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Victorian era literature
Victorian era literature
Victorian era literature
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20,000 Leagues under the Sea Review
“An enormous things, a long object, spindle shaped, occasionally phosphorescent, and infinitely larger and more rapid in its movements than a whale.”
This novel has a setting. The story carries its protagonists across the surface of the globe to the South Pole and back, and far down into the depths of the oceans. The Nautilus itself is the true setting of the novel, it is the imaginative device that makes the action of the novel possible. Designed by Captain Nemo, the electrically powered Nautilus is two or three hundred feet long, capable of speeds far greater than surface ships of the day.
Captain Nemo is one of the most fascinating characters in the novel. He’s a builder and engineer of the Nautilus submarine, another fascinating thing, he and his crew speak an unknown language. Professor Pierre Aronnax, assistant professor in Museum of Natural History in Paris, a cunning Frenchman narrating the story. And with the help of his servant, Mousier Counseil. 30 year old servant, “a true, devoted Flemish boy” who accompanied Aronnax in all his travels. And finally, Ned Land, a Canadian harpooner about 40 years old who joined Aronnax and Counseil on The Nautilus in search of the mysterious marine monster threatening the seas.
The basic theme of 20,000 Leagues under the Sea is for people to understand how the unseen part of the world really is. Aronnax takes on the task of identifying and classifying every animal on the planet. Captain Nemo takes his strange submarine into places no man has ever been before, the depths of the ocean.
Many life and death experiences made Ned Land feel uneasy about his new life aboard the Nautilus. He was determined to escape. Captain Nemo took them to many exquisite places. They experienced hunting and searching for pearls, VigLo Bay, a hollowed out volcano, and the underwater city of Atlantis. Captain Nemo took them to the
“The Wreck of the Sea-Venture,” written by Peter Linebaugh and Marcus Rediker in their book Many Headed Hydra, tells the story of the shipwreck of the Sea-Venture en route to Virginia in 1669, which left the passengers of the ship stranded on Bermuda without a ship to continue the journey to Virginia. While the members of the Virginia Company made a boat to continue the journey, the remaining passengers of the Sea-Venture had to cooperate with one another in order to survive. The authors’ thesis in this document is the shipwreck of the Sea-Venture and the actions taken by the sailors portray the themes of early Atlantic settlement. For example, the sailing of the Sea-Venture was caused by expropriation. The Virginia Company advertised the New
When writing the book Into the Killing Seas, Michael P. Spradlin accurately explained the details and the historical value of the sinking of the U.S.S Indianapolis. Additionally, it's clear that he did a lot of research on his topic of the sinking of the U.S.S Indianapolis and what the remaining sailors had to deal with to survive. Switching Gears, his book is not only based on the WW2 sinking of the Indy, but The battles of Guam. He accurately described the terror people in history felt when the attacks happened.
Nasht’s depiction of Frank Hurley’s journey into Antarctica raises the importance of discovering new ideas and values which shape his journey as an “odyssey”, a classical allusion to Homer’s epic poem, His journey of discovery challenges many assumptions and questions Hurley’s society had sought represented by epic film music and indirect interviews to portray the feeling of excitement and adventure, portraying an assumption that discovery can lead to new experiences and new worlds. Nasht’s juxtaposition of Hurley’s dramatic archival footage to the modern recreation of the journey evokes a sense of excitement and a change in beliefs, where previously people didn’t know what adventure felt like. Images of large and grand icebergs signify a new sense of discovery in an uncharted world which becomes important to those on the ship, Endurance knowing that they are risking their lives to experience the nature of the world that no one has even sought and being the first to answer the challengers of discovering and exploring new worlds and experiences. The clever synthesis from shifts of Elephant Island to Hurley’s daughters provokes a sense of discovering something personal, as “the places he explored left a mark on him and his photography”, where Hurley’s daughters rediscover their father’s experiences. The daughters are overwhelmed by the desolation of the ice and space, which becomes significant for them, as they relive the memories and the experience of their father when he journeyed to
In the first stanza, Connelly sets up the extended metaphor that compares swimming in the ocean to life. There exists a reality
