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An essay about interior design
An essay about interior design
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Building That Special Place
Many different types of architectural buildings and structures take a lot of planning and thought. Although many may not quite understand the complexity of this task, Michael Pollan explains very well what he experienced throughout his process. A Place of My Own by Michael Pollan gives a wonderful depiction on the many intricacies, details, time, energy, and money it takes to build and create that special place one daydreams about in his or her head.
We often focus on the many different materials and products needed to make that special architectural structure. We tend to undermine and dilute the cost and time it takes to be able to follow through and complete such a task. However, the most important thing when
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the task comes to mind is placement. “Where is this building going to go?” This question is an afterthought. The first thing a person does is daydream. We can envision the wonderful and unique structure in our head and love every aspect. We get so much drive and determination and fire in our souls to create and figure out what it takes to make this item come from our imagination to paper and then to real life. Pollan so well explain the process of building a structure and all the different areas that go into play.
“What kind of structure does one want to build?” Daydreaming plays a very large part in this decision. “Is it small?” “Is it large?” Making the structure come to life is where the rubber meets the road. The daydreamer has to consider and determine who they want to be their main architect. In Pollan’s case, Charlie, a college buddy, was the answer to all of his problems; however, he wanted to build it himself. He needed to present a space on paper that fit the site and landscape. It has to flow together and not look out of place. Feng Shui (add something from the book) He wanted a place that worked specifically to meet his needs as a writer and help him to keep and create flow within his …show more content…
works. Starting the structure is when everything needs to be figured out and set in stone, literally and figuratively. A lot of concrete and steel makes up the foundation. “Why would somebody use so much concrete and steel for such a small building?” The foundation is the most important part of the entire building. With a faulty foundation, the building itself will turn to ruin. They needed a perfect rectangle to make sure the entire building was square, and they could only use treated wood or else it would rot from moisture. This concept is totally different in the Japanese culture, and they do not have to worry about this issue because of the low humidity. Moisture is not as much of a problem there as it would be in America. Pollan wanted the look of natural with a side of sophistication, so he used expensive but economic resources for the framing and overall appearance. “What image would one want their ‘hut in the woods’ to portray?” For example, as we have studied so many different types of cultures with architecture, we see the overwhelming differences between each culture and design. It is all about personal preference. They used the method of post-and-beam on parts, and they used a more modern take on building and used a balloon frame. Post-and-beam reminds me a lot of the post-and-lintel structures in Ancient Greece. Although there is more to building than a few columns and crossbeams, the overall concept is very similar. Together, the building has to be constructed perfectly to be able to tie together all of the necessary parts of building this piece of architecture. As we have learned through different cultures over time, there are many different types of roofs that can be assembled to complete the enclosure of the structure.
Roofs offer the overwhelming feel of comfort and protection. We often thank the Lord for a roof over our head. Roofs represent the impression of completeness or solitude within the home. They have to withstand all types of weather and nature. Pitched and hipped roofs are very common among many different buildings because they slope upward making it to where weather does not affect them. Helm roofs and flat roofs have done their jobs and passed with time. Settling with a gable roof, which is the most common of the pitched roofs, Pollan wanted a roof that represented shelter. The entire building they built was made of cedar shingles, red on the roof and white on the walls. “What type of roof would one want to put on his or her house?” We want our building and roofs to look nice but do their job well.
Lastly, windows were added to complete the construction of the building. Pollan hired a woodworker, Jim, to make and create his windows. When the windows are completed and installed, Pollan could look at his place with satisfaction and fullness. Windows added the final touch to the “hut in the woods.” So the last question is asked, “What windows will one add to complete and ensure that the finished product is
perfect?” This story by Michael Pollan about his adventure with diving into architecture and taking of the overwhelming process of construction is intriguing and fulfilling. It gives us a pure depiction of every little detail that goes into building that perfect piece of architecture. he found all of the needed people to complete the task, but he also worked hard to make sure it was done in an efficient and complete manner. He used many different “theories” from history that still live today within his work and helps explain what goes best where. Why would a book like this become so influential when we have textbooks full of history and design? I believe an example, not only to follow, but to look up to with respect and awe help us to understand the full reality of architecture the art that it really is.
