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Hospice conclusion research paper
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From her death-bed, Elizabeth Johnson heard the corn stalks rustling, calling her name. Her withered, bare feet hit the hardwood floor of her bedroom. She glanced at her hospice nurse, Ethel, snoring in the big overstuffed chair by her bed. She picked up the family portrait of her husband and her three kids, kissed it and laid it on the bed. She shuffled in the dark, knowing every corner of the old farmhouse her daddy had built. Her tired legs ached with each step, but the stalks kept whispering her name as they blew in the October wind, and so she plowed on. Elizabeth eased out the front door. Her flannel gown billowed against her spindly legs. Her body once strong from farm living was ravished from the cancer and its bitter treatment. With each step, her legs trembled. Rusty orange leaves swirled around her ankles as the October …show more content…
Henry walked over and placed the baby in her arms. The baby’s blue eyes glistened as he looked up and giggled. She laid her head against him and sobbed loudly. She had never heard his voice. He was born premature. At the root of the tree, she had buried the blanket they wrapped his body in after she birthed him. Henry placed his hand under her chin and lifted her head. “One more level to go. Soon your pain will be over,” Henry said, and kissed her on the forehead. “Henry, I’ve been so lonely,” she cried. Ten years earlier, she had scattered his ashes around the tree. “Go,” he said and smiled. She held tight to Thomas and bounded out the door, rushing down the next level. At the bottom, carved in the tree was a chair. It was singing her name. White light bathed its beautiful wood. She sat in it, drawing Thomas closer to her. Slowly, the branches wrapped themselves around her, embracing her in eternal love. For weeks, they searched for her, but they never found her body. The town’s small newspaper told how her three children found solace that a once dead tree their mother loved was now bursting with
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
As the coach dropped me off at my house, I realized something was terribly wrong, I saw my sister, Lizzie, sitting on the concrete steps in front of our house talking to the police, against her will it seemed, I saw our maid sitting in the shade,away from the scorching sun of August, under an old oak tree in distraught, and then I saw them. I saw my Dad, and my step mother … dead. They were being carried out by paramedics, on a stained off white stretcher, one at a time, my dad first, and then my step mother, Mrs. Borden.
It was a spring afternoon in West Florida. Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every minute that she could steal from her chores under that tree for the last three days. That was to say, ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
In Amy Hempel’s Short Story “Going,” we take part in a journey with the narrator through loss, coping, memory, experience, and the duality of life. Throughout the story we see the narrator’s struggle through coping with the loss of his mother, and how he moves from a mixture of depression, denial, and anger, to a form of acceptance and revelation. The narrator has lost his mother to a fire three states away, and goes on a reckless journey through the desert, when he crashes his car and ends up hospitalized. Only his thoughts and the occasional nurse to keep him company. He then reaches a point of discovery and realizations that lead to a higher understanding of mortality, and all of the experiences that come with being alive.
I looked around at everyone in the room and saw the sorrow in their eyes. My eyes first fell on my grandmother, usually the beacon of strength in our family. My grandmother looked as if she had been crying for a very long period of time. Her face looked more wrinkled than before underneath the wild, white hair atop her head. The face of this once youthful person now looked like a grape that had been dried in the sun to become a raisin. Her hair looked like it had not been brushed since the previous day as if created from high wispy clouds on a bright sunny day.
The arrival of winter was well on its way. Colorful leaves had turned to brown and fallen from the branches of the trees. The sky opened to a new brightness with the disappearance of the leaves. As John drove down the country road he was much more aware of all his surroundings. He grew up in this small town and knew he would live there forever. He knew every landmark in this area. This place is where he grew up and experienced many adventures. The new journey of his life was exciting, but then he also had a sick feeling in the pit of his stomach of something not right.
She drove for hours as she passed by numerous landscapes, never once looked back. At last, she settled at a deserted park, with its grass dead and trees bare. There laid in the center, a single grave with a statue of an angel with her hands folded against her chest. Sophia stopped her car and exited, in her arms a bouquet of small white flowers.
Underneath a tree bearing the word “CROATOAN” sat a young girl. Her eyes were like waterfalls as tears cascaded down her raggad cheeks, landing on the cold ground beneath her.
William Faulkner’s As I Lay Dying is considered the classic American tragedy. Taking place in the poor South in the 1920s, this novel follows the Bundren family in their journey from Yoknapatawpha County, Mississippi to Jefferson, Mississippi to bury their mother. Within this context, Faulkner explores themes such as the impermanence of existence, the tension between words and thoughts, and the role of the family. To illustrate these themes and to add a layer of depth to the novel, Faulkner effectively makes use of symbolism. Ranging from people to places to objects, each symbol used in As I Lay Dying, is purposeful and holds meaning.
This poem is a firsthand account of how Anne Bradstreet was feeling when she experienced the loss of her granddaughter, Elizabeth. Although Bradstreet's attitude on Elizabeth's death seems to reflect her belief in God's plan, the diction suggests otherwise.
Eliza blinked open her eyes and looked around. She was in a bed, it’s wooden posts carved to tight perfection. She looked up, strangely, the ceiling was made up of what seemed to be golden tree branches, laced together so thickly, it seemed that no light could get through, and none did besides the light that came in through the sides of the building, which didn’t have any walls. Then, reality hit her. Where the heck was she? All she remembered was suddenly disappearing from the lake and ending up in the forest from her dream, completely dry. Was she dead? That was the only logical answer for what was going on, but somehow it didn’t seem that way to her. Everything around her felt…well…mortal. She heard a slight gasp to her left and turned to look at where the noise had come from.
It was a gloomy day and a bit chilly −a perfect day for a funeral if that was possible−as Ruth sat on the folding chair, staring at the casket a few feet from her. She recalled, her grandfather always treated her as a grown up and shared many good times with her. A tear rolled down her cheek, but she wanted to smile, knowing shortly they would lay her grandfather to rest beside the love of his life, her grandmother. Since his heart attack, she had visited him daily at the Mountaineer Nursing Home. He loved telling her stories about the ghost on Putney Mountain, the loud muffled screams in the day and the lights at night. Sometimes he talked about the secrets of Howardsville and promised one day to divulge them to her. However, he passed away before he had that opportunity. Ruth’s desire to know the secrets compelled her to search for the truth about them.