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Buddhism beliefs essay
Buddhism and its principal
Buddhism beliefs essay
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This short story was about a monk who wanted to find Buddha, so he set off to find him. While he was on the boat, he saw his dead body floating and, according to the reading, he began the process of liberation. I believe this short story is about finding oneself and feeling relieved that they’ve reached that goal. In this case, this monk believes that Buddha is a person, and he sets this goal to find him. The journey was about realization and finding out that Buddha isn’t exactly a specific person—he can be the Buddha. A Buddha is someone who is free of everything that’s negative. The corpse represents his reality, his present state, and by facing that reality, it helped him set free. The reading was really short, which was unexpected. The short story was really interesting; it provided deep concentration in order to grasp the meaning of it. Once I got the meaning, I found it really interesting the way this short story portrayed what Buddha is in such a few words. I was having difficulty in figuring out the meaning of the dead corpse, and the reason why the story mentioned “…the beginning of his liberation.” But with the use of context, I summarized that the corpse was the reflection of the monk. …show more content…
When reading the story, a few things came to mind regarding Buddhism.
I’m not familiar with the religion and the beliefs that they hold. For example, why do they wear those robes? What are their practices? I wonder what they pray for, and why they always sit cross-legged. Do they have a god that they pray
to? The story did inspire me to look more closely in myself, and to work on the things that are bringing negativity into my life. The bad things in life are what bring a person down; it’s like an invisible string that keeps pulling us back from reaching our intended goal. I believe this reading is trying to tell us that we can’t move on until we face our reality, if we don’t, then we can never move on. I could definitely relate to the monk. When I was in my second year in college, my major was computer science. I’ve always thought I would become a computer scientist, but once I started taking the required courses, I was in a situation where I dreaded going to class—I didn’t enjoy it as much I thought I would. I remember taking a psychology class during my freshman year and found out that I really enjoyed learning about the subject. Once I switched majors, I felt relief because I was finally at peace of what I really wanted to major in. Everything felt right, again. Overall, the reading helped me realize the meaning behind the word Buddha, and how happiness and freedom are two important elements in their beliefs. Like I’ve mentioned before, the reading was about confronting reality, and by doing so, we could move on. If we’re not happy with ourselves, then we need to face that problem to continue with a path that makes us happy.
...its shows how for hundreds of years man has been faced with the same dilemma of dealing with the truth in reality. Man’s manufactured society has changed, but there have always been people craving the truth and wanting to show others the truth of reality. It is amazing to think that people ignore the truth because they don’t want to know how short life is, but it’s so cool to think that when a person steps back they can see that the same fear has spanned hundreds of years. People accept what they want and reject what they don’t like, and people’s ignorance has caused them to fail to realize that they are no different then people 1000 years ago. It is so amazing that one story can still be TRUE thousands of years later, but it makes sense because people will always find the truth to be the unsettling reality that forces people to be aware of their place in society.
In Hesse's novel, Siddhartha the title character, Siddhartha leaves the Brahmins in search of Nirvana - spiritual peace. The journey he endures focuses on two main goals - to find peace and the right path (http://www.ic.ucsb.edu/~ggotts/hesse/life/jennifer/html). Joseph Mileck, the author of Hermann Hesse: Life and Art, asserts that Siddhartha focuses on a sense of unity developed through Siddhartha's mind, body, and soul (Baumer). Hesse's Siddhartha revolves around three central journeys - a physical, a mental, and a spiritual journey.
After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death.
Thích Nh’at Hanh is a world renowned Vietnamese Zen Buddhist monk, religious figure and accomplished writer. Living Buddha, Living Christ is only one of his many famous publications. Thích Nh’at Hanh, is famous for his insights into spiritual heritage and mindfulness in the present moment. Many Americans are seeking religious understanding and personal spirituality, even if they do not practice in the traditional manner. Throughout this book Nh’at Hang encourages readers to find meaning, understanding, mindfulness, and peace in the teachings of Buddha and Christ. His main focus is to open meaningful dialogue between different traditions, cultures, and religious groups around the world, for the betterment
It is said that when you die your life passes before your eyes. A similar situation occurs in the aforementioned story. Even though the man did not see his life passing, he saw himself living on, escaping his captors. During this imaginary journey he notices little things about life. He holds sacred, minute details he might not have paid much attention to during his life. Even though his liveliness is only a product of his imagination, he is grateful to be alive. In the grasp of death he appreciates life.
Overall I value this book, and I am glad that I read it. I now know more about the Buddhist religion, and I want to change certain aspects of my life. I like how this religion is so forgiving and laid back. I really wish other things in my life were so forgiving. The idea of oneness with your self sounds very peaceful and understanding. I am going to try to have more oneness with myself. I can now see people from a different standpoint. We are all created equal, and we should all help each other.
