harsh criticism from the gender-biased readers regarding their artistic works. However such emphasis on gender discrimination coined the words, feminism and sexism, which now reflect on the past and the present conflicts. In the book A Room Of One’s Own, Virginia Woolf tracks down the history of women and fiction to find the answer. She argues, “A woman must have money and a room of her own if she is to write fiction”. She chants on and on about the topic of “women and fiction”, contemplating the role of women in the traditional domain and the virtues of women writers. Although, Woolf may have contemplated over such awareness that a woman needs an atmosphere of her own in which nobody can intrude, the modern world has prevailed over such hindrances throughout technological innovations that offer freedom of speech. Also, economical affluence is not a necessity for women to engage in the fictional world but rather a sufficient condition in the modern world. Thus Virginia Woolf’s predictions failed to represent the current vantage point revolving around women and fiction.

    Read More

  • The Oedipal Complex In James Ramsay Character

    785 Words  | 2 Pages

    Woolf uses the stream of consciousness technique to give her writings a realistic taste. It helps penetrating inside the minds and psychologies of the characters, which gives readers the insight to discover the truth of each character. Her main focus was on the psychology of the characters. Through Freudian psychoanalysis theory, it emerges another section of this theory which called the Oedipal Complex theory. The Oedipal complex is a term describes a boy's feelings of desire for his mother and jealously and anger towards his father. Essentially, a boy feels like he is in competition with his father for possession of his mother. He views his father as a rival for he...

    Read More

  • Virginia Woolf

    1886 Words  | 4 Pages

    Virginia Woolf’s eccentric style is what causes her writings to be distinct from other authors of her time. The unique characteristics of her works such as the structure, characterization, themes, etc are difficult to imitate and cause a strong impression in her literary pieces. “Virginia Woolf’s works are strongly idiosyncratic, strange, a surprise to ...

    Read More

  • Women And Creativity In Virginia Woolf's A Room Of Ones Own

    1533 Words  | 4 Pages

    Virginia Woolf’s essay A Room of One’s Own explores the topic of women in fiction. More specifically, why there is a lack of women in fiction and what women need to be considered “great” writers. She asserts that if women had been afforded the same economic and social freedom as men, they too would have had a great literary tradition. But because of societal pressures, women were not able to fulfill their literary ambitions.

    Read More

  • Virginia Woolf’s A Room of One’s Own: Women and Fiction

    1151 Words  | 3 Pages

    Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing.

    Read More

More about A Room of One's Own, by Virignia Woolf

Open Document