February 1885 - Carl August Sandberg; my name sounds very Swedish to American ears, I think. Before people even meet me, they can tell I’m Swedish. I am proud of my Swedish parents, but I want to be more American. I plan to change my name and have everyone call me Charlie or Charles. That sounds better and keeps people guessing. Even though I learned to speak Swedish first and English second, I can easily say “ch” the right way and I’m only seven years old. Many Swedish boys my age, and even full grown men, can’t say it right but I am one of the few who can. My father can’t say his “ch” right; it comes out more of a “sh” sound instead. Mary, Mart and I have also decided that we will spell Sandberg differently. From now on, we will write our names Sandburg (C. Sandburg, Prairie 24-25). That looks better, too.
November 1888 - Miss Goldquist is my sixth grade teacher this year and she keeps talking about how well an education will serve you. Maybe so; all I know, is that I sure do like to read and that is something that Miss Goldquist likes as well. In fact she said, “You don’t know what good friends books can be till you try them, till you try many of them.” and for sure I have been reading a lot and I think she may be right (C. Sandburg, Prairie 51). So far, I like Charles Carleton Coffin’s The Boys of ’76 the best. I feel like I’m right there in the middle of the war and the pictures are swell (C. Sandburg, Prairie 52). Mart and I take turns being Paul Revere or George Washington. Emil is too young to play soldiers with us, but mama says we have to include him, anyway. Playing around outside, sometimes I’ll walk over to the campus of Knox College. I like looking at the plaque there that quotes Lincoln and Stephen Douglas as they d...
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..., 1991. Print.
Mitchell, Barbara. “Good Morning, Mr. President”. Minneapolis: Carolrhoda, 1988. Print.
Carl Sandburg. Ed. Frances Bolin. New York: Sterling, 1995. Print. Poetry for Young Readers.
"Carl Sandburg." Encyclopedia of World Biography. Detroit: Gale, 1998. Biography in Context. Forsyth County Public Lib., Winston-Salem. Web. 10 Nov. 2013.
Reuther, Galen. Connemara: The Carl Sandburg Home. Charleston: Arcadia, 2006. Print. Images of America.
Rogers, W. G. Carl Sandburg, Yes: Poet, Historian, Novelist, Songster. New York: Harcourt, 1970. Print
Sandburg, Carl. Prairie-Town Boy. San Diego: Harcourt, 1953. Print
- - -. Selected Poems. New York: Gramercy, 1992. Print.
Sandburg, Lilian. The Poet and the Dream Girl: The Love Letters of Lilian Steichen and Carl Sandburg. Ed. Margaret Sandburg. Chicago: U of Illinois P, 1987. Print.
Turner, Thomas R. 101 Things You Didn’t Know about the Civil War. Avon: Adams, 2007.
leading up to and surrounding President Abraham Lincoln’s death. The purpose of this book is to
Source: Records of the Great War. 3rd ed. of the year. Lewiston, New York: E. Mellen Press. Moss, W., 2014.
McPherson, James M.; The Atlas of the Civil War. Macmillan: 15 Columbus Circle New York, NY. 1994.
In James McPherson’s novel, What They Fought For, a variety of Civil War soldier documents are examined to show the diverse personal beliefs and motives for being involved in the war. McPherson’s sample, “is biased toward genuine fighting soldiers” (McPherson, 17) meaning he discusses what the ordinary soldier fought for. The Confederacy was often viewed as the favorable side because their life style relied on the war; Confederates surrounded their lives with practices like slavery and agriculture, and these practices were at stake during the war. On the other hand, Northerners fought to keep the country together. Although the Civil War was brutal, McPherson presents his research to show the dedication and patriotism of the soldiers that fought and died for a cause.
Wills, Garry. Lincoln at Gettysburg: The Words that Remade America. New York: Simon and Schuster, 1992.
“All up and down the lines the men blinked at one another, unable to realize that the hour they had waited for so long was actually at hand. There was a truce…” Bruce Catton’s Pulitzer prize winning book A Stillness at Appomattox chronicles the final year of the American Civil War. This book taught me a lot more about the Civil War than I ever learned through the public school system. Bruce Catton brought to life the real day to day life of the soldiers and the generals who led them into battle.
“War at its basic level has always been about soldiers. Nations rose and fell on the strength of their armies and the men who filled the ranks.” This is a very powerful quote, especially for the yet young country of the United States, for it gives credit where credit is truly due: to the men who carried out the orders from their superiors, gave their blood, sweat and tears, and in millions of cases their lives while fighting for ideals that they believed their country or government was founded upon, and to ensure the continuation of these ideals. Up until the end of the 20th Century, they did so in the worst of conditions, and this includes not only the battle scene, but also every day life. In this essay, I will examine the daily life of the Civil War soldier, including: identifying WHO he was, drill and training, camp life, supplies he used, clothes he wore, food he ate, on the battlefield, psychological aspects including morale and his attitude toward the war, and his sexual life. That’s right, you read it correctly: HIS SEX LIFE!
