In The Metamorphosis, Franz Kafka manifests naïveté of Gregor Samsa by prolonging his realization of societal banishment due to underexposure. Revelations made by Samsa later prove his ignorance of his purpose in the eyes of his family. In addition to the many instances in which Gregor is trialed, Kafka’s continuous stream of distractions mimic Gregor’s persona.
In sequence, the story progresses into an ultimate partial realization of Gregor’s predicament and its origins. Gregor Samsa’s obliviousness to his daily experiences, in essence, produce his present plight by allowing himself to fall farther from reality. Occurrences after the transformation collectively form reasoning for the bizarre situation Gregor remains in as a result of Kafka’s muddied plot setup. Various characters partake amongst this indirect syntax as symbols of the world Gregor is not aware of. Work takes over as Gregor stands as the sole provider, leaving him with few focuses or cares.
Awakening to find that one has somehow become a creature of great antipathy cannot be a situation taken lightly. In the beginning of the story, Gregor’s finding of the transformation is followed by irrelevant observations that divert from the bigger picture. He says to himself, “Before a quarter past seven I absolutely must be out if bed. Besides, by that time someone from the office opens before seven o’ clock.” (Kafka,11). Oddly, this is said shortly after his self discovery. If such a situation as this were to ever happen, a normal person would question how, and why, rather than how they will get to work. Kafka tactfully places Gregor’s breadwinner position in such a manner, that focus temporarily turns to his work as the story is read. Such a
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...ning. The first broadening of light in the world outside the window just entered his consciousness. Then his head sank to the floor of its own accord and from his nostrils came the last faint flicker of his breath.” (Kafka,48) Gregor’s death indicates the end to the mistreatment, but also indicates the fact that he never fully realized what had been happening for so long.
Gregor Samsa’s outcast status sent him into a short lived life as a “monstrous vermin” (Kafka,7). While his predicament may have appeared avoidable, a life of constant selflessness to the point of severe adult naïveté remains inevitable in Gregor’s case. Kafka’s portrayal of a pitiful young man’s support of his family can produce none other than the childlike thinking of Gregor Samsa.
Works Cited
Kafka, Franz. The Metamorphosis. New York: Fine Creative Media, 2003. Print.
In the original story Metamorphosis by Kafka uses the main character Gregor Samsa as a metaphorical representation of himself; as the purpose was likely to express the his own personal feelings of depression and isolation, as he was suffering from depression. Although Gregors biggest dilemma is not that he awoke a vermin, but that he is late for his train which will inadvertently cause him to be late for work. Gregors main concern that morning was “I’ve got to get up, my train leaves at five” (pg. 95). In this story Kafka ensures to convey that the major concern in Gregors mind is his fear that he will be late for the train and his work as he is already
Throughout The Metamorphosis, Franz Kafka shuns Gregor. At first glance, Gregor’s transformation creates the only isolation. As the story evolves, the Samsa family’s segregation begins to play a larger role. Through intuitive actions, each family member isolates themselves. The Samsa’s accommodate the renters generously, in order to win communal approval. Failing the renters positions the Samsa’s lower in society than they previously were. Not only do the Samsa’s isolate themselves, they are also secluded from society. Many instances allow the Samsa’s severance from society to shine through Gregor’s isolation.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
“The Metamorphosis” by Franz Kafka, not only tells the troubling story of Gregor Samsa but of the underlying autobiographical influences of Kafka himself. The first similarity is the unhappiness in both men’s careers, both induced by their strong-willed fathers. In the short story, when Gregor awakes he realizes the problem is not that “he found himself changed in his bed into a monstrous vermin” but that he will be unable to do his job, that pays for his parent’s debt (1156). Franz spent his life, unhappy but successful just like Gregor. Franz majored in law to please his father. Both men strived for similar family duties, Gregor to pay off his father’s debt and Franz for a false sense of hope that one day his father would love him (1157; Sulkes).
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
States who see it as a “dream experience”(qtd, in Chenoweth, The Threats of Sleep). This dream experience is shown by a dreamer believing wholeheartedly that what they are dreaming is completely real. Because Gregor is continuously in a dream-like state, he is unable to truly sleep and “he [loses] grip on life and humanity”(Chenoweth). When Gregor awakens to find he is a bug, he believes that he has been transformed and punished because of his sleep, making Gregor fear sleep just as Kafka did in his life. In both of their struggles with escaping sleep there was a need for it, Kafka felt that it was vital for his writing, but also that “perhaps insomnia itself is a sin. Perhaps it is a rejection of the natural”(Fraiberg 32). For Gregor he could not find comfort in
Metamorphosis, and the theme of change. Kafka's main character, Gregor. Samsa, undergoes many changes and his transformation evokes change in his family. I am a Several metamorphoses take place involving Gregor. First, a physical change occurs when Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous. vermin.
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
The novella follows Gregor and the Samsa’s, Gregor’s family, a microcosm of societal roles and norms, and the events that ensue which culminates in Gregor’s death. Through the extended metaphor comparing Gregor to a monstrous vermin and the motif of seclusion, Kafka addresses how society’s system of categorization, which in turn produces hierarchies, is dehumanizing because the system rejects qualities that are actually humane and casts them out as taboo because they do not fit said categories. Moreover, Kafka argues that recognizing the falsity of categories, and in turn destabilizing hierarchies, allows for liberation as one will no longer be confined to the structures society impose. However, Kafka notes that this newfound liberation often leads to alienation as the liberated individual threatens the foundation that society’s hierarchies rests
For the narrator, living in seclusion-in the upstairs room in the mansion- prevented from physical activity due to “illness” and instructed to repose and stay passive as well as voiceless and withdrawn from society, causes herself to question her husband’s idea of confinement together with the apparent “illness” she has. The absurdities increasing temperament allows her to think about how she is being wronged; constructing her path to strain an escape. Kafka, on the other hand represents Gregor to search for freedom for different reasons. Firstly, Gregor, in accordance to Jane in the yellow wallpaper is trapped by his family as he has to work for them to pay off their debts. He dreams of the day that the debts can be paid ad he can quit his job as a travelling salesman.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.