Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Music as a tool of protest and social change
Music as a tool of protest
Measurements of musics influence on the civil rights movements
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Music as a tool of protest and social change
With his soulful voice and good looks, Sam Cooke is a great example of a musician who used their music to support the Civil Right Movement. He uses a wide selection of various types of instruments to portray the different emotion the movement came with. One of his most legendary songs for the movement, released in 1964 was “A Change Is Gonna Come”. The song voices hardships that black men experienced in America during the 60’s. Being that Cooke grew up with little money he adds his own struggle in the song, hence the “born by the river in a little tent” he stays confident that change is gonna come. His song talks about how African-Americans are not able to enjoy normal everyday things like walking down the street or going to the movies without that constant fear over their shoulders of getting in trouble. One of the main meanings of this song according to musiqology.com is how blacks are always trying to achieve equality with the whites, African-Americans are always shut down …show more content…
The way he worked his emotion into his lyrics uplifted people’s spirits. This legendary song impacted a lot of people and was used for many events such as at Malcom X’s funeral, American Idol, and was used as a theme song for Barack Obama’s 2008 Presidential Campaign. Cooke’s “A Change Is Gonna Come” continues to be an example of musical achievement. Diagnosed with glaucoma, leaving him completely blind at the age of 6 years old Ray Charles Robinson’s life was only beginning. Attending school at St. Augustine, a school for the blind and deaf Charles learned to play many instruments focusing more on the piano. From there on his career took off, his music was a success many loved him and all that he sang about. Charles played an active role in political and humanitarian cases and used his both his music and earnings from his music to support the Civil Rights
Raymond Lewis was born on October 8, 1910 in Hamilton, Ontario. He was the youngest son of Cornelius Lewis and Emma Green. Living in that era, Lewis faced racism in many forms, such as kids his age calling him names, or teachers treating him poorly because of his skin colour. While this may have been upsetting and demotivating for most, for Ray it was actually helpful, as all the negativity just motivated him to do better and work harder. Apart from that, he was also known as “Rapid” Ray Lewis, as he could outrun anyone his age. From that moment, anyone knew that he would outshine his peers in the future.
Chao-Wei Wu Jeffrey McMahon English 1A 23 July 2014 Chef Jeff Henderson_Cooked Chef JH’s personal memoir, Cooked, is a model confirmation that it is feasible for an author to give a moving message without sounding sermonizing and redundant. Cooked takes place after Henderson's rise and fall (and rise once more). The story begins with his alliance with drug merchants of becoming one of the top split cocaine merchants in San Diego by his 23rd birthday. It leads to his capture and inevitably his rising into the culinary business (Ganeshram 42).
“We Shall Overcome” was a popular song of comfort and strength during the civil rights movement; it was a rallying cry for many black people who had experienced the racial injustices of the south. The song instilled hope that one day they would “overcome” the overt and institutional racism preventing them from possessing the same rights as white citizens. Anne Moody describes several instances when this song helped uplift her through the low points of her life as a black woman growing up in Mississippi in the 1950s and early 1960s. By the end of her autobiography “Coming Of Age In Mississippi” (1968), she saw a stream of excessive and unending violence perpetrated by white people and the crippling effects of poverty on the black people of
But Robinson's legacy was not made on boxing alone. He was one of the first African-American athletes to become a major star outside of sports. With his flashy pink Cadillac convertible and his Harlem nightclub, Sugar Ray was as much a part of the New York scene in the forties and fifties as the Copa and Sinatra.
Ray Charles one of the greatest African-American artists of all time. He left a legacy of hits and Grammy awards, but the musicians he influenced were very diverse in genre as the music he wrote, arranged, performed, and recorded. Ray Charles died at the age of 73 on June 10, 2004 from acute liver disease. Months after his death on October 29, 2004 the movie Ray was released to the U.S on a budget of forty million dollars. The film went on to become a box-office hit, earning over $100 million dollars with an additional $75 million internationally. It ended up with a worldwide gross of over $175 million.
...anged those around him and changed the way people lived their lives. Robinson was someone who worked for a cause not only for himself, but also for his fellow Negroes, and his country. His work for civil rights not only came when he had to provoke a change for his advancement, but even after he had advanced, he did not forget his fellow Negroes. His acts in the 1950's, 1960's and shortly in the 1970's has helped and influenced America to end segregation and racism in the world.
Ray Charles was born on September 23, 1903 to a very poor family. Although no birth record exists, his mother, Retha Robinson, dubbed him Ray Robinson, which he later changed so as to not be confused with Sugar Ray Robinson, a famous boxer (World Book 383). Ray Charles, or as everyone called him RC, was born to a mother only sixteen years old and she had another coming. By RC’s first birthday, his little brother George was born. “None was sure who George’s father was, but all remembered that Mr. Pit and Mis Georgia, who had no children of their own, adopted George to take the added burden off Retha”(Michael 7). While Retha was not able to watch over RC, he was cared for bye her friend Mary Jane, who was split up with her husband and had lost her son.
