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Oral traditions a key part of africa's culture
The oral tradition African
Influence of western culture in africa
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Even after the imposition of the written language in Africa during the 19th century, the oral tradition abided as an essential part of African societies (Obiechina 123). Until these days, the rural population and urban population alike have remained in close touch with the local oral traditions (Obiechina 124). Since the authors themselves have been raised experiencing both traditions – the written form of literature as well as the oral tradition, it comes as no surprise that the modern African novels blend the two traditions in the novels. This is reflected by authors’ implementation of oral stories into their novels (Obiechina 124). The term for the engagement of stories within the storylines of the novels is called the narrative proverb An example that attempts to recreate this interaction is “The Abame Story”. This story takes place when Okonkwo’s friends pay him a visit during his time in exile. It is a tragic story that happened to the Abame clan. One day a white man appeared in the village. Since the Oracle told them in the previous days that this man would destroy their clan, they killed him. A few days later, three other white men returned to the village and killed all the people (Obiechina 134-135). The story opens with the narrator’s opening statement: “During the last planting season a white man had appeared in their clan”, to which Okonwo reacted “An albino”. The narrator, Obierika, responds “He was not an albino. He was quite different” (Achebe 4; ch. 15). Here the interaction takes place evoking an atmosphere of a live storytelling event during which the spectators are actively participating (Obiechina 135). Another evidence of active audience participation can be found in the Abame story: “What did the white man say before they killed him?” asked Uchendu … “He said something, only they did not understand him,” said Obierika (Achebe 5; ch. 15). The example above shows the interaction between a spectator – Uchendu and the narrator – Obierika. Again, the feeling of a real-life interaction is induced through the exchange between Obierika and Uchendu. These are the demonstrations of how Achebe uses written language to describe the interaction between the storyteller and the spectator, as it is an important part of the Igbo oral
Have you heard of the book Maniac Magee? Maniac Magee becomes an orphan at the age of three. His parents died in a trolley accident and ran away after living with his aunt and uncle for 8 years. Maniac’s real name is Jeffrey. He is a kind hearted person who is athletic and he’s always thinking about others. Maniac has trouble finding a permanent home and being accepted in the black community even though he’s white. In both the movie and book they have similarities and differences.
There are four main modes of discourse: expository, narrative, descriptive, and persuasive. In Mary Rowlandson’s A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, it is apparent in the title that it is a narrative. Like Mrs. Rowlandson’s literature, Olaudah Equiano’s From Africa to America is a narrative. A narrative form of literature is a story, account of events, or experiences, whether it is true or fictitious. In this case their stories were their real experiences and they gave the reader actual facts and information, also making it expository. "The closeness of the place and the heat of the climate, added to the number in the ship, which was so crowded that each had scarcely room to turn himself, almost suffocated us." (73) This is a perfect example showing that Olaudah Equiano’s narrative is also descriptive, giving the reader vivid images in his mind, whereas Rowlandson’s narrative rarely has descriptive content. These works of literature may also be portrayed as persuasive by the quote of, "..Overwhelmed with the thoughts of my condition.." (7) Mary Rowlandson was overwhelmed with her emotions. This quote may persuade the reader ...
... of language and education is the most important in this story and society. The make use of two different languages in a narrative, provides a reader a perplexing yet fascinating image of characterization and customs. Multilingual story telling pushes the reader to decelerate and acquire supplemental focus on the expressions which are in the small fragments, however as soon as the reader has figured out the foreign words, he or she acquires a priceless picture of the theme of this story. The panorama of native words and phrases, cultural perceptions, and class dispute taken from the incorporation of two different languages are helpful for the reader to obtain significance that he or she couldn't gain if exclusively one language was employed in the story. Just as the power of language is applied to unveil a society, a better comprehension is provided to the reader.
In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as they are and are not exchanged for actions. King continuously alerts the reader about taking actions towards change as people tend to be ignorant of what is going around them. At the end people give a simple reason that they were not aware of it. Thus, the author constantly reminds the readers that now they are aware of the issue so they do not have any reason to be ignorant.
