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The portrayal of women in literature
Losing A Loved One Descriptive Writing
Depiction of women in literature
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The place was quiet...as quiet as it was cold. There were no fancy lights adorning the shabby little cabin, but newspapers and used cardboards sealed the cracks and holes that plagued its wooden walls. There was no laughter of merry family members sitting around a sumptuous meal celebrating the season. But in the dark and tiny kitchen stood an empty, scratch infested table that hadn't had the company of its masters since the summer that had just passed. Just beside the kitchen, in a room barely lit by a single light bulb that hung loosely from the ceiling, were two people quietly sitting on a bed. One could tell by their weary and dismal demeanour that the wintry evening wasn't the miscreant behind the murder of their joy and ardour. "Come on now, you have to finish it all up," Prisca gently urged her son as she held a spoon in front of his lips with one hand, and with the other, a bowl of soup. Her hands were old and trembling, and the scars on her sagging rough skin, if they could, would tell tales of a life of sweat and toil. Prisca Ralte had always been hard-working. However, after the death of her husband, whatever she had been doing before to make life a little easier, to put a little more food on the table, wasn't quite enough anymore. It became a struggle each day to feed her son and herself. She carried bricks and rendered cement; she cleaned houses and looked after children; she sold vegetables and flowers from the garden she grew behind their cabin, and found no time to mourn. Harsh times persisted and lingered, and a year after her husband's death, she could no longer keep her son in school. The young boy of twelve started selling newspapers in the town, and occasionally, he would also sell a few v... ... middle of paper ... ...s were awkwardly raised. Her mouth was slightly opened, and her eyes were dismal and confused. Perhaps she should go back inside and wait for him to come. She knew that her son had left her... but she hadn't touched him, nor had she cradled his face. Perhaps she should go inside, and it would turn out to be a bad dream...or maybe she could fool herself a little longer into believing her son was still with her. But she kept on walking...walking, until she stood beside her son. She dropped down on the ground and felt his cold, lifeless body. She held him in her arms and caressed and cradled his face. The reason why she had kept going, the only reason why she lived, lay lifeless in her arms. The sun was bright and warm, and some of the crops that Peter had planted had sprouted. In the distance, a church bell chimed...only to be drowned in the cries of the old mother.
She thought about her family, and the neighbors, and the town, and the dogs next door, and everyone and everything she has ever met or seen. As she began to cry harder, she looked out the window at the stores and buildings drifting past, becoming intoxicated suddenly with the view before her. She noticed a young woman at the bus stop, juggling her children on one side of her, shielding them from the bus fumes.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
...was a desperate act of a lonely, insane woman who could not bear to loose him. The structure of this story, however, is such that the important details are delivered in almost random order, without a clear road map that connects events. The ending comes as a morbid shock, until a second reading of the story reveals the carefully hidden details that foreshadow the logical conclusion.
It was a village on a hill, all joyous and fun where there was a meadow full of blossomed flowers. The folks there walked with humble smiles and greeted everyone they passed. The smell of baked bread and ginger took over the market. At the playing grounds the children ran around, flipped and did tricks. Mama would sing and Alice would hum. Papa went to work but was always home just in time to grab John for dinner. But Alice’s friend by the port soon fell ill, almost like weeds of a garden that takes over, all around her went unwell. Grave yards soon became over populated and overwhelmed with corpse.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
...e time she needed to let go. She, even though she was the narrator, grew as a character too. The story was about how her death affected those who loved her and knew her, and how they grew as people. Although her life was lost, new life also began. New friendships took their places in the world. The story gives off a sense of acceptance and that the living should focus on what is now, not what could’ve been. What is done is done; no one can do anything about that. What is important in life is to hold on and love those who are around us, and to let go of things holding us back. I thought this book portrayed that message well. It kept me entertained and I felt every emotion while reading it. I would recommend this to anyone looking for a story that is different and not afraid to think outside the box or someone that needs direction when it comes to dealing with grief.
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead.
Similarly, the furniture in the house is as sullen as the house itself. What little furniture is in the house is beaten-up; this is a symbol of the dark setting. The oak bed is the most important p...
Tears flooded my face as I let her hand go. I love my mother dearly, but without father I had to be the head of the house. The one to take charge in times like these. She was in not in a good place of mind to be rational. Why had father forsaken us like this, why couldn't we just go home and be with him. The thoughts swirled around my head but the next thing I knew was mother laying on the ground in pain. Her face crinkled and puffy as she clenched her stomach in the delicate hands.
From her death-bed, Elizabeth Johnson heard the corn stalks rustling, calling her name. Her withered, bare feet hit the hardwood floor of her bedroom. She glanced at her hospice nurse, Ethel, snoring in the big overstuffed chair by her bed. She picked up the family portrait of her husband and her three kids, kissed it and laid it on the bed. She shuffled in the dark, knowing every corner of the old farmhouse her daddy had built. Her tired legs ached with each step, but the stalks kept whispering her name as they blew in the October wind, and so she plowed on.
The sound of her son’s voice brought her to tears. She did not know how to respond to losing her child. She falls to the floor. She could barely move. Her exhaustion has taken over. Her body was drain of every bit of strength she could muster. She strains her neck looking up to Colet. He tries to help her up, but she did not want his assistance.
Our eyes locked, as tears streamed down her sullen face. She was a petite woman with heavy dark eyes, revealing her struggle, her pain, and a hope for a better life. She cradled her infant gently, yet firmly as if it was her last breath. With every sway, she kissed her child’s head as a promissory note that she would take care of her and provide for her the world.