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Latin American culture
Latin American culture
Latin American culture
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Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole. From the beginning of the story it’s very clear what type of man Papi is. When he arrives home, he goes to “wash off the evidence quick” (150) because he was probably with the Puerto Rican woman, Yunior speaks of. That one moment showed the adulterous side of Papi. This is a clear cut conflict. (Man vs. Man) In a sense he shows respect by going to washing himself off in the presence of family, but the manner in which he shows his respect cancels everything out. His respect is almost in vain. Papi struggles with being his poor self. He does not like the life he lives. Papi wants to be impressive to people. He went out and brought a VW van, knowing they could not afford one, “new or used” (173) All of Papi’s actions influence the other characters within the story. He had begun to bring the children around the Puerto Rican woman he was having an affair with. Eventually his cheating becomes normal and something that does not s... ... middle of paper ... ... drives Yunior into seclusion. The story written about his father was a cry for help, Yunior took that opportunity to show someone who his father really was, and sadly he was not believed and was forced to write a different story in school. It seems as if Yunior cannot decide to love his father or stand up to him. Yunior struggles with personal acceptance, due to his father not completely accepting him. Papi struggles with being the head of a lower class family. Both of their personal conflicts with themselves and their conflicts with each other set the theme of “Fiesta, 1980.” Junot Diaz depicted a scenario a plethora of individuals know all too well. Both Yunior and Papi love each other, both have strange ways of showing it. The conflict of Man vs. man within this story shows that no matter the age, an internal struggle can greatly affect the people around you.
In a restaurant, picture a young boy enjoying breakfast with his mother. Then suddenly, the child’s gesture expresses how his life was good until “a man started changing it all” (285). This passage reflects how writer, Dagoberto Gilb, in his short story, “Uncle Rock,” sets a tone of displeasure in Erick’s character as he writes a story about the emotions of a child while experiencing his mother’s attempt to find a suitable husband who can provide for her, and who can become a father to him. Erick’s quiet demeanor serves to emphasis how children may express their feelings of disapproval. By communicating through his silence or gestures, Erick shows his disapproval towards the men in a relationship with his mother as he experiences them.
By reminiscing on his upbringing from living in Lima, Peru, a third world country. Father would constantly recall his biographical anecdotes to share with the family. Some stories were beyond gruesome in detail. Going in depth to the painful memories that still lingers around like a scar, my father told us how our grandfather, his own father, was abusive for even the most minute things. For instance, when my father would wore outfits that did not meet my grandfather’s standards, or looked into his father’s eyes fearfully when he was being punished, and even when he did not walk my grandmother to and from the grocery store. The mistreatment had reached the end of father’s patience when he became a rebellious son, breaking curfews and refusing to return home at the end of the day. In Junot Díaz 's short story Fiesta, 1980, narrated by an son, Yunior, who describes the hardships he and his Dominican family shared as they drove to a party in the Bronx in New York City. At the age of twelve, Yunior loses his innocence as a result from the never-ending verbal, emotional, and physical abuse his father, Papi, had taunted him with. This lost innocence was caused by what he had said, did, and did
In the second story of Drown by Junot Diaz, Yunior and Rafa have already been in the United States of America for about three years. In this story, their mother’s sister came to the United States. They travel to the Bronx in order to celebrate their aunts and uncles’ arrival. In Fiesta 1980, we meet their father and sister, and learn more about their mother. Through the way they all interact, we learn more about each family member’s characteristics and their family dynamic.
Many writers focus their works of written art on life situations. They focus on drugs, poverty, stereotypes, young adults living in a difficult world, and of course a topic that has been present for many years, male dominance. Abraham Rodriguez Jr. in “The Boy Without a Flag” captures all these themes and more in his Tales of the South Bronx, which relate to the lives of many Hispanics and minority residents of the United States. He begins his book with his short story, The Boy without a Flag. This story is really touching, especially for very patriotic people that live in the United States, but that come from other parts of the world, in this case Puerto Rico.
