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History of dance
History of cultural dance essay
History of cultural dance essay
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Modern dance is a form of a dance that employs a special technique for the developing the
use of the entire body in movements expression of abstract ideas. Modern dance is a dance that has. a particular style and form. It was primarily originated in Germany and in the United States in the late 19th and early 20th centuries. Modern dance does not have strict rules as classical ballet but instead it is focus on expressing the inner feelings. Modern dance came to America in the 20th century. A number of choreographers and dancers rebelled against two forms of dances at that time, which was ballet and vaudeville.
They wanted to be recognize as artists rather than simply entertainers. The pioneers of modern dance in America were Lois Fuller, Isadora Duncan. Ruth St Denis and Ted Shawn. The first generation of modern dance swept America during the 1920's. A new form of theatrical dancing. The ground work had been laid developing the art as it is known today. It was introduced by Martha Graham, Mary Wigman, Hanga Holon, Doris Humphrey and others The second generation of modern dance included such artist as Erick Hawkins, Merce Cunningham, Paul Taylor, Jose Liman, Katherune Dunhana, Pearl Primers, Alvin Ailey, Anna Halprin, Yvonne Rainer and Toyla Tharp.
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Modern dance today is more sophisticated both in techniques and technology.
There is a softer dividing line between modern dance and ballet. Modern dance today has become a fusion of multiple dance styles and forms as demonstrated by choreographers , Mark Morris, Ohad Naharin and Shen Wei. There are many dance terminology, to name a few with their meanings are as follows: Attotude - a position in which weight is supported on one leg with the other leg lifted either in front or behind with knee bent and turned out. Jump - a rising into the air landing on both feet at the same time . Tempo - speed how fast or slow and Choreography - a dance
composition. In a modern dance performance, the dancer is often barefoot, or wearing soft shoes. He or she moves in a free, almost improvisational style, and it is common to see controlled falls and other interesting interplays of body weight and gravity. Unlike ballet, which reaches for the stars with leaps and high kicks, this style of dance often lingers near the ground, especially in a piece heavily influenced by psychology and intense emotional states. Also many dance forms began to intermingle, rather than remaining strictly separate. It is not uncommon for a modern dancer to have classical training, and dance sometimes appears in staged productions and films, when the artistic vision behind the piece calls for it. The flowing movements and dramatic appearance of modern dance also sometimes cross over to the ballet stage, bringing a note of seriousness to ballet performance. some technique's that was used number of times throughout the book that I found interesting was abdominals- muscles found on the belly of the body. The abdominals include the rectus abdominus, the obliques, and the transversalis. Adbuction- movement away from the midline on lateral plane. Adduction- movement toward the midline on the lateral plane. Also I found The term body half is associated with Bartenieff Fundamentals and developmental movement patterns.The movement of the right or left half of the body, while the other half is stationary or playing a supportive role.Triplets and slides was something I also found interesting because we have done a lot of this in class. Triplet is three steps usually done in a down, up and up sequence; and slides is an undercurve movement that combines a slide an elevation and a landing on the other leg in ballet this is called a chasse. The book basic concepts in Modern Dance it give me a great understanding of what modern dance is all about . To sum it up, its a modern dance performance, the dancer is often barefoot, or wearing soft shoes. He or she moves in a free, almost improvisational style, and it is common to see controlled falls and other interesting interplays of body weight and gravity. Unlike ballet, which reaches for the stars with leaps and high kicks, this style of dance often lingers near the ground, especially in a piece heavily influenced by psychology and intense emotional states. I feel reading this book it give me a better understanding of what modern dance really is and where it come from.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
Classical ballet is a traditional and a formal style that required a vigorous technique such as pointe work and turnout of the legs. Ballet can be combined with other types of music and movement like hip hop, jazz, tap and more. I believe that ballet is an elegant and flowing dance that can be combined with music and body movements. One of my favorite ballet dancer is Misty Copeland. She learned ballet very quickly when she stared, one technique that takes long time to learn is pointe, which is to support all the body weight in your feet, and Copeland learned to do it in just of three months.