In Jon Krakauer’s Into the Wild, Christopher McCandless gives up all his material possessions to seek fulfillment in the Alaskan Wilderness. In doing this, Chris is able to escape from his parents and live the life of many transcendentalists that he’s read about. As John Muir once said, “The mountains are calling and I must go.” Like John Muir, Chris has developed such a profound love for nature that he is called into the wild by it. Ultimately, Chris’s life decisions are a fascinating paradox that make him both a transcendentalist hero and a fool.
Buddhism is considered as one of the leading religions throughout the world today. In order for a Buddhist to follow the religion, there are certain set of guidelines that one has to follow to gain a better life, but most people have other factors that they have to face along this path. The story, “The Journey of One Buddhist Nun” by Sid Brown, is an account of a Thai woman, Maechi Wabi, who entered a spiritual life along with life struggles and outside influences. According to Brown, Wabi faced many challenges along the way to liberation and two challenges she faced most are the gender and socioeconomic issues which she overcame during her spiritual journey.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
The Buddha in the Attic is written to represent the unheard experiences of many different women that married their husband through a picture. They were known during the early 1920s as the pictures brides ranging in different ages, but naive to the world outside of America. Though the picture bride system was basically the same as their fathers selling their sister to the geisha house, these women viewed being bought to be a wife by a Japanese male in America as an opportunity for freedom and hope for a better life (Otsuka, 2011, p.5) For some of these women, the choice to marry the man in the picture wasn’t an option and chose to die while on the boat instead of marry a stranger, while others accepted their fates with grace. The book continues
...that the body was in, once the contents of the room left, the room was no longer important. Once the room was empty, we no longer wanted to be there or associated with it. The same goes for the body; it was not that we really needed the body but the soul that was contained therein. The body was wanted but not really of great importance because of what was gone. Therefore, the lesson was that the body was a container for the soul and not all that important. If we had no need for the body to be happy, then the soul was what made us happy. We did not need the body and were reminded that the soul went on to another place which gave us reason to stop grieving and move on with our lives.
Even in the first two lines he comments, “a quick blur of curved silver darting away, having nothing to do with your life or your death” (23-24). In these two lines, he dramatizes how irrelevant a life seems after one dies as he compares a micro piece of silver bolting away, not even clearly, but blurrily. Then he proceeds to add a transcendentalist idea with the line “the tide will take you, or the lake will accept it all … sink towards the … bottom” (25-26), noting that the person becomes one with nature after having a quick death. Soon after the lake takes the person into its waters, the person leaves “behind what [they] have already forgotten, the surface…” (27), which implies that once the person is dead, life will not be remembered and all that will be left is the hollow corpse. The last bit of “now overrun with the high travels of clouds” (27-28), makes death seem like flesh-to-earth decay, instead of taking into account an afterlife of some kind. After the person drowns, the lake restores its natural, tranquil state, as if nothing happened and the death of a person had no more significance than the death of a feral
The illustration shows an answer to the philosophical question, is there life after death? Death, as portrayed in this art reflects death as the end of existence in this life, but shows it continuing in another. When man dies in this world, he proceeds to another world. The representation of death and moving through a door to the afterlife is a strongly influenced by the Christian idea of what one can expect in the afterlife, if they have lived a good life. To be rejuvenated in a more youthful fo...
They have many beliefs based on their religion. One is that they believe in deity, which is their god. They also believe in more than one deity. Another thing that they believe is in reincarnation that once you die you come back in a different life form. Something else they believe in is karma that what you do, say, and think comes back at you. They also believe that we all have a guide in life during different stages and they are called guru, which are our teachers. In addition, our mothers are our very first guru. In addition, we should all try to build our own Mandir inside of
The Buddha of Suburbia was given an award of the Whitbread Prize for First Noel (1990. Set in the South London suburbs, Karim Amir is an Indian youngster growing up in the 1970s, learning to handle with teenage years and all its trappings. This forthright and creative work discloses his personal disturbance, loves, desires and wishes at the same time as he observes those around him with the same regard that a psychologist has for his patients. The father who makes over from civil Servant to 'Buddha of Suburbia', the teenaged rock star, Charlie Hero, who operates as a young Marxist and brings in Karim to sex, drugs and the real life behind a drab and grey London, each character possesses a vitality and color that contrasts luminously with their repressed and traditional surroundings. (The Buddha Of Suburbia, Hanif Kureishi, Faber and Faber Ltd., 1990) Although this book is a lot of amusing to read, what actually takes it to the next level is Karim's steady, troubling sense of separation and doubt about the future. Karim observes the people around him as examples of what he could develop into, and he senses who is pure and who isn't, and more than anything he wants to remain interesting and impressionable and inspired; he's frightened of the tediousness and unhappiness associated with growing up in suburbia. This is the sort of novel which pleads to all age ranges, identifying with teenage anguish and bewilderment, exploring the power of the mid-life crisis and challenging the specter of old age, something Kureishi expels with flair. East is east: In early '70s London, Mr. Khan and his English born wife Ella have a house full. The couple has four sons and a daughter and almost all of the kids have a personality problem, they're En...