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Analysis of the two speeches in juliud caesar
The emotional and physical effects of soldiers at war
Rhetorical analysis about the following two monologues from william shakespeare’s julius caesar
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Recommended: Analysis of the two speeches in juliud caesar
Marcus looks back to him.
“There are times. I wish I could live by my mother’s words. And times when I understand…I cannot,” Colet professes. “My mother would have me carry a bucket of water, everywhere I went, when my power first presented itself.” He recounts, “When I was five, I went fishing with my older brothers at a stream near our home. I never caught any fish and my brothers would tease me relentlessly for days after.” (He was transported back to that time in his mind.) “It was close to supper, and my brothers had already caught three each. I still have not caught any. Out of sheer frustration, I threw my rod into the stream, and my brothers force me in to retrieve it. I was climbing out when I heard my eldest brother scream and ran
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to see him being attacked by a savage boar. I threw up both my hands in a panic. I never had been so scared before,” he continues. “Then instantly, I felt this heat echo throughout my body and into my hands. I heard a squeal…then a whine…then a thud sound. I open my eyes to see the boar on fire and my brothers staring at me. My mother must have heard the commotion from the house. She raced outside with her eyes glowing.” He recalls, “Unlike my brothers who seem frightened of me. My mother saw my confusion over what had taken place. She immediately took me in her arms. She smiled and jokingly said, ‘I see you have caught supper.’ That night we ate the boar. And after that night, my brothers never tease me again, for I was the one that caught the biggest catch.” Marcus gradually started to trust Colet, after hearing his childhood story that was almost similar to how he discovered he too was a Haghar. He has never met another like himself that understands what he is feeling. “I will not harm you or your mother,” Colet assures him. “I just want to know what happen to my men. Just as you and your mother are a family, my men and I are. We will do anything to protect each other. Just like your mother would risk her own life to protect yours.” Marcus stares at his hands. “I didn’t mean to,” he said. “I don’t know how to control it. It just happens when I get mad.” Colet slowly eyes the door…the hole…a still unconscious Sara…and then Marcus.
He thought long and hard, knowing the ramification that will befall this family, due to the transgression that has taken place. “You’re going to have to take responsibility for what you’ve done. Just as my men would have for disobeying orders,” he tells him: feeling a kinship with Marcus that is making it hard for him to order his death.
“Are you going to kill me?” Marcus questions. His childlike innocent made it hard to forget that he was just a young boy: a victim of his circumstance that did not understand the ramification of his actions.
A pang expression took over Colet’s face. He felt a sentimental woe in the pit of his stomach that made him feel ashamed, at the very thought of executing a child: especially one that was only a few years younger than him, when he committed his first killed, using his power to protect his family. Although, he knew Marcus would have to pay for what he did and that the commanders will never believe Sara acted alone. He was still reluctant, twisted up inside with the choice he as both a Lieutenant and a Kingsman, has to make. He knew what he needed to do, but he wonders if he truly can go through with
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it. Sara stirs a moment later to the sound of her son’s voice. She at first thought it was a dream: ‘til she woke in horror to see him standing with Lieutenant Colet. She struggles to rise. Her facial expression is one of panic and disbelief. “My Lord, if someone needs to be punished. Take me instead.” “I already promise the lad, no harm will touch your head or his.” Sara pulls her son out of Colet’s reach. “Please, Lord. He’s all I have. I’ll die without him.” “I have no choice,” Colet contends. “Your house was named by the family of the Elder of the village.” Sara glances down to Marcus and then back to Colet. “My Lord, tell the commanders you never found him,” she pleads. “He’s just a boy. You did not believe the one that killed your man was a child, and no one else will either. ” “You and I both know I cannot,” Colet maintains. “The royal seeker will see the truth of this night, and more will come in my place. None will show him the mercy that I will.” He humbles himself when approaching her with a warmness that made her want to believe that he was genuine in wanting to protect her son. “You have to trust me, this is for the best.” “Why are you offering such charity, Lord…when a moment ago you threaten to kill him?” Colet glances to Marcus, peeking out from behind his mother. “Because I know what it is like to possess something you cannot control,” he reveals, earnestly. “I vow one day, he’ll return to you…no longer a boy, but a man in control of his power with a stature that’d rival anyone in this village.” Although Sara believed Colet, she still could not let her son go. “No,” she cries, her eyes switching to amber. As Kingsmen with glowing eyes and drawn weapons are now surrounding her. “I will not let you or any of these men take him. I’ll fight you all to my dying breath.” “I do not want to harm you, especially in front of your son. But if you continue to opposed me…this will not end well,” Colet threatens. His blue eyes change to scarlet. “Guardsman Francis is alive, but Guardsman Richardson is dead. You both attack them, which mean you both will die. However…the second commander has agreed to look past your actions for another Haghar he can groom. This agreement spares both your lives.” Sara stares him down, her amber eyes are ablaze. “To spare both your lives from the executioner’s blade, you have to surrender him to me,” he continues. His scarlet eyes are shifting back and forth between Sara and the Kingsmen that are ready to pounce. “Please…mother,” Marcus cries, stepping from behind her to Colet. He stands beside him and glances back to his mother with tears in his eyes. “I don’t want to watch you die.” Sara’s eyes are fading back to brown.
