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Art & music in the baroque period
Art & music in the baroque period
About the baroque
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Baroque style in art and music was filled with action, movement, and drama. Influenced by the wishes and wealth of the aristocracy, and shaped by the needs of the churches, baroque style has become associated with magnificence and beauty. There were entirely new approaches to the organization of pitch and rhythm and a vast expansion in the vocabulary of sounds especially percussive sounds. Some compositions broke with traditions sharply that they were met with violent hostility which led to the famous music riot in Paris May 29, 1913.Unprecedented rapid economic growth widespread gain in rapid technology and science advancement as, radical changes in the arts also occur. The "Age of Enlightenment" saw a rise in influence of the middle class, …show more content…
The romantics rebelled against established conventions in favor of free forms of expression. The aim of romantic artists was to expand horizons and capture the totality of human experience. Subjectivity, exploration of the emotions, fantasy and the irrational were all objects of fascination for the romantics. Radical developments in all spheres of life during the twentieth century had a tremendous impact on culture. Musicians began to express themselves with revolutionary approaches in composition and performance. The characteristics of the 20th century music are Tone color, Harmony, Rhythm and Melody. Recorded and broadcast music brought concert hall to living room automobile and elsewhere. It became part of everyday life for all classes it became popular in the …show more content…
They focus on light, color and atmosphere. Symbolist also broke with traditions and statements. Symbolist poetry became the basis for many impressionist musical work. Neoclassicism flourished 1920-1950.Based new compositions upon devices and forms of the classical and baroque used early techniques to organize 20th century harmonies and rhythms. Arnold Schoenberg was the first to completely abandon the traditional tonal system and was known as the father of the 12 tone system. In 1908 wrote music with no key center. Anton Webern was Schoenberg’s other famous student expanded Schoenberg’s idea of tone color being part of melody which are usually made up of several two to three note fragment that adds up to a complete whole. Bela Barto’k taught piano in Hungary and wrote books. He is best known for instrumental works especially piano and string quartets. His compositions contain strong folk influence He also worked within tonal center (harsh dissonances, polychords and tone clusters. Alban Berg a student of Schoenburg wrote atonal music but due to illness did not tour or conduct his most famous work is Wozzeck (1917-1922) opera by Alban Berg.Act 111: Scene 4 vocal guide
As the late Baroque period morphed into the new period known as the classical period, technological advances and new compositional techniques and ideas created new opportunities for the musicians of the period. The changes allowed for new performance techniques, forms, performance venues, and newly available compositional orchestrations to be improved and evolved into something new and improved for the new period.
This book by John Rupert Martin is a good introductory book in the understanding of Baroque artists and their tremendous variety. Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. In general, Martin believes that the typical definitions of the Baroque are "too restrictive and hence likely to create more problems of classification and interpretation than it solves." Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly comprehended by the seventeenth century. It is important to note at the outset that this is only a convenient approximation; for epoch as a whole can certainly not be fitted into such a strait-jacket." This helps to define the Baroque much more generally as a gradual change which can much easily be noticed from the present than the past.
The baroque has been called a theatrical style, one that deals in spectacle, grandeur, and dramatic contrast. Test these concepts in an essay that discusses the baroque as an expression of the Catholic Reformation, Protestant devotionalism, the Scientific Revolution, and the Age of Absolutism. Define your general statements with specific examples. The following essay will discuss the baroque period and how the Catholic Reformation, Protestant devotionalism, and the Scientific Revolution influenced it. The Baroque period generally refers to the years 1600 to1750. Classicism of the Renaissance has been replenished during the Baroque period. During the Baroque artistic period, the exploration of the fundamental components of human nature and the realm of senses and emotions were very crucial. The Baroque era was a very dynamic time that showed an abundance of radiance and color. Artists of this time were passionate and sensual. Their works were many times considered to have an overpowering emotional effect. The superficial form of light was fascinated during this period due to the thoughts of godlike sun or the truth of the Holy Spirit. The Baroque naturalism maintains the religious themes in content. The elements of perception in the Baroque art are how we perceived the natural human figures are in motion through space, time, and light. We present and analyze the extent of human actions and passions in all its degrees of lightness, darkness, and intensity. The scientific revolution also had a tremendous impact on art during this time. Scientists started to study the earth and it’s positioning in the universe. This was a time when the people started take more of an interest in astronomy and mathematical equations. During the time of the Catholic Reformation artists began to challenge all the rules that society has set for artistic design. Artist starting with Parmigianino, Tintoretto, and El Greco began to add a wide variety of colors into their paintings, challenging the way things have been done in the past. These artists also added abnormal figures or altered the proportions in paintings. This is displayed in Parmigianino’s painting, Madonna of the long neck. During this time the Catholic Church was in a transition period moving from their recent reputation and becoming a well-respected organization. During this reform, an autobiography written by Layola about Saint Teresa of Avila set a new tone for Catholics to follow. This influenced people to have a more spiritual outlook on life.
Twelve tone music which was established by Schoenberg is often referred to as serialism, but strictly speaking serialism is the sequel to Schoenberg’s works, and came about in the late 1940’s. Composers, led by Pierre Boulez and Karlheinz Stockhausen started to apply Schoenberg’s 12-tone principle to more than just pitch. To recap, Schoenberg created tone rows, where the 12 different pitch classes of the scale are arranged in a particular order, then inverted, then played in reverse (retrograd...
