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Lion king movie analysis
Lion king movie* essay outline
Lion king movie* essay outline
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The Lion King was one of the most inspiring shows of musical production that one may ever have the pleasure of seeing. It seems that Disney never stops surprising its audience. Anyhow, The Lion King is the tale of Simba, the son of the Lion King Mufasa (L. Steven Taylor). The birth of the new heir relocates the king's brother Scar (Gareth Saxe), leading him to plot the death of the admired Mufasa and Simba. Scar then deceives Simba into thinking it was him who killed his father. Scar then says he must go into exile and never return. It is there, Simba is befriended by a meerkat, Timon (Fred Berman) and a warthog, Pumbaa (Ben Jeffrey). Furthermore, he grows to adulthood (adult voice of Jelani Remy) happily free of concerns. However, Samba’s
long lost friend Nala (Chantel Riley) coincidently finds him; she enlightens him that Scar is destroying the pride land! Simba must choose whether to keep this peaceful life or confront his enemies and do what he was fated for. As Simba feels anxious, he finds his father’s image in the sky and receives the answer he was looking for. He then returns to the Pride lands to take back his thrown as king. Simba and Scar deadlocked in a clash for the truth. Scar reveals the truth that he in fact killed Mufasa. Frantically, he blames the hyenas for everything. Consequently, the hyenas change their loyalty towards him. As a result, Simba is crowned king of Pride Rock and circle of life resumes.
In the movie Simba feels that the death of his father, Mufasa, is his fault and that he is the one to blame, when in actuality Scar killed Mufasa so that he would have chance a being next in line for the throne to claim the title as King. Because of his father's death Simba runs away and tries to live a life of no responsibilites. “As Simba says, “I just needed to get out on my own, live my own life, and I did, and it’s great.” There are clear parallels here with Jesus’s Parable of the Prodigal Son (Luke 15:11 32). In the parable, the son thinks he can live better without the responsibilities he has while living with his family, and so leaves to live in a ‘far country’. This is exactly how Simba behaves.” (Barfield, Jonathan), so as you can see, the two have a lot in common, The Lion King retold the story in a children friendly
The Lion King is a Disney animated movie portraying the life and times of Simba, who later becomes the greatest lion king known in the land. Simba's rise to the throne is a journey fraught with perils and hardships that make it an absolutely trilling story for the whole family! Although The Lion King is an exciting and entertaining movie, the movie is also a good illustration of several psychology concepts.
Although the movie The Lion King is often times viewed as nothing more than a child-based movie, in actuality, it contains a much deeper meaning. It is a movie that not only displays the hardships of maturation, and the perplexities associated with growing, but it is also a movie that deals with the search for one's identity and responsibility. As said by director Julie Taymor, "In addition to being a tale about a boy's personal growth, the `Lion King' dramatizes the ritual of the `Circle of Life'." Throughout The Lion King, Simba must endeavor through the cycle of birth, death, and rebirth to take his place in the circle of life, as king of the pridelands.
The Lion King is an adaptation of Shakespeare’s Hamlet, with some minor differences and a happier ending. Both narratives follow the Hero’s Journey, but The Lion King follows all twelve steps flawlessly. Simba’s experience in the belly of the whale is perhaps the shortest of the three examples, only really encompassing his fight with his uncle. It is Scar that initiates the fight, throwing embers into Simba’s eyes, they fight for a few minutes, and just when the audience thinks Simba is doomed, collapsed on the ground as his uncle pounces on him out of the flames, he throws Scar over a nearby cliff and into a group of vengeful
Hamlet decides that if he can convince everyone that he is insane, then maybe he will be able to get someone to tell him more about his father’s murder. In The Lion King, Simba is the prince. Simba’s father, Mufasa, is killed after he falls from a cliff into a herd of hyenas. Simba falls into a deep depression after his uncle Scar twists things around and convinces Simba that he is the one responsible for the Mufasa’s death. Simba can not deal with what has happened and he runs away from the kingdom.
Through dance and movement, the storyline were expanded with the assistance of choreographer, Garth Fagan. A well-renowned choreographer for his innovative choreography primarily for Garth Fagan dance, Fagan used his unique style of choreography to the Lion King by combining a variety of Ballet, Jazz, Modern Dance, African Dance and Balinese Dance to suggest representations of nature without making a replica itself and use dance to help tell the story (Exploring the Lion King, 2010). Taymor’s idea of expanding the film by adding in choreographic elements not only will set the overall concept, it would additionally guide the visual aesthetic by allowing dance as the main element that balances musical numbers in all categories: effects, music and so on into the choreography (Bluemental et al 210:1999). Both Fagan and Taymor gave major contributions to the different styles of dance and performance techniques from around the world creating the precision and versatility that is being portrayed in the musical. In order to create the ideal staging of the hunting lionesses, flying dancers in the aerial ballet to the takeover of the hyenas at Pridelands, the collaboration between Fagan and Taymor gave suggestions of how these movements being performed with grace and poise using different dance styles and are cultural based be the forefront of the production(Taymor 148:1997). By looking at three notable dances in the musical, this chapter will analyse the presence of dance and movement being portrayed in the musical and how are these dances create the drama, still giving the idea of moving in an African Savannah. Furthermore, this will give an insight to all challenges and pitfalls both Fagan and Taymor endured during the development of the...
