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Social norms modern day
Gender roles now and then
Gender roles of today and yesterday
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Today a woman can be strong, independent, or powerful; in many cases she is all three. However, up until very recently it was incredibly rare for a woman to be defined by any one of these “masculine” characteristics. In the play “A Doll’s House,” written by Henrick Ibsen, the female lead Nora Helmer, possesses all the trappings of feminine weakness. Women were seen as dependent, emotionally unsteady, and unintelligent, causing them to be significantly weaker than men. This weakness was an ingrained mindset that both men and women held throughout history, “I should not be a man if this womanly helplessness did not just give you a double attractiveness in my eyes.” (Ibsen, Act 3) . Women from the past are almost polar opposites of women of the …show more content…
From the type of work they did, to the education they got, to what they desired to pursue, there have been drastic changes in the ways that women live their lives. Women of the present day live better lives, are more capable, and are significantly more respected than those in the past, specifically compared to those in “A Doll’s House.” Women in the late 18th century were considered to be worth far less than men. They were spoken to with a lack of respect, respect that should have been given to any human being. Wives were viewed as property and as such they were to only be allowed the rights that any typical piece of property would have. These “pieces of property” did not have an opinion worthy of being heard or respected, much less adhered to. In “A Doll’s House”, Nora finally comes to the realization at the very end of the play that she has not been treated as a significant partner in her marriage. Nora sits down with Torvald, her husband, and explains how they have never, in eight years of marriage, sat down and discussed anything serious. Torvald downplays her concern and questions what good it would have been to bring her in on any serious concerns. This mentality proves that he did not think enough of her
In “A Dollhouse,” Nora is stuck in a marriage with a rich man who has no respect for her. Nora’s husband Torvald, does not think his
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
William Howard Russell once said, "Little did I conceive of the greatness of the defeat, the magnitude of the disaster which it had entailed upon the United States. So short-lived has been the American Union, that men who saw it rise may live to see it fall.” At one point in History, the United States was not one nation. The Civil War had created many issues for the United States and the country was desperate for a solution. This solution was thought to be reconstruction. Reconstruction was the attempt from the early 60's until the late 70's to resolve the issues of the war after slavery was dismissed and the Confederacy was defeated. Reconstruction also attempted to address how states would again become part of the Union, the status of Confederate leaders, and the status of African Americans across the United States.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
In the 19th century, women were expected to have certain roles to fit into and create a “normal” society. In the beginning of the 19th century, women did not have the same freedom that they do today.
Nora is perceived as a helpless women, who goes out and wastes money that was earned by her husband. To Torvald, Nora is merely a plaything, which could be what the title of the play, "A Doll House", was hinting at. He found her helplessness to be attractive, because he was the one that was in control. For instance, when they received the Bond from Krogstad, Torvolld said, "I wouldn't be a man if this feminine helplessness didn't make you twice as attractive to me" followed by "It's as if she belongs to him in two ways now: in a sense he's given her fresh ...
Two hundred years ago, during the reign of Queen Victoria in England, the social barriers of the Victorian class system firmly defined the roles of women. The families of Victorian England were divided into four distinct classes: the Nobility or Gentry Class, the Middle Class, the Upper Working Class, and lastly, the Lower Working class . The women of these classes each had their own traditional responsibilities. The specifics of each woman’s role were varied by the status of her family. Women were expected to adhere to the appropriate conventions according to their place in the social order . For women in Victorian England their lives were regulated by these rules and regulations, which stressed obedience, loyalty, and respect.
A man, intoxicated and impoverished, lay on the dirty streets of patriarchal Norway, and as the jeering citizens sauntered by, they could have never guessed that this man, Henrik Ibsen, would be the Prometheus of women’s rights and the creator of the modern play. Having been born in 1828, Ibsen lived through various examples of the subjection of women within the law, such as Great Britain allowing men to lock up and beat their wives “in moderation” (Bray 33). Therefore, Ibsen was known for his realistic style of writing within both poetry and plays, which usually dealt with everyday situations and people (31). Focusing on the rights of women, Ibsen’s trademark was “...looking at these problems without the distortions of romanticism” and often receiving harsh criticism for doing so (31). In an attempt to support his family, Ibsen became a pharmaceutical apprentice, but after three years he abandoned this profession and began writing poetry. After an apprenticeship in the theater, he began writing his own plays, including a drama in verse, Peer Gynt (31). While working and writing in Norway, Ibsen and several social critics observed “...the penalty society pays when only half of its members participate fully as citizens”, deciding to flee Norway in hopes of finding a more accepting social environment (33). Ibsen wrote A Doll’s House, his most famous work about women suffering through the oppressive patriarchal society, while living primarily in Germany and Italy where he “...was exposed to these social norms and tensions to a much greater extent than he would have been had he remained solely in Norway” (32). While Sweden, Norway, and Denmark began to grant legal majority to women, Ibsen understood the legal improvements f...
Over the centuries, writers have used literature to show the societal status and the mind sets of the people in their era. ‘Antigone’, a Greek tragedy, and ‘A Doll’s House’, a highly controversial drama, inhibit the same thematic approach, depicting the oppression and submissiveness of women in male-dominated society and how they overcome their obstacles with firm will, inspiring millions of audiences from then till now. By Antigone’s character, Sophocles portrays a figure through whom he can express his faith in feminism in the 4th century. Likewise, Ibsen’s concerns about the position of women during the 19th century are beautifully breathed to life in ‘A Doll’s House’ through Nora’s transformation from a doll-like puppet to a human. Both of the writ...
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
A Doll’s House illustrates two types of women. Christine is without a husband and independent at the start of the play whereas Nora is married to Torvald and dependent on him and his position at the bank. Both begin at different ends of the spectrum. In the course of the play their paths cross and by the end of the play each woman is where the other started. It appears that a woman has two choices in society; to be married and dependent on a man or unmarried and struggle in the world because she does not have a man.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.
In the early days before money was used, people bartered. When things were exchanged, they did not dwell on it. It was simply to get what was needed. With money, people wanted more, which brought the notion of living lavishly: having the biggest house, biggest cars, showing how comfortable their lives were. Soon money took rise as the deciding factor of one's life.
In the play A Doll’s House, Nora 's sacrificial role as a women is considered to be more like a housewife. Her husband Helmer only gives her so much money each week to spend on money and other necessities. Throughout the play Nora is being blackmailed by Krogstad because instead of her father signing for the loan she did. Women back then were not allowed to take out loans only men. Women during the time of the play A Doll’s House, were treated very differently they did not have the same rights as men and were constantly having to make their husbands happy. This is a little similar today, but a lot has changed since then. Women now are more independent and have more freedom to do as they please.