Written in 1961 and published in the United States a decade later, The Bell Jar written by Sylvia Plath has grown to be a classic part of American Literature found in high school and college classrooms and throughout popular culture. Having sold over two million copies since its publication (Dunkle), this novel chronicles “the timeless story of young woman’s struggle to pursue her own ambitions while negotiating the expectations of the conformative culture in which she was raised.”(Satterfield) Its success can be attributed to the ease young women have with relating to the themes present in this novel. Even though life is very different in the present day than it was back in the 1950s when this novel was set, the problems dealt with still ring unsolved in many young female hearts. By analyzing the text, one will find that women across modern time have grappled with finding a sense of identity, abiding by society’s expectations, and fulfilling their dreams.
Before diving into the novel itself, one must have a strong mental image of the mastermind behind this creation. Sylvia Plath was the first child of Aurelia and Otto Plath. Her father was 21 years her mother’s senior and an internationally recognized professor. He sadly passed away when Plath was only eight years old from undiagnosed diabetes which undoubtedly had an effect on young Plath’s childhood. Upon completing high school, Plath obtained a scholarship to study English at Smith College and it was here that her work was recognized by major magazines such as Seventeen and Mademoiselle. After graduation from Smith College as summa cum laude, she began working for Mademoiselle in Manhattan, New York. This is the point at which the novel begins to reflect her life. Sylvia Pla...
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Plath's The Bell Jar. Ed. Dedria Bryfonski. Detroit: Greenhaven, 2012. 92-99. Print.
Plath, Sylvia., and Lois Ames. The Bell Jar. Cutchogue, New York: Buccaneer Books, 1971.
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Satterfield, Jane.”Biography Of Sylvia Plath.” Critical Insights: The Bell Jar(2011): 22-30.
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Representation In Sylvia Plath's The Bell Jar. "Critical Insights: The Bell Jar (2011): 346-382. Literary Reference Center. Web. 29 Mar. 2014.
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Bonds, Diane S. "The Separative Self in Sylvia Plath's The Bell Jar." Women's Studies 18.1 (May 1990): 49-64. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 17 Jan. 2014.
Have you ever heard of the term “doppelgănger”? If not, it means “double” in German. To say that the character, Joan Gilling, is Esther Greenwoods “double” in the novel “The Bell Jar”, by Sylvia Plath, would be an understatement. Esther and Joan are one in the same. Joan and Esther endure many of the same obstacles throughout the novel. Joan’s actions to these struggles ultimately make Esther come to terms with reality. Either change her ways, and move on with her life, or end up like Joan, dead.
Aurelia Schober, Plath’s mother, was studying at Boston University when she fell in love with her professor that taught German and biology, Otto Plath, whom she would marry in January 1932. Later in that same year on October 27, Plath was born to the couple. Plath’s father passed away when she was only eight. (Academy of American Poets) From then on, Plath began publishing her poems. In everything she did, she strived towards being flawless; she had straight A’s, was a good daughter, and earned prestigious prizes (Gilson). Schober aided in pushing her daughter towards excellence and always made sure Plath knew how proud she was of her. In fact, Sylvia’s mother collected her daughter’s achievements and praised her highly for them (Liukkonen). By 1950, she had been given a scholarship to attend Smith College and had hundreds of publications, which she would add to substantially in the time she spent at Smith (Gilson).
Plath, Sylvia. The Journals of Sylvia Plath. Ed. Ted Hughes and Frances McCullough. New York: Ballantine Books, 1982.
...Sylvia Plath's Defiance: The Bell Jar." EXPLORING Novels. Online ed. Detroit: Gale, 2003. Discovering Collection. Gale. Academy of Holy Angels - NJ. 4 Dec. 2013
“Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.” ( http://thinkexist.com/quotes/sylvia_plath/)
Literature is the superlative resource when one is attempting to comprehend or fathom how society has transformed over the centuries. Many written works—whether fictional or nonfictional—express the views of gender roles and societies’ expectations. Sylvia Plath’s The Bell Jar is an exemplary novel that explores these issues. Ester Greenwood was portrayed the superficial and oppressive values of the mid-twentieth century American society through her experiences of gender inequalities and social conformities. Plath’s own life was correspondingly mirrored in this novel; which in turn left the reader aware of the issues in her time period. At the conclusion of The Bell Jar, the audience realizes that she was pushed to completely conform to society.
Plath was born in the seaside town of Winthrop, Massachusetts during the year of 1932. In her first eight years of life, Plath was troubled with the birth of a new sibling, the death of a parent, and the start of a war. These eight years were the calm before the stormy life of Sylvia Plath. As an only child, Plath felt threatened by the new baby in the family. Her new sibling, Warren, sparked a disdain for children that Plath would harbor for the rest of her life. In 1940, Plath’s father died and essentially robbed the children of a proper relationship with their mourning mother. The family moved inland where Plath focused on writing poetry until she began to attend Smith College in 1950.
In Sylvia Plath’s The Bell Jar, gender roles are presented as barriers that stop female characters from reaching their full potential and from being in control of their own lives. The novel relates to the Feminist Phase of Second Wave Feminism which is focused on the oppression of women and the roles of women within a society.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
In Sylvia Plath's.." English Studies 78.1 (1997): 19. Academic Search Complete. Web. 21 Mar. 2014. Phelps, H.C.
The Bell Jar, written by Sylvia Plath, starts of in the summer of the mid-1950s. Esther Greenwood, the main character, is a 19 year full of ambition and creativity that works at a popular magazine company. Esther mainly has two “best friends”, Betsy and Doreen. Having a pretty decent life in New York she feels as though she is missing something and that she isn’t experiencing life as some of the other ladies her age are. Esther is faced with the thought of not being what she should be. Which is, what the other women of her age are expected to be, by society’s views. The night before Esther is supposed to go back to her mother, who lives in the suburbs outside of Boston, she goes to a country club dance with Doreen and Doreen’s boyfriend and
The glass of which a bell jar is constructed is thick and suffocating, intending to preserve its ornamental contents but instead traps in it stale air. The thickness of the bell jar glass prevents the prisoner from clearly seeing through distortion. Sylvia Plath writes with extreme conviction, as The Bell Jar is essentially her autobiography. The fitting title symbolizes not only her suffocation and mental illness, but also the internal struggle of Plath's alter ego and novel protagonist Esther Greenwood. The novel illustrates the theme confinement by highlighting the weaknesses of both Esther and Plath.
A notable image that readers of the twentieth-century literature easily recognize is a bell jar. A bell jar is an unbreakable, stiff glass container that confines objects within its inescapable walls. It metaphorically represents the suffocating and an airless enclosure of conformism prevalent during the 1950’s American society. More specifically, American societal standards approve men to have the dominant role as they are encouraged to attend college in order to pursue professional careers. They are given the responsibility of financially supporting their families. In contrast, a women’s life in the 1950’s is centralized around family life and domestic duties only. They are encouraged to remain at home, raise children and care for their husbands. Women are perceived as highly dependent on their husbands and their ability to receive education is regarded as a low priority. Thus, the social conventions and expectations of women during the 1950’s displayed in The Bell Jar by Sylvia Plath correlate to Esther Greenwood’s downward spiral of her mental state. Throughout the course of her journey, Esther becomes increasingly depressed because of her inability to conform to the gender roles of the women, which mainly revolved around marriage, maternity and domesticity.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.