Their experiences and the journeys of their lives are what most Hispanic teenagers go through. The 10 different stories explain the different themes shown throughout the book. The Hispanic community faces many problems and Diaz states a couple of them: gender, immigration, violence, drugs, family, cultural identity, and the Latino experience. In the beginning, Yunior and Rafa are both ignorant and show signs of hate towards Israel. The story about Ysrael is that when he was a baby, a pig bit him in the face.
Yunior’s fathers only concern was obtaining the “American Dream” job security, financial stability, and owning his own home. Yunior’s childhood memory of his father are vague; they have no bond or connection, to Yunior he’s just a stranger. “ He’d come to our home house in Santo Domingo in a busted up taxi and the gifts he had brought us were small things-toys guns and tops-that we were too old for, that we broke right away.” (Diaz, 129). For a young man growing up without a father figure has a profound effect on them that lasts way into manhood. “Boys need a father figure to learn how to be a man, without having this influence in their lives, boys are at risk of growing into men who have problems with behaviors, emotional stability, and relationships with both significant others and their own children.”
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the short story, “fiesta 1980”, in the book Drown, You Or the Main character, and Narrator, faced many conflicts. The central Idea of this text is about a young boy who struggles with his relationship, and his feelings towards his father. Most of the time Papi( Yuniors dad) is hostile, and declarative, towards Yunior, and the rest of the family.
Additionally, Diaz shows in “Fiesta 1980” the holding to some strong cultures like the male chauvinism and the correction of the children through some kind of violence mainly coming from the father figure. In the Latin and Caribbean culture, “the family tends to be patriarchal” so this is a common situation (Buffington). This leads to a belief that since the men have the power in the house, he can be authoritative and have the last decision even above his wife. In “Fiesta 1980”, Diaz represents this situation with the character “Papi”. He was the main provider to the house so he had the power to tell what to do or not. Yunior narrates how his father treats him and he says that Every time “Papi” was going to smack him, Rafa inched away (Diaz
Family is one of those words that have a significant meaning to various individuals. Family may be viewed one way to an individual and another way to someone else. Family consists of those who have played a particular role in one’s life, whether it is positive or negative. In this paper, I will assess Reymundo’s family both nuclear and extended and speak of how his family has become significant in his life and how they have played a role in his decisions. I will also speak of my personal reactions to the story as well as address ways that as a social worker I could work to impact the gang problems in Orlando.
Yunior struggles with his exposure to male privilege in a Dominican family, as he is very sensitive. Yunior can not fully comprehend why men took actions that women didn’t attempt to do. For example, Papi made all the decisions in the family. “She and tío Miguel got themselves an apartment in the Bronx, off Grand Concourse and everybody decided that we should have a party. Actually, my pops decided...” (306). Papi decided that a party was obligatory to be thrown for their arrival, but not as his expense or home; Tia and Tío hosted it, despite it being Papi’s decision. Male privilege is shown in the way “the women laid out the food and like always nobody but the kids thanked them. It must be some Dominican tradition or something” (312). Instead of having both men and women lay the food, it is only the women’s job. Helping with the preparations is not their responsibility, nor is showing appreciation with a genuine thank you. Junot Diaz gives a personal example on his family in his
Shedding light on the three novels we construe that Cisneros, Naipaul and Morrison have perfectly dealt with the issue of identity crisis and alienation. Esperanza along with other characters, Mr. Biswas and Pecola all suffer from identity crisis because of their societies. They are rejected and ostracized not because they want to, but because people around them undergo an inferiority complex. Their crises originate from their childhood, and though they are different they share one common feeling. On the one hand we have Esperanza and Pecola who are both young girls (coming of age) and racially segregated; one a Chicana and the other is Afro-American. They both suffer from gender and racial division. However Pecola undergoes a “triple” alienation
Junot Diaz displays in his short story “Fiesta” how an abusive father can cause a family
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.