1. In the book, Sorensen tells McMurphy about his past as a sea captain and leads the fishing trip.
“The Open Boat” uses vivid metaphors to enhance both the magnificent, yet overwhelming nature of the sea. Crane successfully illustrated a situation that isolated the four men, encouraging them to use the elements of the sea that they do not understand. The four men are stranded and isolated, with no help except what they are
Captain Nemo truly is no one. He expresses no nationality or loyalty but to himself and the oceans. In the original novel, Twenty-Thousand Leagues Under the Sea, written by Jules Verne, Nemo says, "Professor, I am not what you call a civilized man! I have done with society entirely, for reasons which I alone have the right of appreciating. I do not therefore obey its laws, and I desire you never to allude to them before me again!" The narrator, Professor Aronnax, states, "This was said plainly. A flash of angerand disdain kindled in the eyes of the Unknown, and I had a glimpse of a terrible past in the life of this man" (73). Captain Nemo is outside of society, living deep in the oceans; he is the terror of the unknown. His ship, the Nautilus, is thought to be a sea monster, and the legend is talked abo...
The ocean swells around you like a dust devil in a sandbox. Salt water fills your nostrils. The ship that deemed this fate upon you sails into the distance. You wonder, how am I going to get out of this one? Suddenly, a large metal object plants itself beneath your feet. A porthole opens and men carry you inside the belly of the large iron beast floating nether you. What’s going to happen now? In Jules Verne’s Twenty Thousand Leagues Under the Sea, this is exactly what main characters M. Aronmax, his servant Conseil, and Ned Land the harpooner, were thinking. After a hefty six-hour wait of being locked in a dark cell, the door opens. A man who introduces himself as Captain Nemo, an obvious leader and a man of stature, claims to have built the submersible in order to travel the world without ever having to step back on the land which he so greatly rejects. Reflection on the qualities of leadership reveals how Captain Nemo’s character enabled him to do exactly this.
In "Finding Nemo" we witness the growing intelligence of an underwater network of fish who unite to save a fish from humans. This movie shows signs of growing resentment towards humans for polluting the environment and stealing fish to put them in cages. Animals begin to be more funny and carry more human features.
You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery. (McCarthy)
Treasure Island is one of the first texts to exposure modern culture to the cinematic world of piracy. This text, bursting with heroic themes and tantalizing twists and turns, stands as a striking example of romance in the pirate world. As the reader flips through the pages they come across a short section entitled “To the Hesitating Purchaser”, it is under this heading the author describes Treasure Island as “all the old romance, retold exactly in ancient way” . This text is an epic story of treasure, mystery, death and good victorious. The plot itself centers on the narrator Jim Hawkins, a boy who leaves his mother behind to find a buried treasure, the existence of which is found through mysteriou...
''Our world is only one of a myriad of worlds that evolve and dissolve in something called the boundless'' (Gaarder, Josetin 34)
The character I chose to write an “I am” description of, was Pierre Aronnax. I chose Aronnax because I found him to be an interesting main character. He may see himself in the “good guy” role, but Aronnax can be narrow-minded and “black and white.” I chose events from, Chapter X: Man of the Seas, to base my description from, because I enjoyed the initial foil between Aronnax and Nemo, where Aronnax's blinkered nature is quite evident. The foil begins with Nemo presenting his rights. Nemo’s harsh-nature is newcome to Aronnax, and because of this, Aronnax views it as ‘uncivilized.’ Particularly, Aronnax tells Nemo that he didn’t hold the rights of a “civilized man,” but perhaps that of a “savage.” As Nemo replies to his remark, Aronnax describes
Never Give Up The Old Man and the Sea by Ernest Hemingway was written as Hemingway's comeback book. Hemingway was a great writer, according to “11 Facts About Hemingway’s The Old Man and the Sea”, written by the website Mental Floss, before The Old Man and the Sea. His last best book was For Whom the Bell Tolls, which was written in 1940. Hemingway went a decade before he wrote and had another book published.