1984 Compare And Contrast Essay

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In George Orwell’s dystopian novel 1984, the protagonist, Winston Smith, finds himself questioning the reality that The Party paints for the citizens of Oceania. In Oceania, the past is mutable, and Party’s power enables them to distort the present through “doublethink” and “newspeak” (Orwell 35). The world that Salvador Dali creates in his painting, The Persistence of Memory (1931), and its literal, visual distortion, greatly resembles the metaphorical warped nature of Oceania. Not only did George Orwell and Salvador Dali craft distorted versions of the world in their respective mediums, within 1984, the Party exercises the same kind of control an artist has over their work through “Reality control” (Orwell 35). Compelling parallels can be …show more content…

His struggle with morality can be compared to Salvador Dalí’s. In his autobiography, Dalí recalls a memory of himself as a child imagining giving his younger sister “a terrible kick in the head,” then fleeing with a “delirious joy” (“Benefit of Clergy” 156). Dalí’s daydream of injuring his sister can be compared to Winston stealing his sister’s portion of their chocolate ration. When Winston is young, the first chocolate ration is issued in months, Winston is given three quarters of it, then proceeds to steal the other quarter from his sister. Both Winston and Dalí have little to no respect for the lives of the people around them and they show little concern for the well-being of others, including their family members. They have akin responses towards most people in their lives, until a special woman appears, and in the beginning, both have an especially violent reaction to these women. At Dalí’s initial encounter with his wife, Gala, “he is greatly tempted to push her off a precipice,” then later he envisages himself launching her off of the bell-tower of the Cathedral of Toledo (“Benefit of Clergy” 157). These feelings of animosity Dalí has towards his future wife are comparable to Winston’s sentiments regarding both his wife, Katharine, and Julia. Previously married to a “goodthinkful” woman who believed her only duty is to the Party, the antithesis of Winston, Winston had contemplated pushing her off a cliff, and is “sorry he didn’t” (Orwell 135). While the actual situation concerning Katharine and Winston is strikingly similar to Dalí and Gala’s, Winston’s life with Julia draws more parallels to the artist and his wife. When seeing Julia, Winston has a violent reaction to her, wanting to flog her to death, among other heinous things. However, when they become acquainted, Julia becomes the light in Winston’s life; he becomes healthier and more vibrant. Julia brings joy and

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