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Literature to movie adaptation proces
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Copenhagen (2014) is Canadian director Mark Raso’s first film, and it follows the story of 28 year old William who is in search of his grandfather, and with the help of a young woman called Effy they set off on a scavenger hunt around Copenhagen. During this time William is guided to his own maturity. The city becomes another important character in the story, William meets his uncle and he gives him a set of pictures of his father when he was a kid, Effy has the brilliant idea of going around the city to the places in the pictures. He wants to see the places that made his father smile, by doing this he begins to understand the answers to his past. Gethin Anthony (Games of Thrones) who plays William does an incredible job portraying the immature man who goes around the world sleeping around and not having a care in the world. His character was abandoned by his father at a young …show more content…
Together they visit Tivoli [a famous amusement park and garden] they also ventured into the dark in search of Den Lille Havfrue or also known as the statute of The Little Mermaid. They went on to other important locations in search of clues towards finding his grandfather, and had made it a mission to take a picture in each and every place that his father had taken pictures as a child. The scenes are very dreamlike but real at the same time, you also get lost in the beauty of the stone streets, the colorful buildings, and the breathtaking contrast between the water and the rainbow colored buildings along the shore. The color vibrancy changes depending on the mood of the characters and the setting of the scene. During the scene when Effy is singing to William the colors are red and bright depicting the desire between the two
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
For example, he uses texture, color and organic forms to make the landscape look as real as possible. Most of the shapes are formed by shifts in colors and line because the canvas are two-dimensional. The viewer can observe that the painting is dominated by greys, browns, ochers, and other natural colors such as green and yellow to give the scene a more nature-like look. All the components and objects painted in this piece appear to have the same texture and color as the ones found in real life, such as rocks suggesting a rough hard texture and clouds being soft, which probably means that Vernet took in consideration real landscapes and places he might have seen in real life. While using different shades of grey, and painting dark clouds, Vernet was able to convince that a storm was approaching but he also decided to add source of light coming from the upper left corner by using a golden yellow color to create a sense of warmth, which creates a nice contrast between the light and the coldness from the overall shadows that seem to dominate the artwork, creating variety; however, the repetition of colors such as greys gave the whole piece a sense of unity and they also express the shadows of a stormy day. We
Laura Esquivel uses the color red to symbolize love and passion in relationships. In the following quote "Mamma Elena had come to get a sheet or something and had caught Tita red-handed."(p. 136) The little box that contained mamma Elena's old love letters with her old love, Jose Trevino. Tita, being caught 'red-handed' may symbolize that her hands had been stained and contaminated with the love that was concealed inside the box.
I have very good sight. One moment they were white, the next red, the next blue. Then I got it. They were a woman’s dresses”. At first, I did not pay attention to the colors of the dresses, but then I realized the pattern of colors in order. In this case, I believe white represents light, goodness, and pureness. The red represents anger, blood and possibly murder. The last but not least, the color blue that represents wisdom, loyalty, and truth. It seemed to me that the author used colors symbolizes the story from the beginning to the end. I believe it is a hint for us to what to expect and what not to since Jeffries was right all along the
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
Within the very beginning of the film, the wonderful portrayal of William by Billy Crudup gives the audience a lasting impression by Burton of the blatant resentment and distain William has towards his father and his mythological stories. Wallace, while more subtle in his method to reveal the underlying anger of William towards Edward, does not make it any less apparent than Burton of the obvious indifference William feels towards his father. In Burton’s ...
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
The representation of the new age of exploration, which serves as an allusion to man’s potential, is starkly contrasted with the depiction of Icarus that serves as an allegory for man’s limits, indicating the shift from a euro-centric universe. This painting is an oil canvas landscape of the sun setting on the horizon of the ocean sea, while the ships were sailing through the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman, showing the increasing artistic methods that begin to be utilized.
The opening paragraph of the story emphasizes the limitations of the individual’s vision of nature. From the beginning, the four characters in the dingy do not know “the colors of the sky,” but all of them know “the colors of the sea.” This opening strongly suggests the symbolic situations in which average peo...
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
The composition concentrates mainly on the foreground .It has three main points of interest, the small rowing boats, the artificial island and the floating barge .It also has a stretch of trees and foliage in the background painted in a much lighter fashion. Monet?s painting has a very different composition from Renoir?s painting of Grenouillere, which was done at the same time; Renoir?s painting is focussed much more on the artificial island and the people on it. Monet uses a combination of thick bold brushstrokes and small short soft brushstrokes; this creates a nice varied look and helps give a good impression of perspective. The tone is also very varied as it is Very light in some areas, but it is also quite dark in others, such as the shades on the barge. The use of dark shades in the foreground makes the boat look so realistic and quite 3D. Although the middle ground is flatter this helps add to the perspective. The water ho...
Throughout the chosen scene in Memories of Matsuko, an extremely rich colour palette is applied. From the flowers planted in front of Okano’s house, to the imagined flowers and birds along the road and finally the pathway leading to ‘the moon’, a warm colour palette is used in major. It is defined as a surrealistic use of colour as this scene has “an oddly dreamlike or unre...
Branagh's Hamlet is strong, resourceful, thoughtful and restrained. Branagh purposely rejects the psychological poses that other actors find so hard to resist. After all, Hamlet and Richard III are the two Shakespearean plays that afford actors the most range. It's hard playing the Dane on a leash when one can go wild with existential abandon and not only dodge the charge of overacting, but actually attribute such excess to the character. There are few meatier roles in the repertoire that simultaneously offer the actor such depth on the one hand and such leeway on the other.
The surreal scene takes place in the early morning while the moon is still out. Heavy brush strokes and a limited color palette gives the painting a more abstract feel rather than a realistic one. The vastness of the early morning sky depicts a sense of grandeur and remarkable beauty. The light of the sun is just starting to creep over the mountain range in the distance. At the foot of those mountains is a sleepy little town. There is a little white chapel on the edge of town. You can almost hear the church bells ringing telling the townspeople it’s time to wake up. A few townspeople must have heard the bells because some of the little houses have candles burning