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Japan culture GENDER ROLE
The role of women in Japan 1750 1914
Japan culture GENDER ROLE
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“Asano!” he spat, and then died as Oishi, in cold rage, swung his sword with two hands in a great swinging arc which snipped Kira’s head from his shoulders (page 241-242). This excerpt is from one of the many great scenes in “47 Ronin” a novel written by John Allyn. The story tells of how 47 samurai become ronin, or masterless, after an unjust seppuku is forced upon their leader. In the novel, these samurai devise a plan in order to seek revenge for the death of their master and bring honor upon his name.
The novel begins with Oishi, the head samurai and right-hand man of the daimyo Lord Asano, riding in the sunset with Ako, Asano’s daughter. They observe the poor conditions for the people that the laws implicated by Shogun Tsunayoshi. Meanwhile, Asano is in Edo awaiting a court meeting with the corrupt Master of Ceremonies, Kira. Asano already has a general distaste for Kira, as Kira is notorious for taking bribes under the table. Asano, being taught strict Confucian morals and ethics, sees this as unhonorable. He is to undergo the meeting with Lord Date, another representative of the Shogun. When they arrive, Kira treats Date nicely, and is friendly towards him, but is disrespectful towards Asano, saying “You know you could have saved yourself all this trouble, you know…if your money means so much to you, there are other ways to satisfy my taste for delicacies. I hear you have a pretty wife with a round moonlike face…”(page 46). In a fit of rage, Asano draws his sword and strikes Kira in the shoulder. Although Kira walks away from the incident with minor injuries, Asano is still sentenced to commit seppuku, or an honorable form of ritual suicide because striking a court official is considered a grave offense....
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...vents that happened. While reading out of a textbook gives you a one-sided, dull look into civilization in Japan, the way 47 Ronin shows the culture through actual people, bringing the story alive. The novel also assisted in helping me understand the relationships between the leaders in the government. I had no prior knowledge about the interactions between the officials such as the Shogun and his daimyo such as Asano and Date.
In all, 47 Ronin put my prior knowledge of Japan in 18th century into perspective because it forced me to apply my teachings on the matter to a particular story. I would recommend this novel to other students to learn about this time period because of its accuracy in depicting Japan and its government in these time periods. This novel is a great supplement, not substitute however, in learning about the history of civilization in Japan.
Men must face hardships. Men must face disease. Men must face each other [Parallel]. Men constantly pressure one another into perfection. Some men, however, crumble under the burden looming over their heads [FoS]. When some men cannot face themselves or those around them any longer, they choose a dangerous and deadly escape. They would rather commit suicide than face their hardships. In the japanese culture, society encouraged seppuku to end a life before a man brought dishonor to his family. In a world full of yearning for honor, young men learned that they must express courage through suicide to fulfill their honorable ancestors’ wishes. Gail Tsukiyama uses her novel The Samurai’s Garden to prove that only
The ending of the novel was inspiring. The author suggests the reader to look into great novels, and even supplies a list of novels a personally suggests. He ended with a very ...
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
Joseph Conlans “State of War; The Violent Order of Fourteenth Century Japan” is an depth look at Japans emerging warrior class during a time period of constant warfare in Medieval Japan. His work however doesn’t revolve around the re-fabrication and in-depth analysis of battles sieged like many contemporary examinations of wars and battles won and lost. Instead the author vies to navigate the reader on journey into the warrior class’s lives and how they evolved through a statistical analysis of records. This illustrates how warfare changed and transformed with the constant evolving of the Samurai, but it also includes how their actions affected their Political environment as well as the society in which they dwelled from the bottom up. Through his survey of records and documents, Conlan is able to give readers a compelling look into the Warrior class and at times shatters in the process many of the pre-conceived general notions that one may hold about this ancient class of professional warriors. Many of the notions & common misconceptions debunked in this scholarly piece include the idea that the Samurai was a male only fraternity, reserved for those of impeccable candor and loyalty. When truth be known, woman and young men (boys) were also trained in the art of war and thus were as likely to be found on the battle fields as men when times were tough and solider numbers were depleted. Further, another misconception (Generally thought to be caused by the popular and well known; “The Bushido Code: The Eight Virtues of the Samurai”) of the warrior class is that all of these men were truly Samurai which translated to “one who serves” when really, loyalty for the warrior class as Conlan points out only went as far as ones right to ...
Musui’s Story is the exciting tale of a low class samurai’s life towards the end of the Tokugawa era. Although one would normally imagine a samurai to be a noble illustrious figure, Musui’s Story portrays the rather ignominious life of an unemployed samurai. Nonetheless, this primary account demonstrates the tenacity of samurai values and privileges present at the end of the Tokugawa shogunate. The social status of samurai had been elevated to such a state that even someone like Musui was easily able to gain influence in everyday affairs with his privileges. Not only that, but he had retained his values as a warrior and still kept great pride for his arts in weaponry.
