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Literary Analysis of a Midsummer Night Dream
Nature of shakespeare comedies
The relevance of Shakespeare to the contemporary world
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Recommended: Literary Analysis of a Midsummer Night Dream
Explore how far you agree that ultimately, A Midsummer Night's Dream is a light-hearted and superficial comedy.
A Midsummer Night’s Dream is a light-hearted and superficial comedy written by Shakespeare. Shakespeare's use of the mechanicals, witty wordplay and his expression of human behaviour shows the play to be light-hearted. However the faults of society and theme of magic is what makes the play superficial as the involvement of fairies in mortal affairs strongly shapes the chaos in the play, this because most of the play is set in the woods, where fairies can take advantage of the humans.
Light hearted
Shakespeare uses the problems that befall the characters as a form of comedy to amuse the audience. Even modern day audiences are amuse
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A Midsummer Night’s Dream is a light-hearted comedy however it encompasses other features that aren't outwardly made obvious in the play “Star crossed lovers.” The theme of forbidden love is presented in the play albeit is a less tragic and dark representation. This link between the relationships here and Romeo and Juliet creates a sense that the love is just as tragic and this is what makes the play superficial. On the surface the mechanicals create a sense of light-heartedness but the actual themes of the play are sad. This is shown through Helena, who throws herself at Demetrius “Use me but as your spaniel…” Her desperate need for attention is vexatious as she is neglecting all self-respect. The irrationality of love in the play makes it a superficial and light-hearted …show more content…
The character of Puck is a magical character in the play. His name is a testament to his purpose in the play as Puck; a mischievous nature sprite, demon, or fairy. His presence on the stage is enjoyed by the audience as he brings in comedy through mischievous and cruel acts giving him the role of the “trickster”. He highlights the folly of human behaviour and even looks down on them “Lord, what fools these mortals be” this put him in a position of illusory superiority as he believe himself to be better than humans. His use wide uses of verse forms from different classes and sexes, couplets of various lengths and quatrains as well as blank verse represents his free chaotic personality “I'll put a girdle round about the earth. In forty minutes." Puck effortlessly moves between similar verse forms freely and this makes him an unpredictable and mysterious character as he shifts between the verse forms. Puck is the creator of comedy and chaos in the play as his tricks cause amusing confusion between the four lovers. This is a form of comedy however it isn’t light-hearted as it is built upon the misfortune of others.
Puck himself explores a more sinister aspect of the play originally through his provisional background as a demon or sprite, as a victim of gratified insanity. Hence his sadistic and uncaring nature “A million fail, confounding oath
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Through the combination of the two different types of irony, Shakespeare wasn’t only able to deliver his message, but was also successful in creating a comedy out of it at the same time. By using situational irony, he was able to create plot twists for the audience and make things more interesting. While dramatic irony was used mainly to create a comedic effect for the play. When combined, Shakespeare was able to deliver his message while making a point out of it looking from his perspective. “Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind. ” (Pg.
William Shakespeare has a habit of creating complicated plots, and A Midsummer Night’s Dream is no exception. Three distinct worlds are presented within the play, and the story’s theme is most prevalent when they collide or mirror one another. Shakespeare’s allusions very intentionally cast light on these themes as he uses them to develop characters, settings, and comedy. The point of that development is the effective delivery of the theme that love renders us equals.
...lemma of romance, and while the play engages several different romantic elements, it does not represent a genuine love chronicle. A Midsummer Night's Dream separates the spectators from the sentiments of the proponents with the purpose of triggering amusement at the troubles and difficulties experienced by people in love. The analysis of the relevance of the plot, characters and theme in the play in today’s world will offer a deeper understanding of the play structure and the author’s intention. All the three authors expressed a common understanding: Shakespeare was ahead of his time in terms of style, approach and content. Even during the Elizabethan era, he was able to write and successfully produced a play that contained seamless dance, music and costumes, it was a century after his death that most of the styles were fully understood and successfully implemented.
William Shakespeare’s play A Midsummer Night’s Dream utilizes the technique of multiple characters playing leading roles. The fairy character Puck stands out as a dominant and leading role in the play. Puck is the best fit for the role of the protagonist because he is mischievous and therefore, has the ability to change the outcome of the play through his schemes and actions. As the protagonist, Puck is responsible for creating the major conflict that occurs between the four lovers throughout the play. This is important because the play focuses on the lives and relationships of the lovers. In addition, because of Puck’s interaction with these characters, his actions throughout the play, alters the final outcome. Finally, Puck’s relationship with all the mortals in the play, his connection to his fellow fairies, and the bond he has with his boss, King Oberon make him the best choice for a protagonist.
