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Representation of nature in blake's poetry
Representation of nature in blake's poetry
William Blake poetry analysis
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Pope's way of dealing with life and its problems seemed to be in the theory of just leaving it all up to God, and "whatever is, is right." In the end Gods plan will be done and nothing will change or deviate your life outcomes from what he has planned. Throughout Pope's An Essay of Man it seemed to me that God may only make us aware of what we can handle or appropriately comprehend. Thus, the reason the Lamb did not panic as it "licks the hand about to shed his blood," and it would seem that he's also saying man has no idea what angels are capable of doing or what they have planned for mankind. I also believe that even the simplest of man, the "Indian," knew that the only way to be close to God and understand what some of his views were was to look through nature, and that the world is safer for those who are desolate from the rest of the worlds' teachings. Then Pope goes on to show that God favors no one and every ones problems are equal across the board with no favoritism shown toward the "hero" or the "sparrow," and Pope shows that the death to both are similar in significance in Gods eyes. We are all blind to the Lords plan, and when something comes that he has planned we can be like the mole and have dim sight of it, or we can be like the lynx's with a beam of sight with total understanding of the situation. In the end though again it comes down to what will be done by the lord will be done, from dust to dust we shall return.
Blake has a similar view on life and the problems associated with it, and he is very keen on showing that God is the almighty power over everything we do in life. The first poem I took this from was The Lamb, and how he asks the Lamb "dost thou know who made thee?" My obvious interpretation of that stat...
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...ality, and he talks of being under water with sea-girls -- Mermaids perhaps -- with seaweed wreathes. All until "human voices wake us, and we drown;" like it was all a dreaming and he wakes up to drown in the reality of all the insecurities that they were talking about earlier, and never having the chance to begin with to talk with this woman of his dream.
So in my opinions from reading the authors; I believe that Pope and Blake unlike Eliot they relied heavily on Jesus and the afterlife providing guidance to all their decisions to what would be the best for them and their family. Eliot was driven by his own short comings and seemed to push things back thinking he always had time with his issues, and in the end all his issues ended up drowning him either metaphorically, or in reality and he may have end his life do to the overwhelming pressures of life on him.
He begins to think how he had just killed a man and how him and his friends had tried to attempt rapping a girl. As he is walking in the lake he touches a dead body and gets freaked out even more and began to yell. Then the girl hears him and scream there they are and began to throw rocks into the lake trying to hit the narrator. He then hears the voice of Bobby who bought him relief and sorrow at the same time. He felt relief because he discovers that the Bobby is not dead and sorrow because the Bobby was alive and wanted to kill him and his friends.
Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive in the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy. After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death. Although he makes it out alive, the protagonist and his outlook on life are forever changed.
"The man is torn between two spaces, each inhabited by a woman. The inside beckons with its comfortable domesticity; the outside calls the promise of a strange and forbidden passion." The fact that the husband's struggle to commit to the murder of his wife occurs on open and calm water indicates that the situation can go either way. He is in the middle of his two choices emotionally and physically, being in between the city and his home. The husband begins to paddle with force and anxiousness to the land where he receives his desired encounter with a strange and forbidden passion, just not with the woman of which he thought.
Pope moved Twickenham in 1717 there he received visitors just about everyone, attacked his literary contemporaries although notable exceptions were Swift and Gay, with whom he had close friendships and continued to publish poetry. He died May 21, 1744 at Twickenham Village. He wrote a poem called the Essay of a Man in 1733-1734) Pope examined the human condition against Miltonic, cosmic background. Although Pope's perspective is well above our everyday life, and he does not hide his wide knowledge, the dramatic work suggest than humankind is a part of nature and the diversity of living forms each beast, each insect, happy in its own.
Then he has a vision of home, "where his four beautiful daughters would have had their lunch and might be playing tennis" and sees himself as free to be an explorer. In starting his journey he walks away from reality and enters a fantasy world where he is a great explorer about to conquer the Lucinda River that he names after his wife. In reality he ignored his wife, engaged in adulte...