Baroque era covers the period between 1600 and 1750 beginning with Monte Verdi (birth of opera) and ended with deaths of Bach and Handel. The term baroque music is borrowed from the art history. It follows the Renaissance era (1400-1600). It was initially considered to be a corrupt way of Renaissance by conservatives. The dominant trends in Baroque music correspond to those in Baroque art and literature. Some features of Baroque art included a sense of movement, energy, and tension (whether real or implied). Strong contrasts of light and shadow enhance the effects of paintings and sculptures. Opera is one of the types of music in the Baroque era. It represented melodic freedom. Baroque era was usually referred to as the thorough-bass period. In early Baroque era no tonal direction existed, but experiments in pre-tonal harmony led to the creation of tonality. [1] Baroque genre included instrumental suite, ritornello, Concerto grosso and chant. There were important composers of the Baroque period such as Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi William Byrd Henry Purcell and George Phillip Telemann. Starting in northern Italy, the hierarchical state -- led by either the urban bourgeoisie or despotic nobles -- replaced the fluid and chaotic feudal system of the middle Ages. [2] For this reason, some historians refer to the Renaissance as the Early Modern Era. Sculptors, building on the techniques of artists such as Giovanni Bernini (1598-1680), found ways to create the illusion of energetic and even violent movement in their works. Painters created larger and more crowded canvases. Virtuosity was used in all the arts. The arts became an important measure of learning and culture. Music moved from the science of number to an expressive art viewed as an equal to rhetoric.
During the classical era the social function of music began to change from earlier aristocratic and religious connections toward more public and secular activities associated with the middle class. The rise of public concerts, the spread of commercial opera houses, the growth of music publishing, the increased number of musical pieces composed and played were all direct effects of the changing musical times.
One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.
Music expresses what words cannot express; music reflects the improvement of the society; music calms our hearts and inspires people. Everyone enjoys music because he or she can have good moods while listening to music. Composers express their feelings in songs. Some put in their ideas about nature, politics and life, others write songs to reflect the progression of society. Popular music in the Gilded Age and jazz music in the Roaring Twenties are examples of music which correspond to the society’s movement. The rise of popular music was the result of the anti-German movement. American composers rose to replace the German culture. Also, popular music was popular because of its affordability. Every class of people could enjoy this kind of music by simply going to music halls. On the other hand, Roaring Twenties was a period of time which marks color line upheavals. Although music in Gilded Age and Roaring Twenties are quite different about their styles, genres and lyrics; popular music and jazz music were both adaptions to the society’s movement during these two periods.
The 19th century was the era of Romanticism. How do I describe Romanticism? I describe it as an era of drastic changes. Not good, nor bad changes. Just drastic changes. From the Enlightenment and the reason that at the end the reasoning failed. During Romanticism there was an appeal to the spontaneous, to the highly dramatic, to feelings. There was an osmosis with the emotional. The Romantics would end an era of frivolity and would look for total freedom. There was a communion with Nature. The artists ran away from the western industrial zones and they settled in the countryside. They found harmony in Nature. They were inspired by their surroundings. They were intimate with Nature. There was this sweet selfishness to fulfill those emotional needs and transmit them to the poem or to the paint. One of those drastic changes was music. In music before Romanticism there was a format to follow. The were rules to follow. Mozart followed those rules all the time. There was a four movement format: Fast, slow, dance (minuet), and fast. However, that format was no longer followed by all musicia...
Along with literature, the Realism Movement inspired musicians to be bold. Specifically, this movement directly impacted Russian music. “[R]ealism took [a] firm hold in Russia as a medium through which Russian artists could express a style that they considered to be uniquely their own, in contrast to more popular Western-European styles”. Composers such as Arnold Schoenberg and Ferruccio Busoni felt as if music is an art, and therefore, the concept of realism in music presents an error (Ewell). This movement inspired many changes, but not everyone agreed with those changes. The transition from Romanticism to Realism presented the opportunity to escape from an emotional to a more rational perspective on literature, and, specifically, Russian music.
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
In the twentieth century, musicians were very open to change. Many new styles and genres were created. In a way, they got rid of all of the rules and created new ones. Composers, trying new things, creating ragtime, jazz. Some of the new approaches towards tonality were atonality, polytonality, neotonality and the twelve-tonal methods.
The Twentieth Century saw many rapid changes in society with the industrial revolution, rise of capitalism, women’s suffrage, challenging of religious concepts and World Wars. These changes led to people questioning everything they had known, including music. The questions asked led many composers into developing experimental ideas that were radical and unusual which gave rise to the Modernism era of music.
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).
Romantic music was a different form of music that didn’t focus on religion, political or social tendencies. According to Lawrence Kramer the author of the book Why Classical Music Still Matters, “historically, the ideal of romantic love, tended to substitute for broader schemes of political, social, vocational, or religious meaning, as part of an increasing general tendency to rely on private rather that public schemes of fulfillment.” Meaning that romanticism had an impact on music in which religion, political and social meanings were substituted by a new form that rely on private situations instead of general public situations. This music form influenced the most in modern music because most of them are not based on