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Aspects of love within Shakespeare
Shakespeare works of literature sonnets
Shakespeare works of literature sonnets
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Recommended: Aspects of love within Shakespeare
Shakespeare's Sonnets & Romantic Love in As You Like It
Shakespeare's comedy As You Like It is clearly a pastoral comedy with a country setting, a theme revolving around love and a story which consists of a series of accidental meetings between characters and a resolution involving transformations of characters and divine intervention. The comedy involves the traditional literary device of moving urban characters into the country where they have to deal with life in a different manner. Whereas the pastoral comedy was usually a vehicle for satire on corrupted urban values, in this play the satire appears to be directed at the convention of Petrarchan love.(Rosenblum, 86)
Renaissance conventions of love were strongly influenced by the elaborate system of love called the Petrarchan tradition. An Italian poet, Francesco Petrarch, wrote a cycle of sonnets to his beloved Laura, which became internationally popular. In his poetry, Petrarch professes his undying love, and laments her cruelty for not returning his passionate devotion. He also describes the inspiration for his love - a single glance from her eyes. In the course of his sonnets, Petrarch and Laura never meet or speak. She may not even know he exists. Midway through the sonnet sequence Laura dies. Petrarch continues to adore and mourn her in verse years after her death. His lyric poetry, meant to be read and not performed, is the first form for the self in conflict.
English Renaissance poets admired and imitated Petrarch. He centered his sonnets on a series of themes: Love, Chastity, Death, Fame, Time and Eternity. Petrarch established the basic form of the Italian sonnet as fourteen lines divided into two clear parts, an opening o...
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...rold.Shakespeare: The Invention of the Human.New York: Riverhead Books, 1998.
Booth, Stephen, (ed).Shakespeare's Sonnets,New Haven: Yale University Press, 2000.
Dolan, Frances E (ed).William Shakespeare: As You Like It, New York: Penguin Books, 2000.
Garber, Marjorie. "The Education of Orlando." In Comedies from Shakespeare to Sheridan, Newark: Univ of Delaware Press, 1986.
Hodges, Devon. "Anatomy as Comedy." In Renaissance Fictions of Anatomy, pp50-67. Amherst: Univ of Massachusetts Press, 1985.
Mowat, Barbara A. and Paul Werstine (ed.s) As You Like It by William Shakespeare, New York: Pocket Books, 1997.
Moulton, Charles Wells,(ed) The Library of Literary Criticism of English and American Authors Vol.1 (680-1638), New York: Peter Smith, 1935.
Rosenblum, Joseph. A Reader's Guide to Shakespeare, Barnes & Noble Books, 1997.
year old black woman Rosa Parks refused to give up her seat to a white
black woman) refused to give her sat up to a white person on a bus.
Wilson, H. S. On the Design of Shakespearean Tragedy. Canada: University of Toronto Press, 1957.
Moulton, Charles Wells. Moulton's Library of Literary Criticism of English and American Authors through the Beginning of the Twentieth Century: Volume 1. New York: Frederick Ungar, 1966. Print.
Hunter, G. K. Shakespeare: The Later Comedies. Ed. Geoffrey Bullough. London: F. Mildner and Sons, 1962.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
Wilson, H. S. On the Design of Shakespearean Tragedy. Canada: University of Toronto Press, 1957.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
Shakespeare, William. As You Like It. Trans. Gayle Holste. Hauppauge, NY: Barron's Educational Series, 2009. Print.
During the course of Edmund Spencer’s Amoretti, the “Petrarchan beloved certainly underwent a transformation” (Lever 98); the speaker depicts the beloved as merciless and is not content with being an “unrequited lover” (Roche 1) as present in a Petrarchan sonnet. Throughout Sonnet 37 and Sonnet 54, the speaker provides insight into the beloved not seen within the Petrarchan sonnets; though the speaker does present his uncontrollable love for the beloved, he does so through his dissatisfaction with his position and lack of control. In Sonnet 37, the speaker describes the beloved as an enchantress who artfully captures the lover in her “golden snare” (Spencer, 6) and attempts to warn men of the beloved’s nature. Sonnet 54, the speaker is anguished by the beloved’s ignorance towards his pain and finally denies her humanity. Spencer allows the speaker to display the adversarial nature of his relationship with the beloved through the speaker’s negative description of the beloved, the presentation of hope of escaping from this love, and his discontent with his powerlessness. Spencer presents a power struggle and inverted gender roles between the lover and the beloved causing ultimate frustration for the speaker during his fight for control.
Ronk, Martha Clare, Locating the Visual in As You Like It.Shakespeare Quarterly 52, Issue 2, 2001.
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.
soaps but this could also mean they just focus on one or two of the
Lackluster love is the subject postulated in both sonnets, Petrarch 90 and Shakespeare 130. This is a love that endures even after beauteous love has worn off, or in Petrarch, a love that never was. The Petrarchan sonnet utilizes fantasy to describe love. It depicts love that is exaggerated and unrealistic. Shakespeare’s sonnet, on the other hand, is very sarcastic but it is more realistic as compared to the Petrarch 90. Petrarchan sonnets, also called Italian sonnets were the first sonnets to be written, and they have remained the most common sonnets (Hollander 28). They were named after the Italian poet Petrarch. Its structure takes the form of two stanzas, the first one an octave, in that, it has eight lines, and the next stanza is a sestet, meaning that it has six lines. The rhyme scheme suits the Italian language, which has the feature of being rhyme rich, and it, can take the forms of abbaabba, cdcdcd, or cdecde. These sonnets present an answerable charge in the first stanza, and a turn in the sestet. The sestet is the counter argument of the octave.