A narrative is specified to amuse, to attract, and grasp a reader’s attention. The types of narratives are fictitious, real or unification or both. However, they may consist of folk tale stories, mysteries, science fiction; romances, horror stories, adventure stories, fables, myths and legends, historical narratives, ballads, slice of life, and personal experience (“Narrative,” 2008). Therefore, narrative text has five shared elements. These are setting, characters, plot, theme, and vocabulary (“Narrative and Informational Text,” 2008). Narrative literature is originally written to communicate a story. Therefore, narrative literature that is written in an excellent way will have conflicts and can discuss shared aspects of human occurrence.
He was in great conflict with the ideas of the white men and the missionaries. Okonkwo saw that their beliefs had not only changed the daily life of the Ibo, but it also changed the people themselves: “He mourned for the warlike men of Umuofia, who had so unaccountably become soft like women” (Achebe 183). The author uses strong diction to compare the men before and after colonization. This quote also portrays Okonkwo’s opinion towards the cultural collision. He values strength and masculinity immensely because of his fear of appearing weak like his father Unoka. When he describes that the men of Umuofia changed to be soft like women, this shows how much he dishonors the Western ideas and how it has taken over the village. He made an attempt to get rid of the Western influence by urging the tribe to fight like men, but they refuse to. He was determined and still attempted to furthermore encourage the people of Umuofia to revolt against the new culture. He realizes that his attempts to return the village back to the way it was before were futile. He knew that Christianity was tearing his people apart, but knew he was incapable of making change to help his people. Okonkwo then starts to feel hopeless and abandoned by his clan, which causes him to commit suicide by hanging himself: “Obierika… turned suddenly to the District Commissioner and said ferociously: ‘That man was one of the greatest men
Storytelling has a special importance in culture throughout the African continent; Anansi the spider in Ghana, is one great example of an African fable that teaches children important lessons including respect for elders, the importance of wisdom, and the importance of culture. These stories have been retained and perpetuated by oral tradition, despite the western emphasis on written records; African tribes have preserved history and culture well thorough oral historians. The translator, D.T. Niane, explains the validity of oral history well by stating that written text can contain inaccuracies as well (xv). The importance of the oral aspect of djelis method relays the information in a personal manner, as Djeli Mamoudou Kouyate states, “writing lacks the warmth of the human voice,” therefore by creating a written text of an oral story it “does violence” to it (xvi). I was raised in an African community, here in DC and was lucky enough to attend Djeli performances by family friend, Djimo Kouyate, and later his son Amadou. Although I do not speak Manding, Djeli Djimo Koyate, performed the music in such a way that I was able to relate and...
This shows that the Igbo are civilized because they used civilized forms of speech to define their culture. An example of the communication used is the use of proverbs, which is highly valued in the Igbo society, “Okoye said the next half a dozen sentences in proverbs. Among the Igbo the art of conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten”(Achebe, 7). This shows that the Igbo have a sophisticated way of communicating with each other to share ideas or to simply converse with one another. The use of proverbs also show that the Igbo have a high level of intellect in which most barbaric groups would not have. Another way in which Achebe portrays the art of communication is the use of storytelling to explain real life phenomenons. An example used in the novel is the story told by Ekwefi to her daughter. This story was about a tortoise who was to greedy with himself which caused his downfall in the end. Achebe includes this to show that the Igbo have ways to teach morals and values, unlike other primitive
... a meeting, Okonkwo, knowing that his clansmen would do nothing to drive the white men away form their villages, killed a messenger. He then went home and committed suicide.
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.
Orature, or otherwise known as artistic value of oral expression, inspired many writers across the globe to transcribe the spoken word into print. The spoken word had a major impact on world literature as we know it today. Many characteristics of orature are influenced by gender, race, class, culture, and the like. Signs of social inequality are obvious in many orature stories. The folktales, The Three Spinners, Tom Tit Tot, and almost all US Slave stories and songs, foster belief in escape of oppressive life chances.
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
Irele, Abiola and Biodun Jeyifo. African Thought. New York, NY: Oxford University Press, 2010. Print.
...res that make these books continue to live on for centuries. Due to the constraints of the essay not all aspects of the narrative perspective could be discussed and the role they play with the novellas.
Written literature wasn’t a familiarity to most of Africa until the later 16th century after visits from missionaries and explorers, but in its place were verbal fables and tales. These African tales “are used to...