"does God resent this eagerness in him?" a quote from 'George Sterling' is a rhetorical question. While in "the Freeman", Glasgow mentions " I see men fight and fail and crouch in prayer; aloft I stand unfettered, for I know the freedom of despair." The difference between the two is that London's statement seems to lean toward the side that there is a God and the man trying to take control of his life possibly angered God. While in Glasgow's poem, she is stating that those who are praying to a God and have hope, are slaves to that hope. That being in despair means that you are free and not a slave to God. London's poem shows that there is a God behind what goes on, that it is not naturalism at play but a higher force. While Glasgow's represents being in despair is free from being enslaved to hope. That life is dominated by the environment around them, not by a supernatural being. That they failed in battle will affect where they go. Glasgow's poem followed more naturalism and realism, while London's poem had more of a surreal
“Well, Marianne…for one morning I think you have done pretty well…. You know what he thinks of Cowper and Scott; you are certain of his estimating their beauties as he ought, and you have every assurance of his admiring Pope no more than proper.” (Chapter 10)
Have you ever heard of a guy name William Blake? No, if not I can tell you things about him. William Blake was born over his father’s modest history shop at Broad Street, Golden Square, London. His dad name was James Blake and his mother name was Catherin Wright Armitage Blake. Did Blake have any Brother and Sisters? Yes he had four brothers and one sister their names are: John Blake, Richard Blake, James Blake, John William, and Catherin Elizabeth (A1). William Blake father was a prosperous hosier. He encouraged young Blake’s artistic tastes and sent him to drawing school. At the age of 14 Blake was apprenticed to James Basire, Whom he stayed until 1778. After he left Royal Academy. In 1782 he married Catherine Bouncher, Whom he taught to read, write, and draw (A2).
...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
In William Blake’s poem “The Lamb” the speaker begins with the ultimate question, “Little Lamb, who made thee?/ Dost though know who made thee?/” (Blake lines 1-2). The speaker then continues to elaborate on the question in a playful, innocent, singsong manner describing the kindness and thoughtfulness that the creator put in to producing this ever so gentle lamb. The tone of this poem is soft and lulling, the tender, calm rhyme scheme puts the reader in a soothing, dreamlike state. “The words and images presented - stream, mead, delight, softest, tender and rejoice - are positive and pastoral. One can picture a lamb frolicking in the green grass…” (Smith).
Pope treats women as disorganized, hypocritical, all about beauty, and unintelligent and unfocused in his mock-epic poem, The Rape of the Lock. He tries to use Belinda as a representative for all the women, Women have defects just as men have them too, but are they based on one human being. The way one looks at someone gives people the benefit of creating an image of them. The truth is that one does not know about someone until they get the sufficient time to actually know them inside and out. People sometimes show something or appear some way, when it is completely the total opposite. Pope’s beliefs about women are his opinions, just like each person has their
William Blake was born and raised in London from 1757 to 1827. Throughout his early years, Blake experienced many strange and unusual visions, claiming to have seen “angels and ghostly monks” (Moore). For those reasons, William Blake decided to write about mystical beings and Gods. Two examples of the poet expressing his point of view are seen in “The Tyger” and “The Lamb.” Both poems demonstrate how the world is and to sharpen one’s perception. People perceive the world in their own outlook, often times judging things before they even know the deeper meaning of its inner personification. Blake’s wondrous questions actually make an acceptable point because he questions whether God created the tiger with the same intentions as he did with the lamb.
There are three main issues that Pope talks about in his long poem "An Essay on Man." First, the poet evokes a timeless vision of humanity in which the universe is connected to a great chain that extends from God to the tiniest form of life. Secondly, Pope discusses God's plan in which evil must exist for the sake of the greater good, a paradox not fully understandable by human reason. Thirdly, the poem accuses human beings of being proud and impious. Pope feels that man claims more insight into the nature of existence then he possesses.
In the end, a story that appears to poke fun at the carefree lives of upper class women actually gives great appreciation to the subtle powers women hold over men. It could be argued that one of the most important powers of women is that of controlling men with their trivial problems and needs. Perhaps Pope was demonstrating women's skill in controlling men by simply playing the part of the vain shallow debutant. Whatever his intentions were it is clear that Alexander Pope did not in fact find the women of his time to be completely powerless, instead they were the driving forces of the household and of society.