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Theme of gender bias in a doll's house
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Recommended: Theme of gender bias in a doll's house
Se’Naia Simpson
Dr. Asabi
Final Research paper
5/6/2014
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view.”(Author Commentary 296) This is evidence that Henrik Ibsen was aware of the male dominance, in just about every aspect of the community, was prolific in the society of his time period. He addresses the idea of women being ridiculed and judged by men, from only a mans’ point of view. Ibsen’s works including A Doll House and Hedda Gabler, are representations of the issues women faced in the 19th century containing gender biases and male superiority. During the 1800s women
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In 1879, when Ibsen wrote A Doll House, married women were not legally allowed to borrow money without a husband’s consent. The topic of whether women should have rights of citizenship was being debated during this same time. Nora Helmer is portrayed as a “macaroon-eating, sweet-tooth creature looking for ways to please her husband”(Commentary 660). But once Nora reveals her big secret of how she managed to borrow money from Krogstad to help her husband from dying we start to see a slight change in her. When Nora is just about to tell Mrs. Linde about her problem she says “Not so loud. What if Torvald heard! He mustn’t not for anything in the world. Nobody must know, Kristine. No one but you.” With this statement you can assume that the problem must be tremendous because she can’t let her own husband know. She continues to explaining to Mrs. Linde that she helped raise all the money to move to Italy and how she’s the one who saved Torvald’s life. Mrs. Linde interrupts asking how she raised the money “Because you couldn’t have borrowed it…A wife can’t borrow without her husband’s consent.” They both go back and forth until Nora explains that she did this indiscreetly for her husband’s sake.
Nora clearly broke the law but for good moral and ethical reasons. Her sacrifice eventually becomes a burden and she is blackmailed by Krogstad. As a woman in the nineteenth century Nora was only trying to be responsible and play her role because at that point in time her husband was too sick to play his part in the house. But because of the societal obligations she could not be acknowledge or take responsibility of her husband’s health later on. Having such a burden kept secret may have helped Nora observe and think more about the way she had been living her
“A Doll’s House” was written by Ibsen not only to bring attention to the suppression of women, but to bring attention to the other problematic aspects of marriage in the late 1800’s. Since the play was first performed in 1879 in Copenhagen, there was debate about the way that Ibsen portrayed the nature of the Helmer’s marriage (McFarland-Wilson, Knapp 140). Throughout the entire Western World in the 20th Century, the position of not only women, but the nature of marriage was up in the air. Ibsen was not a feminist; he was a realist, who loved to point out the injustices in society (Kashdan). Ibsen’s character clearly explains why he chose to center his writing on the overall picture of marriage, not just the neglect and unfair treatment that the women received.
Upon reading “A Doll’s House” by Henrik Ibsen, many readers may find the character Nora to be a rather frivolous spending mother of three who is more concerned about putting up a front to make others think her life is perfect, rather than finding herself. At the beginning of the play, this may be true, but as the play unfolds, you see that Nora is not only trying to pay off a secret debt, but also a woman who is merely acting as her husbands “doll” fulfilling whatever he so asks of her. Nora is not only an independent woman who took a risk, but also a woman whose marriage was more along the lines of a father-child relationship.
Although Ibsen has alluded to the fact that he was not a part of the women's movement, his brave portrayal of women in their socially confined positions can earn him the title of 'feminist writer.' In two of Ibsen's most famous works, A Doll's House and Hedda Gabler, the main characters are females who strive to be self-motivated beings. Because of the male-oriented society that dominates their lives, which resembles the world women had to deal with at the time when Ibsen created his works, the confined characters demonstrate their socially imposed roles. "Ibsen's Nora is not just a woman arguing for female liberation; she is much more. She embodies the comedy as well as the tragedy of modern life," insisted Einar Haugen, a doyen of American Scandinavian studies, over twenty years later, after feminism has resurfaced as an international movement (Templeton 111).
A man, intoxicated and impoverished, lay on the dirty streets of patriarchal Norway, and as the jeering citizens sauntered by, they could have never guessed that this man, Henrik Ibsen, would be the Prometheus of women’s rights and the creator of the modern play. Having been born in 1828, Ibsen lived through various examples of the subjection of women within the law, such as Great Britain allowing men to lock up and beat their wives “in moderation” (Bray 33). Therefore, Ibsen was known for his realistic style of writing within both poetry and plays, which usually dealt with everyday situations and people (31). Focusing on the rights of women, Ibsen’s trademark was “...looking at these problems without the distortions of romanticism” and often receiving harsh criticism for doing so (31). In an attempt to support his family, Ibsen became a pharmaceutical apprentice, but after three years he abandoned this profession and began writing poetry. After an apprenticeship in the theater, he began writing his own plays, including a drama in verse, Peer Gynt (31). While working and writing in Norway, Ibsen and several social critics observed “...the penalty society pays when only half of its members participate fully as citizens”, deciding to flee Norway in hopes of finding a more accepting social environment (33). Ibsen wrote A Doll’s House, his most famous work about women suffering through the oppressive patriarchal society, while living primarily in Germany and Italy where he “...was exposed to these social norms and tensions to a much greater extent than he would have been had he remained solely in Norway” (32). While Sweden, Norway, and Denmark began to grant legal majority to women, Ibsen understood the legal improvements f...