We tend to take for granted the history of the west. Most view the west with romanticism. This could be the furthest thing from the truth. The author's experience has helped me appreciate the conditions in the west. Carrington's extremely useful portrait of Colonel Fetterman and the events has added to our understanding nineteenth century conditions in the west. Her work is historically valuable. Moreover, her care to place the Fort Kearny experience in a domestic context has enriched the story.
Carl Sandburg was born in Galesburg, Illinois on January 6, 1878. Both his parents were Swedish immigrants that moved to the America because jobs were scarce in Sweden. His father became a railroad worker in Burlington, Chicago and his mother was originally a housekeeper in Sweden and became a housewife in America. His family stayed in America for most of the time and rarely visited Sweden. His family eventually grew and he became the second kid out of seven (EIU). As a child Carl enjoyed visiting the prairie. He never enjoyed school or anything related to literature. He decided at the age of thirteen that he did not want to attend school anymore so he quit school. After this he began to drive a milk wagon. At the age of fourteen until seventeen he worked at the Union Hotel barbershop in Galesburg. Carl loved to work. He was dedicated to his work and serving others. When he turned twenty Carl volunteered to go into the military during the Spanish American War. Although he never actually went to into fighting section he still served as a U.S. soldier. Carl eventually came home. He had no job and was unemployed. Carl began writing short poems when he started West Point University. While he was at West Point he took the math exam and failed it. He went back home within a short amount of time to Galesburg, Illinois and attended Lombard College and still continued writing poems. Although he ...
In the novel, Do Androids Dream of Electric Sheep? by Philip K. Dick and in the motion picture The Matrix, by the Wachowski brothers, both stories enclose worlds that relate because the humans are repressed against their will and are living under the parameters of machines. In each, the worlds are slightly different, in, Do Androids Dream of Electric Sheep? The inhabitants opt to enter an altered world where machines control their consciousness. As opposed to The Matrix, the world is controlled by machines, which suppress the populace and hold them against their will. In Do Androids Dream of Electric Sheep? the altered reality has been created on the people's general will and it is their own construction but in the other case, in The Matrix, reality is a creation based on the technology without the human's perception. In both cases the communities' world can be considered artificial, but it is clear that in one, humanity is further imprisoned. To begin, citizens of both of these societies remain dependent to a faith by which contemporary equipment is a requirement. In The Matrix, the rebellious Neo and Morpheus, the two main characters, enter this virtual state by hooking up wires directly to their brain, "Morpheus guiding a coaxial line into the jack at the back of his [Neo] neck He [Neo] relaxes, opening his eyes as we pull back to a feeling of weightlessness inside another place." Neo and Morpheus are capable to enter a virtual world whenever they please. Nonetheless, in the saga of The Matrix, Neo and Morpheus are renegades disengaged by the rule recognized by the regulating technology. They are part, of a group of few, that can release themselves from the false reality of the "Matrix". The rest of the public are stuck in this dream and unfortunately cannot enter and leave as they please. As opposed to Do Androids Dream of Electric Sheep? in which it is the people's decision whether or not they would like to enter this altered state. They use this virtual reality to correspond with their God Mercer, an evident leader, who is the ruler and controller of the Mercerism. To gain this opportunity the willing participant enters a virtual world through a device called the "Empathy Box ." With that process, the people will always be able to connect with Mercer. John Isidore, a character in the book, who enters this virtual reality recurrently with his own free will.
Heidler, David Stephen, and Jeanne T. Heidler, eds. Encyclopedia of the American Civil War: a
Wallace, Patricia B. "The United States and The World War." Introduction. The Northon Anthology American Literature. By Jerome Klinkowitz. 8th ed. Vol. E. New York: W.W. Norton, 2012. 3-7. Print. Literature since 1945.
Poetics Today 6 (1985): 103-118. JSTOR. Wofford College Library, Spartanburg, SC. 22 November 2005 .
Time capsules are a trendy way of preserving the past for a period of time, in hopes of capturing physical proof of the advances in our society. Therefore, I am not surprised that many educational institutions have embraced the concept of a time capsule. However, this creates a problem: How can singular items be chosen to represent multitudes of ideas, creations, and people? The only logical conclusion to this dilemma is to allow those being represented to choose an example that they feel best represents the majority, which in this case would be the entire class. Therefore, as a fellow classmate, I feel that The Verveís ìBitter Sweet Symphony would be an excellent choice for the time capsule because all aspects of the song have the ability to symbolize our class.