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Descriptive statistics were calculated for each of four variables: opening weekend sales, total gross sales, number of release theaters, and amount of weeks in the top 60. The sample mean and median provide analysts with a measure of central location in regards to a portion of the data set. Range, sample variance, and sample standard deviation produce quantitative judgments about the variability of the data sampled from a larger population of observations. Outliers, as defined as being more or less than 3 standard deviations from the mean, did not exist when the data was thoroughly analyzed; although some movies did appear to perform abnormally high at first glance. A positive correlation exists between total gross sales and each of the other variables, albeit some were considerably stronger than others.
The sample mean was calculated by dividing the sum of the observation values by 10, or the number of observations. For opening weekend sales, a sample mean of the 10 chosen movies was $30.17 million. Total gross sales of all sampled films held a mean of $95.803 million. The two figures could allow a reader to draw a general conclusion that for a majority of the films, approximately 31.5% of total gross sales were made during a film’s debut weekend. The average number of theaters in which a movie was released is 2,482.4. A sample mean of 13.9 was calculated using the number of weeks the sampled movies were in the top 60 films.
The mean is usually used as a measure of central location. However, the average is extraordinarily sensitive to abnormally large or small observations (Anderson et al., 2011, p.90). When using data with extreme values, the median is desired because its calculation depends less on the broadness of the rang...
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...equels to high grossing films tend to be less profitable. Elaborate visuals and movies with large production budgets tend to do a better job of generating gross sales.
However, lavish expenses equal lower profits. Studios should look to the amateur Blair Witch Project and Paranormal Activity phenomena for advice on lucrativeness. Creativity is the most critical asset to a successful film. Superfluous explosions, extravagant lighting and redundant heroic tales are worthless when the theater is empty.
Works Cited
Anderson, D. R., Sweeney, D. J., & Williams, T. A. (2011). Essentials of Statistics for Business and Economics (6e ed.). Mason, OH: South-Western Cengage Learning.
Hom, D. (2011, August 18). Are Movie Sequels Profitable?. Tableau Public. Retrieved September 14, 2011, from www.tableausoftware.com/public/blog/2011/08/are-movie-sequels-profitable-1279
“Stat Wars” is the title of Chapter 5, and it describes the process of conflicts over such social statistics. There are debates over particular numbers, data collection, and statistics and hot-button issues. Knowing the causes of bad statistics outlined in Chapter Two will help readers in such stat wars.
As can be seen in exhibit to solution 2, we have estimated the per-film value of each production company. MCA Universal, Warner Brothers and Walt Disney Co are the only production companies that provide a positive per film value, with values of 9.89, 1.92, 12.56 million respectively. This value is calculated by dividing the net present value of all the movies by the total number of movies. We also calculated the average value of each production company based upon their share of the total number of movies produced. The companies with positive values were MCA Universal, Warner Brothers and Walt Disney Co is also the only production companies that provide a positive per film value, with values of 1.40, 0.37, 1.40 million respectively. These values are based on the average value per film multiplied by the company's average share of the industry.
What components make a movie successful in cinema? Filmmakers have crafted a formula to successfully deliver the hero narrative. This formula consists of the hero’s journey and archetypes. Hero films typically follow a ten-step sequence to properly set up and execute the hero’s journey. These movies range from stories of transformations, searches, or a journey back home. Archetypes are used to employ character profile as well as add variety and depth to these stories. Ridley Scott directed Alien, in which Ellen Ripley embarks on a journey where she must survive an alien who is out on a murderous rampage and return back to Earth. Alien adds originality to its storyline by choosing a female lead instead of a male, but the film still incorporates the same heroic attributes that make a story successful. In this “going home journey” film, Scott is able to incorporate the hero’s journey and the official hero archetype towards the heroine Ellen Ripley.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Films were blossoming during the “Roaring twenties.” At the beginning of the decade, films were created mostly in Hollywood and West Coast, but as well as in Arizona and New Jersey. Most people do not know that the greatest output of films was between 1920 and 1930 and was 800 films per year. Nowadays, people consider big output of 500 films per year. The film business was a huge one because the capital investments were over $2 billion. At the end of the decade there were 20 studios in Hollywood and the interest in films was greater then ever.
This case really takes a look into the world of the movie industry. The entertainment aspects and the motion picture exhibition are massive points that really make this case study interesting. This case harps on the dynamics of the value variables that have an impact on the profitability of movie theater owners. Consumers ultimately decide the way the studio-dominated business model will grow.
The film rating system was also sponsored by the National Association of Theatre Owners. This association is the largest exhibition trade organization in the world. It represents 26,000 movie screens in all 50 states and in more than 20 countries worldwide. The National Association of Theatre Owners’ purpose is “to preserve, enhance, and promote the magic of going to the movies.”
However, the potential revenue benefits of 3D are amazingly high. The 3D release of films such as: “Journey to the Center of the Earth,” “Madagascar: Escape 2 Africa,” “Fly Me to the Moon,” and “Chicken Little” have made at least two times, and in some cases three times, as much as their 2D releases. According to idependent.co.uk, global revenue from 3D ticket sales in 2008 amounted to $240m, approximately 70 percent of which came from North
Modernization in the 1980s paved the way for the Hong Kong New Wave, as the studio system set up in the 1950s was dismantled, the film industry experienced more freedom. Since decolonization was heavily present 75% of Hong Kong’s box office revenue were home grown movies, while the meager 15% was left for the foreign market. As one can see the political context of Ho...
2 nd. Ed. London: Routledge, 2004. http://www.routledge National Statistics Online -. 08 Jan 2004.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
In his book, Horror and the Horror Film, author Bruce F. Kawin remarked “horror itself resists formulation and can be difficult and unpleasant to contemplate.” This year was a phenomenal year for both horror and contemplative movies. Two prime examples: Get Out and mother!. Despite being both horror films with subliminal messaging and allegories, they had drastically different reactions and box office performances. To understand why this happened, it is imperative to analyze marketing, storyline, climate, and audience interpretation.
Movie theaters are focusing on moving from film projection systems to digital and 3D systems. With these added technological changes, ticket prices typically rise creating revenue gains for the industry. These changes are drawing more consumers into the theaters because the in-theater experience is something that they cannot get from online streaming at
Moviemaking is a risky business, for it is not always profitable. Only one in ten films ever recovers its initial investment from theatrical exhibition. In fact, four out of ten movies never recoup the original investment. In 2000, the average studio film cost had a total cost of over $80 million per film. No other industry in the world risks that much capital to make, finance, produce ...
Among the highest-grossing movies of all time are numerous landmark films, such as Titanic, Avatar, and Star Wars: The Force Awakens. Taking their place alongside these cultural touchstones are mammoth blockbusters of a new breed: action-packed superhero epics. Each year, the number of superhero movies due for release seems to grow exponentially. One glance at a list of upcoming movies for this year reveals that the box office is absolutely saturated with superhero films. Some highly-anticipated installments feature heroes already well-acquainted with the big screen, such as Captain America and the X-Men, while others are introducing relatively unfamiliar characters to contemporary movie-going audiences, as in the cases of Doctor Strange and