...n topples she,” (II.i.51-53). Here Puck is talking about the magical things he does with passion because he enjoys it; like when he takes the shape of a three legged chair and moves when someone tries to sit on him. Another instance is when he said “I am feared in field and town.” Here is talking about how through his magical powers the people in the town now fear him. These few instances are significant to the play because they give the play a feel of fantasy. With the intence passion of Love and Revenge, this magical passion really adds the enjoyment which will keep the reader attracted.
The actual tale of the story is simplicity itself but it’s the ideas and emotions that Shakespeare uses to capture the reader’s imagination and draw them into deep depths of the story. A Midsummer Night’s Dream is all about twists and turning imagination and things that seem impossible into reality, for example: · Theseus woos Hippoyta "with his sword". On opposite sides in battle, they fall in love. · Helena's affection for Demetrius seems to make him hate her. Hermia's hatred seems to make him love her.
Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts. The fantastical woods is contrasted to the order of the Athenian law, and Elizabethan values of the time are polarised throughout the narrative, such as Helena’s feeling ugly even though she is tall and fair. A Midsummer Night’s Dream is thus not solely a comedic meditation on the nature of the origin or meaning of love, it also cautions against trying to rationalise the message of the play. Puck, who by his very nature cannot exist in rational society, propels the action of A Midsummer Night’s Dream. He is a manifestation of mischief and the unpredictability of nature, which governs not only the fantastical woods outside of Athens, but also the Athenians themselves when it comes to love. Yet, it is Puck, and thus nature, which rectifies the imbalance of the lovers in the beginning of the play. Rationalising, o...
... featured one last time in the epilogue to this scene, where he tells the audience that if they do not enjoy the play, they should think of it as nothing more than a dream. If the audience does enjoy the play, they should give Puck "their hands," or applaud. Thus Puck is cleaning up for more than the fairies problems in the last soliloquy, as he cleans up for the entire play as well. Both of the fools were necessary in this play. Puck's tricks and loyalty makes Oberon's goals and the happiness of the lovers possible. Bottom's foolishness provides for comedy for both the characters in the play and the audience, and it’s his transformation which enables Oberon to obtain the boy from Titania. Puck, Oberon's fool, and Bottom, the fool of the play, both provide comedy and some-what intelligent observations, which make them an important part of A Midsummer Night's Dream.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
The play by William Shakespeare called A Midsummer Night’s dream, it includes some of the most crucial characters that go by the names of Puck and Nick Bottom. They have more in common than most of the characters in the play. For instance, they both behaved in the same manner. Nevertheless, these two have their distinctness. Puck is acknowledged to be a supernatural being. Basically, his status is way beyond higher than Bottom’s. He endures life with lots of energy. Bottom is a craftsman. He is also self-centered. Puck was the reason why everything was a catastrophe and most of the reason for all of the deceptiveness during the whole
At first, Puck misleads people during the night and disappears when they get lost. Fairy says that Puck misleads night wanderers (II.I.39) and Puck is proud of it because he believes it's funny and it'll make Oberon happy. This shows that Puck causes dilemma with magic just for the fun of it. Next, Puck scares ladies and laughs at them when they are about to choke on their drink. Puck says himself that he becomes a crab apple and hides in a lady's drink and when she's about to take a sip, he scares her, so people can make fun of her when the drink spills on her lap (II.I.45-50).
This is nice, however, as the audience tends to like Puck and follow him in a light-hearted, amused manner. The character of Puck keeps the play rolling, and everything turns out well in the end, unlike many other plays of Shakespeare.
Puck causes the disruption initially, when he intervenes in the lovers' business. Jester and jokester, Puck, otherwise known as Robin Goodfellow, is like a wild, untamed memb...
Puck is the fairy who serves Oberon, the Fairy King. Puck creates a fun and playful tone to the story by playing practical jokes on the villagers. Unlike Bottom, Puck is actually very insightful and intelligent; however, Puck likes to go his own way and not follow directions. In Act 3 scene 1, Puck says,