During the 17th and 18th centuries, the Chinese and Japanese faced much internal conflict, but while China faced a combination of economic setbacks and political weakness, the Japanese were riddled with wars along their countryside. First, the Chinese emperor was too weak in comparison to his bureaucracy, which ended up making most of the decisions for the last Ming dynasty emperor. This was due to the emperor’s realization that having a title as Son of Heaven did not mean he had all the power of the empire. Instead he lived a laid back life where the bureaucrats vied for power and wealth amongst themselves and he merely managed them. Like the Chinese, the Japanese also saw elites battling it out for power, but this time on the battlefield with armies of samurai. These battles put Japan in a period much like the Warring States period in early Chinese history, where families fought and fought for power almost endlessly. The political weakness in China contributed to its economic failure as well. With no force to manage to seas, pirates were free to raid trade ships and villages along the coast line, weakening the Chinese economy that relied on a transport system to supply the country. These two major forces led to China’s fragmentation and eventual takeover by the Manchu. In contrast, the battles happening in Japan were not harmful to the economy as much as they were in China. This is due to the fact that the Japanese daimyos were independent...
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
... written it, had there not been such good material and insight, the text was so changing that I would have not finished the book. The dangling ideas, that is, concepts introduced but not previously explained or later followed up on, were annoying. Then there are a lot of difficult sentences and then some grammar that had to be disregarded to get the meaning. One example of a dangling idea was the paragraph that ended by saying that Abe Mashihiro had won an important victory in the appointment of his recommended defense advisor followed by a paragraph saying that the appointee was "his (Abe's) the most vocal critic." What did I miss? The concept of a victory for Abe getting a critic an influential position isn't ever clear. It could be that the author meant it in the wider circumstance that through this appointment there was no war, but that isn't clear either.
Akutagawa is famous for his use of symbolism and aspects of modernism in order to convey a hidden truth about human nature in society. To put it simply, his story, “In a Grove,” is a tale about a murder. However, underlying throughout the story are themes of deception and honor. The murder victim, a trained samurai is lured into a grove and killed, and the suspects are his wife, the robber, and himself. Rather than plead innocent, each suspect pleads guilty to preserve their honors. The blade is a recurring symbol in this story and shows the preservation of this honor. On page 25 the robber, Tajomaru, claims that he “didn't like to resort to unfair means to kill” the samurai, Takehiko. Instead, he claims that he offered to cross swords with him, and then killed him after twenty-three strokes. In this way the sword represents a means to accomplish an act of honor. To murder the samurai without a fight would be dishonorable, but by using the sword Tajomaru achieves honor. Furthermore, Takehiko goes on to claims, You, you don't use your swords. You kill people with your power, with your money,” (Akutagawa 20). Takehiko makes the accusation that the Ju...
Enya’s retainers stay loyal to him even after his death. Forty-seven men swore to revenge their master’s death, risking their lives and disturbing public order. Even when a retainer fails his duty, he will seppuku so to die honorable for his failure. For example, Kampei believes he has shot his father in law because of the bag of gold the mistress described that Yoichibei was carrying. In reality Kamei shot Yoichibei’s killer, but ironically Kampei believes he has shot Yoichibei himself. Kampei seppuku’s for a horrible crime that he unknowingly didn’t commit because it was so dishonorable to him. Suicide was his only way to die with any honor. Kampei portrayed so much loyalty for his family that when he believes he has failed, he commits suicide. Kampei is allowed to join the attack on Moronao after the retainers see his loyalty to his family. Enya, on his deathbed, tells Yuranosuke to avenge his death. Now it is Yuranosuke’s duty to fulfill his master’s request. Enya’s loyal retainers form a group of forty-seven men and conspire to kill Moronao to honor their master. The retainers wear black and white coats that symbolize unfailing loyalty when they invade Moronao’s compound and behead him. Samurai’s have a duty to be loyal and fulfill the request of his master.
Masatsusu, Mitsuyuki. 1982. The Modern Samurai Society: Duty and Dependence in Contemporary Japan. New York: AMACOM.
...ater appreciate and learn several lessons from its theme and historical content. Overall, the novel is valued by many writers and will continue to be inspirational to all throughout the many generations to come.
...uses the reader to be more invested in the story and therefore truly strive to understand the world portrayed instead of just shallowly absorbing the setting. This is a strength because it gave the reader unique outlook on the Asian cultures because the audience feels personally involved in these situations. There are a few weaknesses in the book. I think perhaps, by putting the audience in these men’s shoes you cause them develop a bias. The reader will possibly have and emotional tie to the characters and because of this not see straight facts of history. The book is highly recommended to readers interested in pre-modern history, the book is a good look into the eastern world especially if one lacks research experience with that part of the world and its history.
When Ikemefuna first arrives in Umuofia, he is housed with Okonkwo because Okonkwo is a great man in the village. He had reached his prime and was a man of wealth. Ikemefuna quickly befriended Okonkwo's eldest son and began calling Okonkwo "father." Soon, however, this seeming peace and civility in the village and the life of the villagers disappears. Okonkwo receives a message from the village elders that the boy, the town's innocence, must be killed off. The boy is lead off to the slaughter completely unaware of his fate, and with his "father" in the company of the killers. When a machete is drawn and the black pot atop Ikemefuna's head is cut down, the boy runs to the man he loved as father. It is he who, lacking the courage to confront the others with his love for the boy, draws his machete and...
...clansmen come to decide what they should do, Okonkwo has already chosen war. As the messenger arrives to order an end to the meeting, Okonkwo is once again driven by his rage and kills the messenger. He realizes that the others were not prepared to fight, and he comes to understand the consequences of his actions. Instead of being executed, Okonkwo decides to take his own life.