“I am almost inclined to set it up as a canon that a children’s story which is enjoyed only by children is a bad children’s story.” C.S. Lewis ' quote brings about some interesting question. What makes a classic? How can we test fantasy literature to see if it is, or can be a classic for all ages? Two important factors to consider in these questions are how good and evil are depicted and explained to the audience. Is the villain evil for evils sake? Or does the villain believe he is in the right under bad circumstances? We must also consider how the author uses narrative voice to tell their story to the audience. Does the author talk down to the readers? Or do they keep their voice light and playful? Looking at the course readings from the
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
The works of Karl Marx have had a great effect on the world. They influenced many people including Vladimir Lenin. The works of Vladimir Lenin have also been influential. Together they influenced the African Che Guevara who is named Thomas Sankara. Thomas Sankara was a revolutionary hero that enacted sweeping social and economic changes throughout Burkina Faso and inspired many people to believe that Africa could be autonomous and self reliant.
The Lion, the Witch, and the Wardrobe is set during World War II. There are four children who had to be sent to live with Professor Kirke because their mother wanted them to be safe. The children decide to play hide and seek in the house one day and the youngest girl Lucy found a wardrobe to hide in. When Lucy was in the wardrobe she found herself in a strange place. The wardrobe had led her to a land full of snow. When Lucy started walking around she met a fawn named Tumnus. He took her to his house. She became friends with him until he broke down and explained to her that he worked for the White Witch. He was supposed to capture humans, but she begged him to let her go, which he did.
the king of a Pride Land, who is murdered by his brother and then the
The characters in The Lion King closely parallel Hamlet. Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne. The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure. In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius. Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed. The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil. They support Scar completely, just as Laertes supports Claudius. Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively. Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical. The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala. Nala concentrates on the aspect that Simba is the rightful King and that it is his responsibility to ascend to the throne. She is his best friend and someone whom he trusts. Just as Horatio loyally follows Hamlet, Nala is completely loyal to Simba. Not only are there ties of friendship, but there is also an element of respect and reverence in both friendships. Horatio and Nala both know that they are friends and loyal followers of the rightful king.
In once of his many escapades his evil uncle Scar is teaching him how to growl which results in a stampede of wildebeest to come towards him. Mufasa, who is Simba’s father, in an attempt to save him dies by the hands of his older, jealous, brother. Scar pushes Mufasa off the cliff into the stampede. When Simba discovers his dead father he flees, feeling responsible for the death of his father, and Scar becomes the new ‘king’ of the jungle. Simba is raised by two strangers he meets in the desert and after some time passes he discovers that his uncle is the reason his father is dead and that he has taken control of the prairie. After being conflicted by his emotions and meeting an apparition of his father he finally decides to confront his uncle and take back the kingdom. The film ends with scar, the uncle, being eaten alive by his minions and he is the cause of his own demise. Simba restores balance to the ecosystem and all is well, which is a beautiful ending to a Disney film.
THE LION KING IS A MOVIE ABOUT A LION CUB’S LIFE AND HIS JOURNEY TO THE ROYAL THRONE. THE KING OF THE PRIDE LANDS, MUFASA HAS A SON SIMBA. SIMBA GROWS UP IN A VERY PROTECTED ENVIRONMENT WITH CARING FRIENDS AND FAMILY. BUT HIS JEALOUS UNCLE SCAR TURN HIS LIFE INTO A TRAGEDY BY MURDERING MUFASA AND CONVINCING SIMBA THAT IT WAS HIS FAULT. SCAR TELLS SIMBA TO RUN AWAY AND NEVER COME BACK SO SIMBA DOES.
Said stated that it is “virtually impossible for an American […] to see films about the Middle East that are not coloured politically” and that “Arabs almost always play the role of violent people” (said, 1977). In Disney’s 1992 animated film ‘Aladdin’ there is constant images of violence and danger. This is first seen at the very beginning of the film through lyrics of the theme song ‘Arabian Nights’ originally with the lyrics “They cut off your ear, if they don’t like your face”(Hobson, 2010). This is a demonstration of orientalism and the portrayal of Arabs in this film as an unjust violent people. The lyrics were later changed to “Where it’s flat and immense and the heat is intense, its barbaric but hey it’s home” although this does not project the Arabs directly as dangerous people it does however project the middle east to be a harsh and alien environment to live in establishing the Arab world as the ‘other’. After the Theme song concludes we meet the merchant who proclaims that his “combinations hookah and coffee maker” will not break, and then it breaks. This although it is subtle puts the image out that people of the Middle East are untrustworthy and conspiring.