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Henrik ibsen doll house analysis
Ibsen doll house analysis
Symbolism in the doll's house
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A Doll’s House by Henrik Ibsen The play “A Doll’s House” by Henrik Ibsen is about a wife that is hiding a big secret from her overprotective husband. The play takes place on Christmas Eve till the day after Christmas. Nora Helmer and Torvald Helmer have been married for 8 years, yet Nora is hiding something from Torvald that she thinks would ruin everything if he found out. It opens up with Nora coming home and decorating the house for Christmas and making preparations. They have 3 children: Ivar, Bob, and Emmy, who are all very young. Torvald is a lawyer and has recently just gotten a promotion where he works at the bank and been made manager of the Joint Stock Bank, yet Nora is just a housewife and Torvald doesn’t trust her with money because she is a “spend swift” and blows money on useless things. On Christmas Eve, a friend of Nora’s that she hasn’t seen for ten years stops by along with Dr. Rank, a long time friend of both Torvald and Nora. Her Friends name is Kristine, but is referred to as Mrs. Linde. She explains how she has just moved to town and has been a widow for 3 years. She asks Nora for help getting a job, and Nora responds by telling her she could ask her husband who is now the manager at the bank to give her a job there. They go on talking and Nora tells her the secret that she has been keeping from Torvald. She tells her about how her husband was very ill and they did not have a lot of money, yet the doctors said the only way to cure him was to take a trip to Italy. So Nora says that she had to borrow money from someone, who goes unnamed, to take the trip to Italy. She never told Torvald that he was sick or that she borrowed money from anyone because she thinks he would look down upo... ... middle of paper ... ...running out of his study screaming at her and asking if what the letter from Krogstad says is true. She tells him that it is and he tells her what a deceitful liar she is. The maid then comes in with another letter from Krogstad, which he reads immediately. In the letter he says that he forgives her and is sorry and gives her back the I.O.U that she had given her with the forged signature. Nora and Torvald are both very happy and they burn the letter along with the I.O.U, getting rid of all evidence and saying that they are saved. Nora goes to change and then tells Torvald they need to sit down and have a serious conversation, she tells him that he does not understand her and he treats her like a doll, just to play with but never anything serious. She tells him that she has to leave him, he begs her not to but she says she must and then walks out the door.
Structure – The work is formatted to be a play. It has three acts, each beginning with stage directions.
phone bill, and her loan. Being a certified nurse’s assistant means she works tirelessly for days, doing
he invites a prostitute up to his room. He gets cold feet and decides not
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
and wants to go back home and start her life over. Nora says that she
When making a diagnosis, doctors might consult medical books, astrological charts and urine samples. Some doctors believed the disease was caused by bad smells or small worms, or the position of the planets or stars. They also charged very high fees, so only the rich could afford them. Although surgical operations were performed, they did not know about sanitisation and there were no anaesthetics. Most patients died from infection or shock.
Most of us live a life where we do what we want and when we want without anyone telling us how to live our lives. This wasn’t the case in A Doll’s House by Henrik Ibsen, where he illustrates to us how one woman lives a life through her father and husband. Throughout the play we see how a once childish like woman gains her independence and a life of her own. Ibsen shows us a very realistic play that demonstrates how on the outside Nora and Torvald seem to have it all. While in reality their life together is simply empty until Nora stands up for herself and starts to build her own life.
her husband, but in this letter she seems to be very distressed and worried. She
In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and an influential setting to develop a controversial theme.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
Henrik Ibsen’s play A Doll House examines a woman’s struggle for independence in her marriage and social world. Through the use of character change, Ibsen conveys his theme that by breaking away from all social expectations, we can be true to ourselves. When Ibsen presents Nora Helmer, we see a “perfect” wife, who lives in a “perfect” house with a “perfect” husband and children. The Helmer children have a nanny that raises them. By having the nanny, Nora has the freedom to come and go as she pleases. Torvald Helmer, Nora’s husband, will begin a new job as bank manager, so they will be rich, which will make her “perfect” life even better. Torvald even calls Nora pet names like “my sweet little lark” (Ibsen 1567) and “my squirrel” (Ibsen 1565). These names may seem to be harmless and cute little nicknames, but the names actually show how little he thinks of her. “Torvald uses derogatory diminutives to address Nora” (Kashdan 52). Torvald talks down to her. Nora is “regarded as property rather than a partner” (Drama for Students 112). He isn’t treating her like a real person. In Torvald eyes, she isn’t an equal. “Nora is viewed as an object, a toy, a child, but never an equal” (Drama for Students 109).
Nora was raised and socialized by her father. He kept her as a doll and never required or expected much from her. The same treatment continued from her husband Torvald. In a world where nothing is expected from Nora, it is easy to think she is spoiled. But, as many women of that time, she wanted to be seen for the smart and intellectual woman that she was. She basically saved her husband’s life but had to continue to act as Torvald’s fool. Sympathy for Nora is not only possible, it’s practically required.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
In Henrik Ibsen’s play, A Doll House Ibsen describes the perfect family and the conflicts within. Ibsen examines the normal lives of the Helmer family through the eyes of the wife, Nora Helmer. She goes through a series of trials as she progresses through the play and with each trial she realizes something is missing in her life. Ibsen examines the struggles within the house.
Societal problems prevail throughout the history of the world and exist within all countries, regions, and cultures. The controversial aspects in societies are based on a large variety of subjects, and have to be identified in order to cause societal change. Therefore, Realism is the portrayal of difficulties in societies that are depicted in everyday life, which includes common situations and actions. Realism allows authors to describe and emphasize the incompetence of some aspects within communities, while enabling writers to call for societal reform. Henrik Ibsen portrays and addresses the concepts of Norway’s society in the 19th century in A Doll House, which is a tragic play translated by Rolf Fjelde. Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a Realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire of controversy and change in Norway’s society.