The twentieth century dramatically changed the way people viewed and perceived dance and gave us contemporary modern dance as we know it. Modern dance allowed movement that was representative of expressive emotion and lifted the restriction identified in dance styles such as: classical ballet. Modern dance was seen as a radical change in the twentieth century, as it made room for interpretive movement, complex narrative and what we know
The Waltz isn’t a new dance but the dance had evolved from what it was in the past and became less directional. The dance was meant to be a slower dance than all the popular dances of the 1920s and it was more passionate and romantic. The most popular ballroom dance style was the Foxtrot and it just so happened that it was the easiest dance also. This dance consisted of smooth walking and could be danced to both fast and slow jazz tempos making it easy to transition between the two whenever the music switches up. The Foxtrot can be danced with simple steps if that was how the person felt was better or it could be danced with a series of complex steps meaning that it was a customizable dance. The Tango is another popular ballroom dance and came from Argentina. It’s popularity skyrocketed after “Rudolf Valentino performed it for a movie named Four Horsemen of the Apocalypse”(Nelson). The Tango arrived to the dance scene earlier than all the other dances, making its first appearance in 1912. The Tango was a passionate dance meant to be danced with a partner and the steps had a distinct vibe that added a sense of drama to the dance.There were also other popular mentions: The Shimmy which was banned from most dance halls because of its impurity and was also known in gypsy dances, The Black Bottom which eventually beat the Charleston and became the number
At the beginning of the twentieth century, European powers were in the process of mobilizing for the first world war after years of global imperialism, and the United States, after temporarily resolving the problems of Reconstruction and Industrialization, began to resume the course of expansion reaching out toward Asia and the Pacific. This era was consumed by limited choices in popular culture and dance, yet several dances began to emerge as a dominant form of art other than ballet. Born in 1878 to 1968, Ruth St. Denis was an American dancer renowned as a founder of modern dance, a sensational performer, and influential teacher. St. Denis was a pioneer in American modern dance and was able to successfully explore dance forms from diverse religious and spiritual expressions. She became very interested in the dancing techniques and emotions of Eastern cultures and created her own theory of dance based upon all of her early training, performers she worked with, and her reading on mythology and various cultures.
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
This paper will be a detailed description of what dance was like in the 1950’s specifically focusing on 1954 to 1959. It will also go beyond to demonstrate how the style of dancing is a direct reflection of the society during that time period. The topic will be presented in class and a brief reflection will be included in this paper.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Ballet, a form of dance has been around for many years and did not start in America. Ballet has made its mark around the globe and many have and still are enjoying the art and entertainment that the ballet brings. Ballet is known as being the “core” of the other forms of dance as in modern, contemporary and even hip hop. People enjoy the form of dance on an everyday basis at family functions, parties and even just being home alone and many do not know that the dances they particularly like all originated from ballet. The history of ballet has been put into nine well defined sections the Renaissance Period, the Baroque Period, the Classical Period, the Pre-Romantic Period, Romantic Era, the Russian Classics, the Ballet Ruses, Ballet in Europe
At the end of the 19th century, ballet was the most prominent form of dance. However, to Isadora Duncan, "ballet was the old order that needed to be overthrown, an embodied symbol of all that was wrong with oversymbolized 19th century living" (Daly 26). Duncan believed that the over-technical, over-standardization of ballet was not what dance should be about. Her vision of dance was one of emotions, ideas, social betterment, and the complete involvement of the body, mind, and soul (26). With these ideas in mind, she began to create a new form of dance; what she referred to as the "new dance" (23), and what is now known as modern dance. In creating this new dance, she was inspired by composers such as Beethoven, Nietzsche, and Wagner, writers like Walt Whitman, scientists Darwin and Haeckel, her Irish grandmother, and ancient Greek culture, as well as the spirit of America and its people (Duncan 48, 54). It was a combination of these influences that helped her to create the most expressive, soulful dance known today.
Her choreography often included instruments such as gongs, bells, and drums from Asia and Africa due to her influence by non-western and tribal motifs ("The History of Modern Dance"). Her first performances were in Breman and Hanover where she was born; unfortunately, these concerts were poorly received because of how strange this style of dance was in comparison to commonly known ballet ("Mary Wigman Facts"). However, that did not stop Wigman from continuing New German Dance. Later that year she won acclaim from audiences and critics and her reputation was established ("Mary Wigman Facts"). Wigman’s style became known as “Ausdruckstanz”, or Expressionist Dance in Germany ("Mary Wigman Facts"). With her new reputation Wigman opened up her own school of dance in Dresden and taught what we know as modern dance ("Mary Wigman
Back in 1920s and 1930s in America began new period called The Swing era, where the new generation became governed and exited about the Swing music and dances. It was the beginning of the pop culture. Swing dance is extensive idiom describing a diversity of partner dances developing from the 20s to the nowadays, started in Harlem New York by Afro-Americans. Big influence on Swing dance did entertaining development of jazz music that was invaded in New York’s Harlem district. Moreover, this fresh sound did a huge influence on a new Swing dance styles such as Texas Tommy ‘consider it to be the first swing dance because it was the first to include a breakaway from closed partnering position to an open position that allowed for acrobatics, antics, improvisations, and showing off’ (Malnig, 2009: 58).
Indian dance movements that have influenced most modern dance styles are shaking of the hands, skipping movements and feet flicking motions. Reference: Anon., 2017. [Website] Available at: https://en.wikipedia.org/wiki/Dance_in_India Anon., 2018.
Contemporary/modern is another type of dance similar to ballet but modern dance frees itself from the strict rules of ballet and focuses more on the dancer’s expression of inner feelings. Modern dance was created in the 1900’s as a rebellion against classical ballet. It emphasizes creativity in its choreography and performances.