For many years, music has been used by many different groups of people to express themselves. Whether it be about inequality, discrimination, a break-up, or even just nonsense, music is a large part of our everyday lives. Music can make a huge impact on the way society lives and the way humans see each other. “A Change is Gonna Come” by the king of soul, Sam Cooke, is a song that was released at the height of the Civil Rights movement, and reflects on the issues that marginalized people face everyday. At the very beginning of this song, Cooke sings the line “I was born by the river, In a little tent, Oh, and just like the river, I’ve been running, Ever since”(Cooke). This line shows how black Americans and other marginalized groups are confined …show more content…
Cooke, and other black Americans, have most likely all experienced some form of individual discrimination. In another verse, Cooke sings “It’s been too hard living, But I’m afraid to die, ‘Cause I don’t know what’s up there, Beyond the sky” (Cooke). This line shows how Cooke and other black Americans are afraid of death and being killed, yet living is equally as hard. This line could be about genocide and how marginalized groups were treated at the time. Later, Cooke sings “Then, I go to my brother, And I say, ‘Brother, help me, please’, But he winds up knockin’ me, Back down on my knees, oh” (Cooke). This line symbolizes the racism towards black people from white people in the south. Cooke’s “brother” symbolizes the dominant group, white people in the south, and he symbolizes the subordinate group, black people in the south. A dominant group is defined as “a racial or ethnic group that has the greatest power and resources in a society” (Kendall 10-6b), and a subordinate group is “a group whose members, because of physical or cultural characteristics, are disadvantaged and subjected to unequal treatment and discrimination by the dominant group” (Kendall
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
“We Shall Overcome” was a popular song of comfort and strength during the civil rights movement; it was a rallying cry for many black people who had experienced the racial injustices of the south. The song instilled hope that one day they would “overcome” the overt and institutional racism preventing them from possessing the same rights as white citizens. Anne Moody describes several instances when this song helped uplift her through the low points of her life as a black woman growing up in Mississippi in the 1950s and early 1960s. By the end of her autobiography “Coming Of Age In Mississippi” (1968), she saw a stream of excessive and unending violence perpetrated by white people and the crippling effects of poverty on the black people of
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
The book, The Spirituals and the Blues, by James H. Cone, illustrates how the slave spirituals and the blues reflected the struggle for black survival under the harsh reality of slavery and segregation. The spirituals are historical songs which speak out about the rupture of black lives in a religious sense, telling us about people in a land of bondage, and what they did to stay united and somehow fight back. The blues are somewhat different from in the spirituals in that they depict the secular aspect of black life during times of oppression and the capacity to survive. James H. Cone’s portrayal of how the spirituals and the blues aided blacks through times of hardship and adversity has very few flaws and informs the reader greatly about the importance of music in the lives of African-Americans. The author aims to both examine the spirituals and blues as cultural expressions of black people and to reflect on both the theological and sociological implications of these songs.
He states, “I am the darker brother. / They send me to eat in the kitchen/ When company comes, / But I laugh/ And eat well/ And grow strong.” The author is using a variety of words and academic language like the denotation and connotation of words to state that he is building his self-confidence to carry it throughout his life no matter what challenges he faces.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
The critical acclaimed “A Change Gonna Come” begins with Cooke’s smooth yet emotional vocals yelping “I was born by the river in a little tent”. The words are not very far from the truth. Cooke began his life on January 22, 1931 in Clarksdale, Mississippi. Born Samuel Cook, he was the fifth child of Reverend Charles and Annie Mae Cook. Reverend Cook moved his family from the “up from the Mississippi Delta” (Krajicek) to Chicago in 1933. Cooke was raised in a God fearing household were his father instilled the importance of working hard for everything you want in life. At a very young age Cooke made it clear to his family that he intended on being a being a singer; he never planned to work a normal job (Krajicek). Cooke by no means desired to live the life of an average job, bec...
