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“Shall I not die too? Am I not like Enkidu? Oh woe has entered my vitals! I have grown afraid of death, so I roam the steppe.” (Gilgamesh Tablet IX. 1-5) One of humanity’s ancient compulsions has been to vanquish death. This compulsion is strongly depicted in the Epic of Gilgamesh, as it creates a large portion of the Epic. It reveals the importance of the perception of immortality and the universal fear of humanity: Death. Immortality means to live on forever, indicating everlasting life. In a more symbolical way of thinking, immortality could be living on through remembrance of one’s accomplishments. This paper concentrates on the character of Gilgamesh and his pursuit of immortality after the loss of his friend Enkidu in tablet VII. For such a powerful character, a demigod at that, Gilgamesh lets his human side to emasculate his true power. Desperate for obtaining immortality, Gilgamesh deserts Uruk to begin his search for Utnapishtim, whom had survived the great flood and given immorality by the gods. As Enkidu obviously becomes an important part of Gilgamesh’s life, in the beginning, he is represented as Gilgamesh’s total opposite; his other half in fact. Once Enkidu dies, Gilgamesh cannot go about life the same. “Gilgamesh cannot comprehend that his friend, his soul-mate, is now dead. He is confronted by the absurd nature of this loss, while at the same time he realizes that the universe is indifferent to his suffering; there are no answers, no solace. He begins to question the meaning of life or its meaninglessness. Suddenly, death becomes an undeniable reality to him, there is no going back.” (Sadigh 83) Gilgamesh makes the fate of all mortals, death, his final eminent task to conquer. He begins with an immediate attemp... ... middle of paper ... ...measures to stay alive as long as possible. Though, they actually just lose life worrying about avoiding death. Desperation for everlasting life only corrupts humans into accommodating short-lived and catastrophic means to avoid the fate of dying Even though Gilgamesh was one of the most favorable rulers before Enkidu came along, he is still a frequent topic in today’s literature as well as history. Just maybe he gained immortality after all. Works Cited Dickson, Keith. "The Wall of Uruk: Iconicities In Gilgamesh." Journal of Ancient Near Eastern Religions 9.1 (2009): 25-50. Sadigh, Micah. "The Foundation of Existentialism In The Oldest Story Ever Told." Existential Anaylsis: Journal Of The Society For Existential Analysis 21.1 (2010): 76-88. "The Epic of Gilgamesh Vol. A." The Norton Anthology World Literature. New York: W. W. Norton & Company, 2012. 99-151.
"The Epic of Gilgamesh." The Norton Anthology of World Literature. 3rd ed. Vol. A. New York: W.W. Norton & Compnany, 2012. 99-150. Print
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
He exudes pride in a manner only rivaled by Enkidu, his best friend. Gilgamesh and Enkidu relish in their brotherhood through fighting Humbaba and the Golden Bull. Their shared life is not permanent however. After they defeated the Golden Bull, the gods look down upon Enkidu and Gilgamesh, in which they decide one of them needs to die. As the book carries on, Enkidu is struck with a deathly illness and inevitably passes on. This changes Gilgamesh’s mindset towards death. In Mitchell’s translation, it reads,“If my grief is violent enough, perhaps he will come back to life again.’ For six days and seven nights I mourned him until a maggot fell out of his nose. Then, I was frightened, I was terrified by death” (Mitchell 167). Gilgamesh, who before was enthralled with the idea of dying a hero, suddenly became terrified of death. This growth, albeit not positive growth, was a direct result of the prior circumstances. The heroes’ shared hubris angered the gods who struck Enkidu down, causing Gilgamesh to lose his best friends. This loss causes gilgamesh to grow by fearing
In, Gilgamesh, the quest for immortality is important in order for Gilgamesh to cheat death, after his one and only best friend’s quick fatal fall to illness. Gilgamesh being two-thirds God and one-third human has many great obstacles to overcome, especially with the Gods. The search for immortality and overall self may be a great accomplishment for Gilgamesh to overcome.
The quest for immortality after the death of Enkidu is the first sign that Gilgamesh has changed. Gilgamesh becomes frightened when he realizes that he isn’t immortal. After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it. He sounds pathetic as he rambles of his reason for trying to find everlasting life. His state of being at this part in the book, which is the end, is completely different from his arrogant beginning of this epic. Gilgamesh has gone from arrogant to scared.
Many people today hold on to the topic of immortality because they find it so difficult to say goodbye to a loved one. Placing flowers on graves is a popular way to remember the deceased. Even years after the person has died, the family members and friends still go to the gravesite to reminisce. People find it difficult to accept the fact that they will never see someone again. They want to believe that the person is still there. Gilgamesh had the same problem. He made the journey looking for his friend. He couldn?t deal with the fact that Enkidu had died. He wanted him to live forever. Gilgamesh even went as far as almost sacrificing his life to find him...
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
With the rediscovery of the ancient cities and the objects contained within we found clay tablets with curios markings. Slowly theses markings were recognized as writing and the script, in its various languages, was laboriously deciphered. In these tablets we find the epic of Gilgamesh. Although scholars have disagreed about the meanings in the story and there have been as many versions of it as there have been translators it still has remained a historic myth.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
The Epic of Gilgamesh. Trans. Foster, Benjamin R. New York: W W Norton & Co Inc, 2001. Print.
In the beginning of the story, the titular character, Gilgamesh, is highly regarded as the great king who built the city of Uruk: “And who, like Gilgamesh, can proclaim, ‘I am king!’ Gilgamesh was singled out from the day of his birth, two-thirds of him was divine, one-third of him was human! The Lady of Birth drew his body’s image, the God of Wisdom brought his stature to perfection” (100-01). Immediately at the start of the story, Gilgamesh is polarized as an extraordinary being,
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .
After Enkidu's death, Gilgamesh comes to the realization that one day he too will succumb to the same fate as his friend.