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American and Chinese culture
Asian-american identity narrative
China culture in brief
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A Pair of Tickets Amy Tan
Amy Tan’s A Pair Of Tickets is a story concerning family and roots. June May, like the author herself, was a Chinese born in USA and grew up with an American background culture, whereas her mother grew up in China and then immigrated to America. Looking at the repeated words, we discussed that one there are many words such as mother, sister, father and Aiyi. Most of the characters in this story belong to one family, June May’s family. It suggests to us that the tale is about relations and where we stand in our family. Even Aiyi brings practically her whole family to see her brother and niece. This is also one of the stronger traits of the Chinese cultures where there are many family occasions.
The Story also constantly talks of “blood.” In the western culture, blood, which is usually connected with red, symbolizes a sacrifice, death and also a bloodline. As we look at the previous repeated words, the “blood” means a lineage of family and relations. Blood also signifies your identity. In the story, May June, does not understand her Chinese blood identity at the beginning. She was embarrassed by her mother’s behavior. She did not realize what it meant when her mother said “Once you are born Chinese, you cannot help but feel and think Chinese…It is in your blood, waiting to be let go.” She admits that even though she is 36 years old, “I’ve never known what it means to be Chinese.” It is not until she goes to China and finally meets her half sisters that she understands what it is to be Chinese. “And now I see what part of me is Chinese. It is so obvious. It is my family. It is in our blood. After all these years, it can finally be let go.” Red color in the Chinese tradition is different fro...
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...er Chinese culture and identity to Jing-mei.
The title “A Pair of Tickets,” is the story of a father and daughter on a journey from one place, America, to another, China. The action from moving from America to China, also symbolizes the movement of Jing-mei’s recognition of her identity as she shifts from her American culture to her new Chinese Culture that was already in her blood. Not only is this journey a physical action, but also a spiritual journey. Through this spiritual journey, Jing-mei, clarifies her identity, the struggles of trying to accept her Chinese roots, and the misunderstandings she had of her mother. She gains respect towards her mother as she learns the battle her mother has fought to get to America. In the course of this journey, Jing-mei has learned to understand and respect her family. “After all these years, it can finally be let go.”
As June progresses through the journey into finding herself, she came to know that her mother wish was to reunite her sister with her family because after all Suyuan meant long-cherished wish. Suyuan was the person who gave her daughter the pendant that helped her overcome the obstacles and was the factor that furthermore boosted June’s confidence in recovering her mother’s wish. According to June, she was nothing like her mother but she has forgotten the bond that only blood related relatives share. There is only one fact that June could not change which helped her find her twins sisters and that was the unmistakable facial features that the daughters had in common with their mother. June says, “The gray-green surface changes...open in surprise to see, at last, her long-cherished wish”(332). When June met her sisters, it was not just because she wanted to fulfill her mother’s wishes but strengthen the bond because of the one thing they have in common which was they were all part of their mother, Suyuan. After all, her name Jing Mei meant the pure essence and little sister, which means that she was made up of the essence of her sisters. This was the reward that her mother had given Jing Mei, two sisters and all the love that Suyuan gave June which she had not realized before.
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
In the beginning of the story, the author describes the Chin Yuen's as American in appearance yet Chinese in customs. Throughout the story she continues to describe the deterioration of the Chinese customs by American ideal. This is pinpointed when Mr. Chin Yuen decides to let his daughter marry the boy that she loves. The conversation that Mr. Spring Fragrance has with Young Carman explains that only in American culture is it customary to find love before marriage; in the Chinese tradition, all marriages are arranged. This clearly exemplifies the manner in which the Chinese characters are more and more disregarding their Chinese culture and taking on this new American standard of living. Ironically, Sui Sin Far conveys the notion that the American tradition is not necessarily better than the Chinese tradition. More so she demonstrates the struggle of identity between two worlds that both make sense. Though Laura and Kai Tzu have found their happiness in the American tradition of marriage, the reader discovers that Mr. and Mrs. Spring Fragrance are equally as happy even through the Chinese tradition of marriage.
Although Mrs. Spring Fragrance has only lived in America for a short amount of time, her husband states “There are no more American words for her learning” (865). It is obvious through reading this statement that Mrs. Spring Fragrance has become quickly acquainted with not only the English language, but also with American customs and traditions. However, not every character in Mrs. Spring Fragrance adjusts to American culture as easily as Mrs. Spring Fragrance; some characters have a difficult time leaving their Chinese traditions of marriage and accepting that in America, love comes before marriage. Throughout Mrs. Spring Fragrance, Sui Sin Far describes the process that the Chinese characters experience as they slowly begin to alienate traditional Chinese culture and becoming Americanized through accepting American culture as their own.
Amy Tan's "A Pair of Tickets," especially, explores the relationship of setting to place, heritage, and ethnic identity. Jing-Mei Woo, the main character, has trouble accepting that she is Chinese, despite her heritage. Jing-Mei Woo believed, at fifteen, that she had no Chinese whatsoever below her skin. If anything, she perceives herself as Caucasian; even her Caucasian friends agreed that she "was as Chinese as they were." Her mother, however, told her differently, "It's in your blood, waiting to be let go." This terrified Jing-Mei, making her believe that it would cause her to suddenly change, "I saw myself transforming like a werewolf." Jing-Mei Woo finally realizes that she has never really known what it means to be Chinese because she was born and has lived in America all her life. After her mother's death, Jing-Mei discovers that she has two twin sisters living in China who have been searching for their mother and that s...