He experienced the kind that the majority unintentionally masks their racism. They believe that their strategies are not racist, but their attempts to not be racist makes it worse. They try to control minorities instead of listening to their issues and using their privilege to actually help. The Brotherhood is a Marxist minded organization that is predominantly white. The Brotherhood recruits African-American men to hold certain positions in order to spread the word about an experiment and methodology they have developed to promote equality in the communities. However, all that their methods did was control the way African-Americans think, how they relay their ideals, and what jobs that they can have. They took what stereotypical view they had of African-Americans and designed a template for how they think African-Americans to act in order to form peace. African-Americans are not guinea pigs for social and environmental experiments. They are not a species that made their way to America, and now there needs to be a plan in order to control them. America is now a land where millions of people from different backgrounds can influence others from their cultural experiences. The Brotherhood’s use of the term “brother” is a way to include themselves in a culture they did not understand. The only reason that they cared about how African-Americans thrived in the North is because they noticed that a culture
Artists write about what they know; they pull feelings from their heart and their songs relay what the artists’ emotions, whether it be of their hometown, their high school crush, or their experiences. Many artists that came to fame during the twentieth century have a fair share of experiences they share with us in the form of their songs. The twentieth century is comprised of the institution of slavery and its effects, war, gender norms, discrimination based on nationality, sex, race, etc., and countless events that sparked protests and uproars in the United States. Music at this time was a phenomenon, and artists could use it to their advantage. Artists used their music to spread awareness about their cause, influence their listeners, and
In the poem, he mentions black people that were treated unfairly and how many of those people are not recognized as much. He powerfully wrote: “Names lost. Know too many Trayvon Martins / Oscar Grants / and Abner Louimas, know too many / Sean Bells, and Amadou Diallos / Know too well that we are the hard-boiled sons of Emmett Till” (Lines 53-60). This quote shows how many of our black people are discriminated by their skin color are mistreated. Abner Louimas, Sean Bells and Amadou Diallos were men that were victims of police brutality and were shot several times by police officers. Specifically, Emmett Till and Trayvon Martin’s deaths were great examples as to how people were and still are racist. To take a case in point, Emmett Till who was African-American was tortured and killed because he flirted with a white woman. Trayvon Martin was a teenager who was shot and killed just because he went to grab a bag of skittles from his pocket, which the person who shot him thought he was reaching for a weapon. The many examples that Johnson makes help show how racism and stereotypes play a major role in our society because many people are still victims of discrimination. They are automatically stereotyped into a criminal who is about to do something that is illegal. In the society that we live in, blacks do not have any power, they do not get the benefit of the doubt whether or not
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
The infectious nature of African American music, which has appeared in a variety of styles, most notably jazz, soul, rap, rhythm and blues, spread through the American public quickly and broke the barriers from where they originated. Beginning in the seventeenth century music was critical in the organization of early slave uprisings. When brought to the United States, drums were used as a means of communication: spreading messages in a rhythmic language undeciphered by white people. They were used to orchestrate resistance and revolts. After a ban was placed on slave drumming, they retaliated by preserving those rhythms through adaptation to new instruments. Following the American Civil War, the blues reflected the disheartening realization that, although emancipation was granted, equality for African Americans wasn’t guaranteed. Blues vocals communicated disappointment and melancholia. They were reminiscent of African griots, singers, and storytellers. The blues mirrored American race relations, documenting the struggle and conflict on the one hand, but also suggesting a future based on cooperation and understanding. Jazz was initially considered a lesser form of music or not music at all. Many notable 20th century composers, Aaron Copland, Maurice Ravel, and Igor Stravinsky, embraced jazz as a powerful music genre. Sam Cooke is the first great figure in soul. His music marked a change from emotional to social and political issues, as evident in the song “A Change is Gonna Come.” From the 1960’s up until the 1970’s, soul had moved to songs of political awareness and protest, p...
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
Throughout his song “Black or White,” he brings up the issue of racial discrimination. In the song he repeats in the refrain, “It don't matter if you're black or white” (Jackson). He wanted to create a song that would leave an impact and this line definitely met that goal. Not only did he meet a goal, but he brought to realization that it didn’t matter who you were, whether you were crippled, gay, atheist, anything, it was all in the eyes of the beholder.