The critical acclaimed “A Change Gonna Come” begins with Cooke’s smooth yet emotional vocals yelping “I was born by the river in a little tent”. The words are not very far from the truth. Cooke began his life on January 22, 1931 in Clarksdale, Mississippi. Born Samuel Cook, he was the fifth child of Reverend Charles and Annie Mae Cook. Reverend Cook moved his family from the “up from the Mississippi Delta” (Krajicek) to Chicago in 1933. Cooke was raised in a God fearing household were his father instilled the importance of working hard for everything you want in life. At a very young age Cooke made it clear to his family that he intended on being a being a singer; he never planned to work a normal job (Krajicek). Cooke by no means desired to live the life of an average job, bec...
Robinson attended Pasadena Community College, where he excelled in basketball, track, baseball, and football. (Hageman 1) After community college, he enrolled at the University of California, Los Angeles (UCLA). In 1941 he became the first athlete in the history of UCLA to letter in all four of those sports in the same year. It was in 1940 when Bartlett introduced Robinson to, his future wife, a nursing student named Rachel Isum. Two years later they were separated when Robinson was drafted into the US Army. Robinson served stateside during the war, and achieved the rank of Second Lieutenant status. While in serving in Texas, Robinson was court-martialed for refusing to move to the back of the bus, almost eleven years before Rosa Parks. Robinson was later acquitted and received an honorable discharg...
Little Stevie Wonder was modeled after the famed career of, the not-so surprising, Ray Charles. Charles was also a blind musician, whose charisma and “R&B screamer” style allowed Gordy to mold Wonder’s image after (Rolling Stone). Wonder worked in 1962 with Motown writer Clarence Paul to produce his first album called The Jazz Soul of Little Stevie Wonder under the Motown subsidiary known as Tamla. On this album, Stevie Wonder elucidated his extreme musical talent on the harmonica, drums, and keyboard. Although he doesn’t sing on this album, the album gave his audience a taste for the Soul and Jazz sound that embodied his young persona. Similarly, later in 1962, Gordy tried to cement Little Stevie Wonder’s image in his tribute to Ray Charles. Wonder made the album A Tribute to Uncle Ray, which was a series of songs dedicated to the famed Ray Charles in both covers and like-sounding originals. However, it was clear that Wonder’s sound was not like that of Charles, which left Gordy in a scramble to create an image that matched Wonder’s talent. As William Ruhlman states in his album
Thus, blues became a large part of protest in America, especially in the 20th century. It was a form of outcry for help, dating back to slavery, and was often the only way that slaves saw fitting in order to rebel against their oppressors. Slavery and the shipping of slaves was the cause of the worldwide spread of blues, and since then has been a call for change. Many people who felt it necessary to rise up and be a voice for their generation have succeeded in aiding political and social change. Son House, Woody Guthrie and Bob Dylan are all poetic political dissidents expressing the hardship and sufferings that they underwent through the blues.
Not only did Davis serve as an architype for upcoming musicians, he exposed his audience to the realities of an oppressed American by way of his music. Growing up he had to work harder than his white peers to get the same chance, and he took note of this. According to the book, Miles Davis: the definitive biography, Davis commented on using injustice as his motivation, “It made me so mad that I made up my mind to outdo anybody white on my horn. If I hadn’t met that prejudice, I probably wouldn’t have had as much drive in my work” (Carr 6). Injustice made a profound influence on Miles. During the civil rights movement Miles Davis became a voice for the black community. Because of Davis’s initiative to deliver music that would bring strength and truth to the African American community, jazz music had become a symbol of power and strength instead of “black music.” In a book by Ingrid Monson she speaks about the relationship between the civil rights movement and jazz: “the defiance and resistance of jazz musicians has often been confused with romanticized politics of style that views music’s relationship to the civil rights struggle as mostly symbolic. Here the defiant attitude of musicians…has been viewed as the heart and soul of the relationship between music and politics” (Monson 56-57). Miles Davis was a manifestation of the
During the Civil Rights Movement, Bob Dylan used his talent of music as his tool to help the movement sweep through the nation. Dylan had very big ambitions for not only his life alone, but for the world. Dylan had a massive influence on people’s minds, hearts, and souls. Dylan had a message to share. He was looking for a change, and it would come along if he had anything to do with it.
Woody Guthrie was an extremely talented and relatable musician who was able to bring joy to people’s lives through his songs. Becoming a person who can relate to people usually doesn’t just happen. Guthrie’s childhood was fairly comfortable until some major events took place. These events in his personal life along with huge dust storms in the area he was living caused his life as he knew it to completely change. Although many would see these hard times as a negative, Guthrie used them as a way to connect with the common people who also were going through rough times in the dust bowl. Not only was he able to connect with them, but he was able to create happiness in people’s who otherwise would mainly be filled with completely negative thoughts. In the book Bound for Glory by Woody Guthrie the reader is able to explore the experiences that created such an influential and motivational character in the history of music.
" Sing for freedom : the story of the Civil Rights Movement through its songs. Montgomery, Ala.: NewSouth Books. Kirk, J. (2007). The 'Secondary' of the 'Secondary' of the 'Secon Martin Luther King, Jr. and the Civil Rights Movement: Controversies and Debates. Basingstoke, New York: Palgrave Macmillan.