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
The Essay written by Amy Tan titled 'Mother Tongue' concludes with her saying, 'I knew I had succeeded where I counted when my mother finished my book and gave her understandable verdict' (39). The essay focuses on the prejudices of Amy and her mother. All her life, Amy's mother has been looked down upon due to the fact that she did not speak proper English. Amy defends her mother's 'Broken' English by the fact that she is Chinese and that the 'Simple' English spoken in her family 'Has become a language of intimacy, a different sort of English that relates to family talk' (36). Little did she know that she was actually speaking more than one type of English. Amy Tan was successful in providing resourceful information in every aspect. This gave the reader a full understanding of the disadvantages Amy and her mother had with reading and writing. The Essay 'Mother Tongue' truly represents Amy Tan's love and passion for her mother as well as her writing. Finally getting the respect of her critics and lucratively connecting with the reaction her mother had to her book, 'So easy to read' (39). Was writing a book the best way to bond with your own mother? Is it a struggle to always have the urge to fit in? Was it healthy for her to take care of family situations all her life because her mother is unable to speak clear English?
Once the train leaves the border of Hong Kong and enters Shenzhen, Jing-mei says, “I feel different. I can feel the skin on my forehead tingling, my blood rushing through a new course, my bones aching with a familiar old pain. And I think, my mother was right. I am becoming Chinese” (263). Jing-mei’s thoughts are in constant turmoil as she bounces back and forth on what being Chinese is and what her heritage is. The way Jing-mei describes her seven-two year old father as a young boy shows how emotional he is about coming home, that he has a long history in China. Even Jing-mei, who is coming to China for the first time, is feeling emotional about arriving. For example, Jing-mei says, “All he is seeing out the train window is a sectioned field of yellow, green, and brown, a narrow canal flanking the tracks, low rising hills, and three other people in blue jackets riding an ox-driven cart on this early October morning. And I can’t help myself, I also have misty eyes, as if I had seen this a long, long time ago, and I also almost forgotten” (264). The description of colors such as yellow, green, and brown are earthy and related to season of fall. In a way, the setting is showing that Jing-mei is getting in touch with her roots just like her father is. It would also explain why Jing-mei is suddenly overcome with emotions. A big part her that she has always assumed
In the story "A Pair of Tickets," by Amy Tan, a woman by the name of Jing-mei struggles with her identity as a Chinese female. Throughout her childhood, she "vigorously denied" (857) that she had any Chinese under her skin. Then her mother dies when Jing-Mei is in her 30's, and only three months after her father receives a letter from her twin daughters, Jing-Mei's half sisters. It is when Jing-mei hears her sisters are alive, that she and her dad take a trip overseas to meet her relatives and finally unites with her sisters. This story focuses on a woman's philosophical struggle to accept her true identity.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
Amy Tan’s “Fish Cheeks” describes Tan’s upbringing as a Chinese-American caught in between two cultures. In “Fish Cheeks” Tan’s crush Robert and his family were invited to Tan’s house for Christmas, Amy was embarrassed of Robert’s impression of her Chinese relatives, cuisine, and culture (Tan 110). Tan’s situation is not uncommon as millions of first generation Americans encounter similar situations while living within two cultures. Albeit the extreme embarrassment Tan endured throughout the encounter, she contends that her mother taught her a valuable lesson in appreciating her Chinese culture (111). Ultimately, Tan's purpose was to implore first generation Americans to embrace both of their cultures, in spite of its unique traditions (Tan
The book is organized into four sections, two devoted to the mothers and two devoted to the daughters, with the exception of June. The first section, logically, is about the mothers' childhoods in China, the period of time during which their personalities were molded, giving the reader a better sense of their "true" selves, since later in the book the daughters view their mothers in a different and unflattering light. Tan does this so the reader can see the stories behind both sides and so as not to judge either side unfairly. This section, titled Feathers From a Thousand Li Away, is aptly named, since it describes the heritage of the mothers in China, a legacy that they wished to bestow on their daughters, as the little story in the beginning signifies. For many years, the mothers did not tell their daughters their stories until they were sure that their wayward offspring would listen, and by then, it is almost too late to make them understand their heritage that their mothers left behind, long ago, when they left China.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
The struggle of self identity as she realized that all this while, her mother was right. Once you are born Chinese, you cannot help but feel and think Chinese. Amy Tan’s “A Pair of Tickets” presents an incredibly interesting perspective of a woman named Jing mei who is traveling through her native country of china, embarks on this journey of self-discovery to find her true chinese roots. The opening scene of "A Pair of Tickets" is an appropriate setting for Jing mei remark of becoming Chinese, because the introduction grabs the audience attention. We are first starting out in the story as reading Jing mei turning from American to Chinese in an instant second of the moving of a train from one city to the next. The narrator
The passage “A Pair of Tickets” written by Amy Tan, presents the idea or theme of belonging somewhere. In this passage Jing-mei yearns to find the “Chinese side” of herself. She feels as if she has never had one or lost it along the way of her journey in life. However Jing-mei finds it on a trip to China she will never forget. Tan really emphasized how lost Jing Mei was in the beginning of this passage, a joyful tone was also emphasized in this passage.