A Pattern of Visionary Imagery in W. S. Merwin
After quoting Blake's own words to establish his work as essentially "'Visionary,'" and then defining that term as the "view of the world . . . as it really is when it is seen by human consciousness at its greatest height and intensity" (143), Northrop Frye suggests an important but largely ignored point for criticism in his essay "Blake After Two Centuries" when he observes that works like Aldous Huxley's The Doors of Perception "seem to show that the formal principles of this heightened vision are constantly latent in the mind," and that it is this constant availability of vision, near at hand but suppressed, which "perhaps explains the communicability of such visions" (143).
Frye is right, of course, but there is another reason for his observation's importance to criticism, which is that the imagery and perceptions of visionary experiences, whatever their cause, occur in readily identifiable clusters, the affective nature of which is determined largely by the emotional reaction of the person experiencing them. Because of this, and because there are poets and authors other than Blake whose work is also visionary--that is, concerned to a large extent with the imagery and perceptions of what we now call altered states of consciousness--one can construct from various works and research on these states a visionary schema that will indicate not only when such a writer's subject is the unconscious, but whether his or her emotional reaction to it is positive, negative, or some ambivalent combination of the two.
By means of such a schema, for example, it is possible to trace through W. S. Merwin's deep image poetry a pattern of reconciliation with the unconscious: to argue that, in the works published from 1962 through 1977, he moves from a generally negative sense of it to a far more positive one. Though individual poems in the collections ranging from The Moving Target to The Compass Flower reflect varying senses of the unconscious--there are quietly happy poems in his darkest collection The Lice, for instance--the general pattern in these books and those published between is one of a coming-to-terms with the unconscious, a movement visible largely as a coming-to-terms with death.
Before arguing that this acceptance of death is no less than a willing (rather than a fearful) acceptance of the self-surrender necessary to any visionary experience or altered state, even one as specialized as the successful writing of deep image poetry, it is first necessary both to provide the general outlines of that schema mentioned above, and to establish that Merwin's work, like Blake's, is in fact visionary.
Metaphor is an underlying element used in this memoir to depict the relationship between family and nature, and the profound understanding of oneself, through the sequence of life and death, and the rebirth that proceeds. Using metaphoric references, Williams explores the continual unpredictab...
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
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In the three works, “The Tell-Tale Heart”, by Edgar Allan Poe and Emily Dickinson’s poems 340 (“I -felt a funeral in my brain”) and 355 (“It was not Death”), each display different aspects of the depths of the human mind through similar modes of rhetorical sensory overload. While Poe reveals the effects of denying one’s insanity, Dickinson displays the struggle and downfall of a depressed mind.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Poverty is quite an issue not only in third world countries but also here in the United States. Interviews were conducted with 74 families with school-age children, including 44 families living at or below 150% of the federal poverty level and 30 families living above 150% of poverty (Heymann 5). Over 14 million U.S. children lived in poverty in 1997 (Sherman and Sandfort 555).
There is some theoretical ambiguity in the meaning of Restorative Justice in spite of the many definitions and studies done on the subject. Restorative Justice has been defined as “an ethos with practical goals, among which to restore harm by including affected parties in a (direct or indirect) encounter and a process of understanding through voluntary and honest dialogue.” It is primarily concerned with the reinstatement of victims to life before the crime, restoration of the Offender to a well behaved and lawful life, restoration of the injury caused to the community and the creation of a better society in the present and the future.
The Protestant Reformation: What it was, why it happened and why it was necessary. The Protestant Reformation has been called "the most momentous upheaval in the history of Christianity." It was a parting of the ways for two large groups of Christians who differed in their approach to the worship of Christ. At the time, the Protestant reformers saw the church- the Catholic church, or the "universal church- " as lacking in its ways. The church was corrupt then, all the way up to the pope, and had lost touch with the people of Europe. The leaders of the Reformation sought to reform the church and its teachings according to the Scriptures and the writings of the Apostles. They sought to simplify the church by returning to its roots, roots long lost by the Catholic church at the time, or so the reformers believed. After the fall of the Roman Empire, life in Europe declined rapidly into the Dark Ages. The Dark Ages were a time of misery and darkness. There were only two socioeconomic classes: the very rich nobility or the very poor peasants. Small kingdoms popped up everywhere, and were constantly at war with one another. Whole libraries were destroyed, and the only people who remained literate were the clergy of the Christian church. Life became such a struggle to survive that, for a period of five hundred years, very little artwork or literature was produced by the whole of Europe. Eventually, around the year 1000, the conditions in Europe began to get better. This marked the beginning of the Middle Ages. The Crusades began as an effort to revitalize the spirits of the people. However, things still weren't very good. Plagues ravaged the land, carried by rodents and destroying whole villages. With th...
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The first half of the poems’ images are of life, coming of age, and death.
The Roman Catholic Church responded to the Protestant challenges by purifying itself of the abuse and corruption in the administration of the Church that had opened the way to revolt, this was known as the counter-reformation. Therefore, Luther and the other reformers with the power of the printing press it helped to spread their ideas to a wide audience. The reformation era is the most important period in the entire history of Roman Catholicism. It helped to reform the beliefs and values of the Roman Catholic
Restorative justice is concerned with healing victims' wounds, restoring offenders to law-abiding lives, and repairing harm done to interpersonal relationships and the community. It seeks to involve all stakeholders and provide opportunities for those most affected by the crime to be directly involved in the process of responding to the harm caused”. The Rwanda government has suffered a tremendous violent act in the loss of their two major ethnic groups that consisted of the Hutu and Tutsi. The large scale of mass murder caused millions of orphans and un-circumscribable agony to a country that has yet to be restored and healed. After such tragic events of rape, torture and decapitation to innocent people, the widespread of horror still is engraved in the survivors’ memory. For any individual to take any other person life is one scenario and to rape and kill a person while there family watch is another. Imagine the site and anguish given by the victim who is fighting or striving to maintain their life with all their being, while the oppressor ignores his/her cries to resolve the situation. That person is not in their right state of mind and probably does not know the purpose or the aftermath of their action. In 1994 the world witnessed one of the most systematic and vast massacre of our time in Rwanda. By the end of the massacre one million people were dead and hundreds were left with physical and psychological scars. The genocide was fueled by years of hatred between the Hutus and the Tutsis. After the genocide the Rwandan government was left with the task of designing a justice system suitable to prosecute perpetrators of the genocide and the reestablishment of peace within the country. Due to the lack of a competent judicial sys...
Poetry is a craft of near-paradox. Poets often say that they aim to encase the abstract within the concrete, describe without adjectives or adverbs, and expound upon concepts with the utmost concision. To meet these formidable challenges, they keep several important literary devices at their disposal, one of which is the conceit. Commonly defined as an elaborately extended metaphor, the conceit often allows poets to capture complicated ideas through comparison with images closer to readers’ everyday experiences. If the concept that the poet wishes to illustrate comes from the theological or philosophical fields, figurative language like the conceit can rescue the poet from didacticism as well as opacity. “On a Drop of Dew,” a short poem by the metaphysical poet Andrew Marvell, employs the conceit for just this purpose. Marvell’s use of the conceit allows him convey the Christian story of the human soul in his poem with subtlety and simplicity, from its birth in heaven through its placement on earth and eventual reunion with God in heaven.
It is this moment of recollection that he wonders about the contrast between the world of shadows and the world of the Ideal. It is in this moment of wonder that man struggles to reach the world of Forms through the use of reason. Anything that does not serve reason is the enemy of man. Given this, it is only logical that poetry should be eradicated from society. Poetry shifts man’s focus away from reason by presenting man with imitations of objects from the concrete world.