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Violence through media in society
Media promotes violence in society
The influence of media on violence
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Recommended: Violence through media in society
In a recent Superbowl commercial aired by an non-profit organization called No More features an abused spouse in a toxic relationship that calls out for help in both a metaphorical and literal sense. The airing of this commercial during the Superbowl was meant as a way to clean the NFL’s image as their players have been in many domestic violence scandals. The video itself was meant as a breakthrough to it’s audience who might be abused men or woman. In the commercial itself an abused woman is featured, and through the use of a muted color palette with contrasting lights, static audio, a very unnerving tone is created. This tone helps transcribe the message, that in such a dark relationship there is always light and a way out. It’s also encouraging …show more content…
others to listen to those who might be searching for way out. The video opens with a barely lit scene of a fireplace - then transitioning to a disorderly room and piles of unwashed dishes.
Each part of the house is captured with a dark and gloomy cinematography, especially with some vivid colors that contrast in the foreground. The clips of each area of the room show the environment which the woman resides in along with her abuser. It’s an unkempt household and while there are shots of space that are neat, it’s quickly replaced by the reality of chaos. The audio that starts in the beginning with a distinct dial tone followed by the calm voice of a woman supposedly ordering pizza, in reality she calls 911 and the operator informs her that she’s mistaken. However, the woman continues and even the audience is left in confusion before the operator finally notices the strain in her voice, and asks her if she’s in …show more content…
danger. In the next part of the commercial, the woman finally admits she has an emergency. She then subtly answers the dispatcher’s questions to give him information on how to help her. Possibly under watch by her abuser, she makes no hints that she is calling 911 and continues to make it sound like a pizza delivery on her end. The imagery continues to give off a dark and dull tone to the video. Shots of a punched wall and disorganized rooms begin to clue in on some sort of violence taking place. The audience now becomes aware that something is very wrong inside the home of the woman. As the audience listens on the telephone call, it is almost evident the woman is getting more nervous as the conversation continues. Her voice becomes shaky and hesitant to the dispatcher’s questioning. This lets the audience know that she is in trouble, but also keeps the suspense as to what danger . As the commercial comes to a close, the operator asks if there are weapons in the house, to which the woman responds no.
The audience can now be sure that there is someone dangerous possibly physically abusing the woman. The dispatcher asks if she can stay on the line, and she declines with a “No, see you soon” as a cry for help. Throughout the end, we receive more images of family photos and a suspiciously fallen photo. The scenes colors continue to be dull and dark, giving an unsettling feeling to the commercial. Continuing with the nervous voice of the woman, she ends the call in a panicked tone, as if she has run out of time. Her last words are metaphorically a plea for help, hoping the authorities come as soon as possible. The text at the end that asks the audience to help speak for the abused, is created in bold and capital letters to give a serious tone to the message. The text makes the audience feel as if it is our obligation to stop the problem of domestic
violence. Through the commercial’s use of shady colors, violent images, and bold texts, the audience is gravely impacted on the severity of domestic violence. The commercial claims that we should listen more closely to help the abused. It is a plea to end domestic violence. The rhetorical aspect of the commercial urges the audience to get involved in this cause, and to help end a tragic problem during this time.
Many people enjoy the new car smell just as much as the actual new car. In today’s society there is a wide variety of companies and different brands to choose from. Companies have to advertise their products in a way that would stand out to the intended audience. The commercial for the 2017 Lexus LC adequately persuades its target audience, which is both male and female teenagers and adults, to take an interest in their product.
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
sport celebrities in their ads to entice the viewer. Consumers are encouraged to embrace the characteristics of the sturdy, tough, and swift, athlete through the product. Airing their commercials on sport networks makes for an outstanding target market for a merchandiser.
In 2010 the ASPCA (The American Society for the Prevention of Cruelty to Animals) came out with a commercial that would shock the advertisement industry. The effectiveness of this commercial is proven, simply by watching the reactions of the commercial’s viewers. For those who have never seen the video it has a very sad and morose tone to it. The commercial begins with showing pictures and videos of suffering animals with the song “Angel” playing in the background. While this is going on the narrator of the commercial (Sarah McLachlen) is softly talking about the suffering and abuse that these unfortunate animals go through. Through many different rhetorical techniques the viewers are many times brought to tears after watching this commercial. When thinking of pieces of Rhetoric that demonstrates the use of pathos, the first thing I think of is this commercial. The sole purpose of this commercial is to emotionally compromise the audience until eventually the viewers will donate money to the cause. This video is so affective at completing this goal because of the way it connects to the viewers, and the way it uses many different methods to attack the viewer’s emotions.
In an article describing the entire series of ASPCA ads that Sarah McLachlan appears in, the author states “that simple pitch has raised roughly $30 million for the organization since the advertisements started running in early 2007, making it the A.S.P.C.A.’s most successful fund-raising effort” (Strom). This article goes on to explain that many viewers are compelled to donate because they feel empowered whereas the animals being shown are helpless; the ads make the viewers feel like they can make a huge difference and this is a major advertising strategy. After further researching the success of this advertisement, it became clear that this method was not only used by the ASPCA but also in many other commercials that are aiming for donations from the viewers. It is found that people “are particularly sympathetic and likely to donate when they see sad expressions versus happy or neutral expressions” (Small & Verrochi). Based on this research, it is intentional that victims are pictured on charity appeals, such as this one, to elicit the responses that are believed to engender prosocial behavior. With that said, it is not a surprise that these ads were successful in bringing in donations for the
The Letter from Birmingham Jail was written by Dr. Martin Luther King Jr. in April of 1963. Dr. Martin Luther King Jr. was one of several civil rights activists who were arrested in Birmingham Alabama, after protesting against racial injustices in Alabama. Dr. King wrote this letter in response to a statement titled A Call for Unity, which was published on Good Friday by eight of his fellow clergymen from Alabama. Dr. King uses his letter to eloquently refute the article. In the letter dr. king uses many vivid logos, ethos, and pathos to get his point across. Dr. King writes things in his letter that if any other person even dared to write the people would consider them crazy.