The sound of her son’s voice brought her to tears. She did not know how to respond to losing her child. She falls to the floor. She could barely move. Her exhaustion has taken over. Her body was drain of every bit of strength she could muster. She strains her neck looking up to Colet. He tries to help her up, but she did not want his assistance.
Colet bends down to her and whispers in her ear. “I promise your son…someday you’ll understand.” He sees the bloodstain on her gown has grown in size and realize Sara is still bleeding. “Let me summon you a Devine. He can help treat your wound.”
“Leave me,” Sara snivels, staring past him to a Kingsman tying Marcus’s wrists together. “I now understand how men like the King stay in power,” she speaks on her knees with tears streaming down her face, as Marcus disappears from her view. “As long as he has callous men that tend to his needs, regardless of the pain they bring to others…then man like him will always stay in power.” She peers back to him with watery eyes. “I pray…Lieutenant.” She nearly chokes on the word. “You never feel this scathing pain that you have gifted me with.”
Colet steps back from Sara, feeling the sting of her words pierce his heart. He heads to the door, where he lingers in it. “I’m sorry for my cruelty,” he said before
leaving. ONCE OUTSIDE, the Kingsman in charge of a bound Marcus approaches Colet with others observing. “Lieutenant…the first commander is not going to believe this child was solely responsible for Richardson’s death,” he argues. “The woman inside must pay. We cannot let her transgression towards our brethren go unanswered.” “Guardsman Dane, you will not discuss anything with the first commander. I will speak to him,” Colet said. “Now, take the boy to my horse.” “Sir, Guardsman Dane is right,” another concurs. “Francis accused the maiden of attacking him. She must be punished, sir. For that is the King’s law.” Colet glances through the door to a broken Sara, cripple emotionally by her loss. “Do not worry about her, just do what you’re told,” he commands to everyone listening. “Guardsman Dane, do what I asked and take the young boy to my horse.” He proceeds to the marketplace with the other Kingsmen following. Guardsman Dane peers back to the one that spoke up. The Kingsman did not move with the others. He stares at Sara’s home, glancing periodically at Lieutenant Colet, making certain he was out of sight, before heading back inside and exacting his own form of justice.
In creating a character so obvious in his irascibility, duality and selfishness, Reginald McKnight also creates a character we can sympathize with. McKnight created a sense that Marcus was an eager individual, who set himself apart from society, but in doing so, he set himself up for failure. This, if anything, makes use aware that negative remarks and statements can lead to a very negative end result. We are forced to form our own conclusion and conform to the fact that no matter how many miles away, one person may never change.
Throughout reading this play, the audience must make the hard decision between whether or not they believe Brutus’ motives were justifiable, or if Caesar was the victim of a cruel, heinous crime. This opens up the question, is murder ever justifiable? Linda Fudge, a resident of Irvington, New Jersey, was cornered and raped in a dark alley in the summer of 2002. The assailant was brought to justice, but Linda got the shocking news she was pregnant. Only 23 years old, single and afraid of having a child, Linda made the hard decision to have an abortion.
The significance of the passage I chose to analyze is often overlooked. It is a monologue from Portia, Brutus’s wife, taking place in Rome, at Brutus’s Orchard during the first scene of act II. Brutus is convincing himself that the plot against Caesar is a righteous decision, by speculating that Caesar´s nature would change upon being crowned, resulting in a tyrant. He then receives the false letters Cassius wrote, intended to deceive him into thinking they are the words of anonymous citizens testifying Caesar’s alleged inappropriate ambition, he is partially convinced to proceed with the conspiracy. Shortly after, the conspirators enter the scene and discuss the terms: Who will be involved and how the murder will be carried out.
As a young girl full of doubt and uncertainty, her “Father’s holiness filled her eyes with light”(16). He brightened her outlook on life, as she wasn’t able to see his imperfections at this age. Engraved in Sara’s head is the man whose praises lift her heart when there is little money to live off of, and Sara chooses to see only the selfless actions rather than the selfish ones. When Sara’s father refuses to pay the rent, he hits the collector lady, which Sara sees as “David killing Goliath, the giant,”(26). Sara is is in awe by this action and is thankful to have a selfless father whom stands up for his family. These select moments that she chooses to remember create a false image of him where he is represented as a selfless and caring man. This encourages her to always think of him when she believes she is in trouble or needs help. Sara longs for her father after she refuses to marry Max Goldstein, a man who seemed to be perfect, but only wanted a wife rather than someone to love. She thinks that her “refusal to marry Max Goldstein was something he could understand”(202). Sara always feels like she can go back to her father for help because she convinces herself that he is all knowing and genuinely great. Even though Sara Smolinsky may have left home because she finally realizes the harm her father causes, she always seems to fall back on the reassurance that her father is a hero. This false image
“I have other business to do now.” Charles explains. “I’ll see you later.” The King goes across the hall to check on the Queen. But before he had gone in the room, a feeling of impending doom strikes him. He looks out the window apprehensively. Nothing seems to be wrong. He goes back to his own business. Suddenly, he hears screams from outside the castle. “The kingdom is being attacked!” he exclaims. He runs down the stairs as fast as he can. “Julian, while I lead the army, I need you to keep guard on the room in which the queen is right now.” He commands. “We cannot lose the heir to the throne!” King Ch...
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