"The house is 10 feet by 10 feet, and it is built completely of corrugated paper. The roof is peaked, the walls are tacked to a wooden frame. The dirt floor is swept clean, and along the irrigation ditch or in the muddy river...." " ...and the family possesses three old quilts and soggy, lumpy mattress. With the first rain the carefully built house will slop down into a brown, pulpy mush." (27-28)
The house Cloudstreet is deeply symbolic in Tim Winton's novel. It is the place where as the blurb suggests "for twenty years they roister and rankle, laugh and curse until that roof over their heads becomes a home for their hearts." Indeed, each aspect of the house develops its own personified characteristics from the fence "patched together from old signs" and the Lambs' rooms "like an old stroke survivor paralysed down one side". However, the library is the most significant room in symbolising the author's values and attitudes.
“The cabin’s plank walls were supplemented with sheets of corrugated iron, its roof shingled with tin cans hammered flat, so only its general shape suggested its original design: square, with four tiny rooms opening onto a shotgun hall, the
To of the most striking descriptions used to portray the house are those of the windows and the fissure. He describes the windows as “vacant [and] eye-like.” With this description the narrator effectively anthropomorphizes the house. Thus he almost gives the status of character to the house. The other outstanding description is that of the fissure. It is described as “a barely perceptible fissure, which [extends] from the roof of the building in front, [making] its way down the wall in a zigzag direction, until it [becomes] lost in the sullen waters of the tarn.” It is interesting to note that the narrator spends so much time describing a feature that he describes as barely perceptible.
mocking the presence of this window as a homeowner’s choice to make an ordinary house look more
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
From the early Greek temples of yesteryear, to the high-tech autonomous buildings of tomorrow, the question of whether the function of a building or its aesthetics qualities are more important has plagued the minds of architects around the world. Webster's II New College Dictionary (Please do not use the encyclopedia or the dictionary to open your essay--way too high school.) defines aesthetics as "The branch of philosophy that provides a theory of the beautiful and of the fine arts" (18). The definition of Functionalism is defined by Webster's as "The doctrine that the function of an object should determine its design and materials" (453). Now, if the function of an object decides the type of design and materials used how does one integrate aesthetics into design, and moreover, how important are aesthetics to an architect? Frank Lloyd Wright was one of the greatest and most renowned architects of the 19th and 20th centuries, and while his buildings where lauded for displaying great artistic design, the issue of function was compromised by the blatant fact that his roofs leaked. This is because he let the aesthetics of his buildings become the focus of the structure, and neglected to adequately address the function of the building allowing for this problem to take root in his designs (Palermo, 4 Mar. 1999). As is apparent from Frank Lloyd Wright, there is a certain balance that has to be attained between aesthetics and functionalism in order for a structure to be appreciated as a successful building.
Herzog and de Meuron work together as architect partners. Their designs for most of their buildings have a common or similar nature. This nature carries out the simplicity of the shape of a box, which consists of a flat roof and large windows. This design gives the characteristics of Herzog and de Meuron’s buildings. In other words, we can say that this is their buildings’ identity. Indeed, this design is very similar to Frank Lloyd Wright’s design, which also shows today’s modern style of architecture. Their designs both carry the philosophy of “organic architecture”. This means the building is designed to fit its natural surroundings. Even the form of the building is designed to develop from its environment. So to speak, we can say that the building seems to grow out of its natural surroundings. In short, Herzog and de Meuron, as well as Frank Lloyd Wright, both design building in their natural form, assimilating its form to the environment.
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
Sustainable design seeks to reduce negative impacts on the environment, the health and comfort of building occupants, thereby improving building performance. The basic objects of sustainability are to reduce consumption of non-renewable resources, minimal waste, and create healthy, productive environments (“Sustainable Design”). Focusing primarily on the sustainable design principles, there are five, including: low-impact materials, energy efficiency, quality and durability, design for reuse and recycling, and renewability. As sustainability appears to become the necessary trend in architecture, the question concerning the cost versus outcome of “going green” really an investment or a waste of time and money comes to mind. With our research provided below, we believe the expenses may truly be with the investment in the end.
Hierarchy plays a very big role in architecture. Buildings and any type of structure differ in various important features and elements. The importance of a structure is how it is noticed by the public and how it stands out in any way, shape, or form. The exact way structures differ will not always be the same, and the reason behind that is because there will always be a different element of hierarchy being used towards the architect’s building or structure. This does not mean that more than one element will not be used. Many times, there will be various elements being used to make a building stand out and look different than any other building ever seen. Frankly, any architect will want to do anything to have his idea stand out the most and get a lot of attention because of that. Some elements will play a much bigger role in helping the architect triumph towards a very noticeable and successful idea. Many different features such as shape, size, color, strategic location or placement help the architects idea stand out the most and attribute to its success. By correctly demonstrating the use of these elements, the structure will be very noticeable and it will gladly stand out. This will be very glorious for the architect because what every architect wants to do is make his
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.