Pollan’s article provides a solid base to the conversation, defining what to do in order to eat healthy. Holding this concept of eating healthy, Joe Pinsker in “Why So Many Rich Kids Come to Enjoy the Taste of Healthier Foods” enters into the conversation and questions the connection of difference in families’ income and how healthy children eat (129-132). He argues that how much families earn largely affect how healthy children eat — income is one of the most important factors preventing people from eating healthy (129-132). In his article, Pinsker utilizes a study done by Caitlin Daniel to illustrate that level of income does affect children’s diet (130). In Daniel’s research, among 75 Boston-area parents, those rich families value children’s healthy diet more than food wasted when children refused to accept those healthier but
The video describes how our society may not even care about the product being advertised, but we still read the billboard or watch the commercial. Also mentioned was the use of colors in a commercial, the marketing effects in politics, and even market research obtained by studying different cults. Frontline takes an in-depth look at the multibillion-dollar “persuasion industries” of advertising and how this rhetoric affects everyone. So whether this is in the form of a television commercial or a billboard, pathos, logos, and ethos can be found in all advertisements.
For this paper, I looked at two ads that I found extremely powerful. The first ad has a picture of a woman who cannot be recognized at all, with a picture of what she used to like in the bottom left corner of the ad. The ad states that “not everyone that gets hit by a drunk driver dies.” Thus revealing the woman as a victim of a drunk driver. The second ad that I have selected was a picture of a parking stall for handicapped drivers. The ad has in bold white letters “Every 48 seconds, a drunk driver makes another person eligible to park here.” These ads are both powerful in their own sense, however, the ad with the victim of the drunk driver strikes me much harder than the one with the handicapped parking stall. Although both of these ads use a strong sense of pathos to get you to feel bad for those affected by drunk drivers, the ad with the picture of the victim has a much stronger effect.
Jonathan Kozol revealed the early period’s situation of education in American schools in his article Savage Inequalities. It seems like during that period, the inequality existed everywhere and no one had the ability to change it; however, Kozol tried his best to turn around this situation and keep track of all he saw. In the article, he used rhetorical strategies effectively to describe what he saw in that situation, such as pathos, logos and ethos.
On the occasion of the hockey game, an audience from the bench addresses the readers about the first-time spectator. An audience describes a first-time spectator at the hockey game in order to convince the readers that have never seen hockey for the first time. He incorporates tone shift, figurative language and parallel syntax to describe the first-time seeing hockey game live.
Beyoncé’s super bowl performance had a political message. Her dressing in all black was an eye opener for the audience.
It was clear that women ruled the night. While the women had a lot of things to say about sexual harassment. Having said, most men were silent about the issue during the ceremony. Well, except for the host Seth Meyers which was an exception.
The picture of the advertisement is very moving itself.The very noticeable pitch dark background denotes terror,misery and despair giving us the idea of how appalling the situation is.The young boy’s depressed and innocent expression adds to the dreadful image and makes it’s viewers emotional.We can clearly see a black eye on his face showing he is a victim himself and this injury focuses on the fact of how gruesome and painful it can be to be a victim of such abuse.In the middle in white text is written,”HE HAS HIS MOTHER’S EYES”.This is the main and the most highlighted part of this advertisement and the font size and bright color makes it more visible than any other text in the image.The line is presented in a sarcastic manner adding slight humor to the criticism of this issue.When we say someone has his mother’s eyes we mean that person’s eyes resemble that of his mothers’.In this case,the young boy not only inherits his mother’s looks but also the sufferings and hardships that his mother had to go through due to physical abuse.I thought the way this message was presented makes the argument even more compelling.The ugly truth hidden under this sarcasm hits the viewers the most as they realize how easily this damage can transfer from one person to another,in this case from a mother to her son.In a smaller text at the bottom right of the picture it says to “report abuse”.This shows civic engagement that as a responsible citizen we should raise our voices if we
With so much exposure to this type of media, it is easy to become desensitised to it. With America becoming numb to the violence in these advertising tactics, domestic violence is an increasing problem as brutality against women has become trivialized. Jean Kilbourne 's “‘Two Ways a Woman can get Hurt”: Advertising and Violence’ argues that violence in advertising profoundly affects people in a skewed physiological manner, leading to violence against women. Kilbourne insists that “...violent images contributes to the state of terror...” felt by women who feel victimized by men who “...objectify and are disconnected...” from the women they mistreat (431). She furthers her argument by dictating that “....turning a human being into…an object, is almost always the first step towards justifying violence against that person” (431). So much of the media that America consumes is centered on dehumanizing women into an object of male enjoyment. It is difficult to have empathy toward a material object. Because of this objectification, men feel less guilty when enacting brutality upon women. Violence becomes downplayed because it is seen everywhere - in advertising and media - and this has contributed significantly to the cases of domestic violence in America. America has become numb to violence against women in advertising, leading to an alarming increasing domestic violence in this