Nora puts her family before herself and commits a crime to save her husband’s life. She is met with potential scandal regarding a forgery on a contract. A contract that she had no choice but to forge because it was certainly a matter of life or death. Without her husband to support her and her then newborn son, what position would she have been in? What happens to her if Torvald dies? At this point, Nora had to commit this crime in order to save her husband’s life and her own
Ibsen’s Hedda Gabler portrays the societal roles of gender and sex through Hedda as a character trying to break the status quo of gender relations within the Victorian era. The social conditions and principles that Ibsen presents in Hedda Gabler are of crucial importance as they “constitute the molding and tempering forces which dictate the behavior of all the play's characters” with each character part of a “tightly woven social fabric” (Kildahl). Hedda is an example of perverted femininity in a depraved society intent on sacrificing to its own self-interest and the freedom and individual expression of its members. It portrays Nineteenth Century unequal relationship problems between the sexes, with men being the independent factor and women being the dependent factor. Many of the other female characters are represented as “proper ladies” while also demonstrating their own more surreptitious holdings of power through manipulation. Hedda Gabler is all about control and individualism through language and manipulation and through this play Ibsen shows how each gender acquires that or is denied.
Other characters, however, such as Mrs. Linde and Krogstad, as well as Anne-Marie, play a part in defining gender roles in A Doll’s House. In this essay, I will discuss the ways in which Ibsen represents gender roles in A Doll’s House through the characters in his play and the differing views about feminism and gender roles in the play. At the beginning of the play, Nora and Helmer’s relationship appears to be a typical marriage in the 1800s. Helmer, as the man, is the head of the house and Nora is portrayed as the naïve, “spendthrift” wife who has no dealings with the financial situation of the family.
The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.
Women of the 19th century were trapped in their societal roles. There was no way out. Rights were unattainable: no matter how many rights movements occurred, such as the Norwegian Association for Women’s Rights. A women’s place in society was determined by their husband’s status; there was little to no way to obtain a job, a women could not even decide for herself whether or not she wanted to be married or have a child. The male role in the woman’s life took over all decisions and property. Women were seen as the property of men, like their dolls. This idea of a women being a doll was especially evident in Ibsen’s A Doll’s House. Henrik Ibsen was a Norwegian dramatist, he became known as the father of modern realistic drama. He became popular because of the ridicule he received for “revealing a women’s need for independence from male authority” (feminist literature). While most characters in the play remained obedient to their societal roles, one woman took her life into her own hands. Mrs. Linde, after the death of her husband, learned to stand on her own two feet with no ones help. She got a job, a house and learned to stand on her own two feet. Even though Mrs. Linde played a minor role in the play, her life became a model for the feminist movements because she defied female stereotypes for her time period.
Torvald is the only one in the family who works and provides for his family who needs to survive in their lifestyle. Because of this, Nora must always go and ask for money from Torvald, hoping for his acceptance of her using his income. Nora also had no possessions to her name because when a woman got married, all her possessions were considered under the control of her new husband.... ... middle of paper ...
Finney, G., `Ibsen and Feminism'. In The Cambridge Companion to Ibsen (ed. James McFarlane) (Cambridge, 1994)
In order to successfully borrow the money, Nora had to illegally sign for her father to receive the loan. Behind Torvald 's back, Nora forged the signature to ensure that the money would arrive before her husband became too ill. Mrs. Linde cautioned Nora that "a wife cannot borrow [money] without her husband 's consent" (Ibsen Act 1). Despite Nora being aware of this law, she pursued the illegal act anyway. This revealed that Nora was willing to anything out of the best interest for her husband. Nora reminds Mrs. Linde that it would be "painful and humiliating...if Torvald [knew] that he owed [her] anything. It would upset [their] mutual relations together" (Ibsen Act 1). Nora 's main focus is to make sure her husband maintains his male dominance within their marriage. This is the turning point in which the audience realizes that Nora is not solely abusing her marriage with Torvald for his money, but rather she is a driven wife is willing to risks to protect her
After “A Doll’s House” Ibsen wrote another masterpiece, Hedda Gabler. Different from “A Doll House”, it shows none of Ibsen’s reforming zeal like the emancipation of women in “A Doll’s House”. Rather, it is about a study of a complex figure, Hedda. Hedda had a defected sense of morality. She manipulated everyone who was around her, yet we still feel pity for her. It is because she is a tortured figure caught in the midst of the society, a tormented soul who never gets a grasp of her own destiny. At last, she chose death as her solution to escape or rebel against her destiny.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
“A Doll’s House” is unique in a way that it seems to explore aspects of feminism, such as the independent woman, although critics and Ibsen himself would have argued otherwise considering it to be more of a social commentary centred upon role playing in society. For this very reason, “A Doll’s House” can be seen as being relevant to twenty-first century society, since society will always attempt to group people together, whether categorised by gender, morality or wealth. The very fact that the themes presented were controversial during the Ibsen’s time, and are yet of concern in modern society, makes it one of the most influential plays ever written.