Western philosophy takes for granted binary opposites such as masculine versus feminine, white versus black, logic versus emotion, etc. and raises one side of the binary above the other. In doing so, one side of the binary is considered to be self-evident — to be made up of its own identity rather than through differences against others — and is established as the “truth” to which all else follows. Post-structuralism, the topic at hand in Julie Rivkin and Michael Ryan’s “The Class of 1968 — Post-Structuralism par lui-même,” found in their book Literary Theory, focuses on dismantling the seemingly stable binaries through close scrutiny of language, therefore disrupting the hierarchies created through socially constructed categories. Additionally, …show more content…
The novella follows Gregor and the Samsa’s, Gregor’s family, a microcosm of societal roles and norms, and the events that ensue which culminates in Gregor’s death. Through the extended metaphor comparing Gregor to a monstrous vermin and the motif of seclusion, Kafka addresses how society’s system of categorization, which in turn produces hierarchies, is dehumanizing because the system rejects qualities that are actually humane and casts them out as taboo because they do not fit said categories. Moreover, Kafka argues that recognizing the falsity of categories, and in turn destabilizing hierarchies, allows for liberation as one will no longer be confined to the structures society impose. However, Kafka notes that this newfound liberation often leads to alienation as the liberated individual threatens the foundation that society’s hierarchies rests …show more content…
After Gregor metamorphoses and leaves his room for the first time, scaring the manager away, Mr. Samsa “[directs Gregor] from afar with the tip of his cane” back into his room (Kafka 15). In all three parts of the novella, Gregor attempts to leave his room but is forced back inside. Derrida’s main dispute is with metaphysics and argues that the logos “is always a command” because “it is founded on an instability and a deficiency that it must control and conceal at all costs” (Rivkin and Ryan 339). The act of Gregor’s family forcing Gregor back into his room is representative of society’s tendency to “control and conceal” those that might disrupt the system because the system, and the language that allows for the system, is inherently unstable. Gregor’s family continually has to force Gregor back into his room because Gregor is the manifestation of all the challenges to Western philosophy and he cannot be categorized. Gregor’s family is trying to figure out what is Gregor as well as what to do with him, but for the meantime they must hide him away because the system fears him — the manager, a person in power who relies on hierarchies to maintain power, runs away at the sight of Gregor (Kafka 14). Kafka conveys that those who embrace being different from societal norms have the power to
Throughout The Metamorphosis, Franz Kafka shuns Gregor. At first glance, Gregor’s transformation creates the only isolation. As the story evolves, the Samsa family’s segregation begins to play a larger role. Through intuitive actions, each family member isolates themselves. The Samsa’s accommodate the renters generously, in order to win communal approval. Failing the renters positions the Samsa’s lower in society than they previously were. Not only do the Samsa’s isolate themselves, they are also secluded from society. Many instances allow the Samsa’s severance from society to shine through Gregor’s isolation.
with all his might" just to liberate himself from the bed (Kafka 9). Freedman recognizes that since getting out of bed is such a formidable task to Gregor, Gregor's spatial world has already shrunk immensely. Until he manages to fling himself out of bed, Gregor's habitable world consists only of the bed. Another limitation to the world that Gregor is capable of inhabiting in his current state is foreshadowed when Gregor "fixed his eyes as sharply as possible on the window" but is not able to distinguish anything because of "the morning fog" (Kafka 7).... ...
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
In sequence, the story progresses into an ultimate partial realization of Gregor’s predicament and its origins. Gregor Samsa’s obliviousness to his daily experiences, in essence, produce his present plight by allowing himself to fall farther from reality. Occurrences after the transformation collectively form reasoning for the bizarre situation Gregor remains in as a result of Kafka’s muddied plot setup. Various characters partake amongst this indirect syntax as symbols of the world Gregor is not aware of. Work takes over as Gregor stands as the sole provider, leaving him with few focuses or cares.
Gregor is obviously trapped by his external appearance. His physical limitations deepen his feeling of futility. His external appearance mimics his internal feelings, as he now feels helpless by not being able to physically carry out his responsibilities.
Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey. Within the first few pages of the novella, readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor tries to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling salesman “Day in, day out-- on the road. I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours.
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Through Gregor’s transformation in The Metamorphosis, Franz Kafka allows the reader to explore the meaning of identity. By pulling in Marx’s own theories on capitalism and how it affects the working class’s identity, the reader is able to gain insight on the question of identity that the novel poses. Gregor’s metamorphosis resembles Marx’s beliefs on how identity is affected by capitalism through the alienation Gegor experiences, as well as the cause of his death and the form that his metamorphosis gives him. Joshua Fenlon’s criticism, “On Kafka’s
Franz Kafka illustrates in his book the struggle that most humans have throughout their life: ‘Who am I?’ He demonstrates this through his radical and exaggerated formation of The Metamorphosis, a man becoming a bug; or a bug always thinking he was a man, then realizing that he is and always has been a bug. This bug, Gregor Samsa, goes through an immense psychological realization at the beginning of the book; he had been deceived by his own mind from the beginning of his life. Throughout Gregor’s Metamorphosis, Gregor experiences the loss of his self actualization, recognition, belonging, security, and physiological needs. His situation had taken away all the basic psychological needs of any human as illustrated by Maslow’s Hierarchy of
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.
Kafka’s shows the shifting in the structural dynamics when Gregor’s new formation changes the attitudes from supportive to neglect when his needs affect their wants, needs and lifestyle. Gregor’s sense of duty to family was his main propriety towards his family. Even though he loathed his job as a travelling salesman, his devotion to financially clear his parent’s debt and care for his sister Grete was more important. He dreamt of fleeing the tightly coiled grip from his parent’s hands, but his loyalty was a pertinent family duty. To Gregor, this was what family was all about.
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.