As members of a first-world nation, we are disrespectfully quick to point out the flaws and downfalls of impecunious societies and use the societies like mere scenery, even though we walk together on this earth. In “Sun and Shadow," Ray Bradbury manipulates Ricardo to convey to the reader the impertinence from outsiders and the responses from Ricardo and his fellow townspeople. A photographer is encountered doing a photo shoot on Ricardo’s property, and Ricardo becomes unhappy with his presence and angrily tells him to leave. After Ricardo’s increasingly sharp comments and attitudes augment, the photographer becomes satirical and facetious, poking fun at the lifestyle in which Ricardo lives. The short-tempered townsman reveals his defiance through actions projected towards the photographer. Through the use of characterization, Bradbury defines the fine societal line between Ricardo, the penurious dweller of the village, the inconsiderate photographer, and the sympathetic townspeople. With assertive shouts and short tempers, the prominent character, Ricardo, is characterized as a feisty townsman, doing nothing except trying to protect his town and its members from the judgments of the western world. For example, the characterization of the “‘…quaint’” man is exemplified through the simplicity of his life and the fact that he is “‘…employed’” and is full of knowledge, not a “‘cow in the forest’” (55, 29, 32). Ricardo desperately wants to establish the notion that he is not a heartless, feebleminded man, only an indigent, simple man striving to protect his friends and family from the criticisms of callous cultures. Incessantly Ricardo attempts to make it clear to the photographer the irritation elicited by his prese... ... middle of paper ... ...f that Ricardo and his town are the superior heroes in the story. The crowd’s lack of ostentation characterizes them as a humble dwellers living in an unpretentious town. Through positive reinforcement, the crowd, with the help of the policeman, urges Ricardo to continue to oppose the invading photographer and his hive of cohorts. Through the characterization of Ricardo, the photographer, and the fellow townspeople, Ray Bradbury expresses his viewpoint on the controversy of invading western societies, and the impact it can have on indigenous people. Having experienced the encroachment from outsiders, Ricardo is faced with the persistent fight against the exploitation of innocent towns being turned into fashion sets. We, all members walking together on Earth, must realize the momentousness of unity cooperation regardless of wealth, or power, or race, or class.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Dagoberto Gilb was born in Los Angeles in 1950. A mix of gritty humor, mundane terror, and economic misfortune distinguishes his short stories. His life has been neither easy nor subdued, and these influences are reflected in his writing style and choice of subject matter. The short story entitled “Love in L.A.,” by Dagoberto Gilb, shows how one can see many reasons in seeing irony and even satire by the story’s title and how all is stories combine in someway.
In the story “Flavio’s Home” by Gordon Parks, he draws you into a world that is very descriptive and allows yourself to imagine what it would be like if you were standing there with him. Gordon was there with Life reporter Jose Gallo to find a father with a family to examine the poverty of that particular family in Rio de Janeiro. Instead they came across a boy named Flavio, they followed Flavio up the mountain to a leaning shack. Flavio was only twelve but had worked so hard from the time he could stand that his body had taken the toll. Gordon describes the favela of Catacumba, pale by comparison to New York’s Harlem and Chicago’s south side. In so doing this gives the readers in those populated city’s an idea of how much greater the poverty
When looking at Golding and Marquez's techniques of plot and dialect, one can determine that these methods of writing are used to advocate civility. The authors of both works use their ability to tell stories as a platform for their own beliefs to be heard. These techniques they use, such as plot and dialect, serve as the hidden implications of themselves. The main characters Ralph and Maria transition from an individual in a new and isolated environment to a savage who is a part of this place.
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
Throughout his novel, Don Quixote, Miguel Cervantes effectively uses the transformation of reality to critique and reflect societal and literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as mimetic devices. Ultimately, Miguel Cervantes’ use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society.
While writing, authors use a variety of literary devices to allow the reader to comprehend the main idea that needs to be taken from the story. Included in these literary devices is diction, and diction is crucial in the author’s development of the tone and theme that is produced. Without precise word choice, the reader would not know what kind of emotions to feel or what kind of ideas to think about the piece of writing. In the futuristically set short story, television runs everybody’s lives, and nobody can be who they are anymore due to their sitting in front of a television screen. The use of Bradbury’s selective wording throughout his story leads the reader to step into an eerie, yet strangely familiar setting. In the short story, “The Pedestrian”, Ray Bradbury uses diction to emphasize the morbid tone displayed throughout the story line and to emphasize the overall theme that technology can replace individualism.
where it rains all of the time. Margot, a recent arrival on Venus, remembers what the
Short stories have particular settings to supplement their themes. The eerie catacombs during a carnival in “The Cask of Amontillado” supplement the themes of revenge, and deception, which the protagonist takes responsibility in; whereas in “Hills Like White Elephants”, the atmosphere around the Spanish train station emphasizes the themes of miscommunication between characters and their evasion of responsibilities.
John Grisham’s book, ‘A Painted House’ places the reader within the walls of a simple home on the cotton fields of rural Arkansas. Within the first few pages, the author’s description of the setting quickly paints a picture of a hard working family and creates a shared concern with the reader about the family’s struggle to meet the basic needs of life. The description of the dusty roads, the unpainted board-sided house, the daily chore requirements and their lack of excess cause the reader a reaction of empathy for the family. Although the story takes place in a dusty setting very unfamiliar to most readers, the storyline is timeless and universal. Most everyone has a desire to meet the basic needs of life, embrace their family ties, and make others and ourselves proud. The crux of this book is that it does an excellent job in showing the reader through other’s examples and hardships to persevere and never give up.
Ray Bradbury’s style of writing always included hidden meanings that present a central theme of the dangers of unchecked technology. Many factors in Ray Bradbury’s life had contributed to his style of writing and the themes that he wanted to present to society. Some factors that influenced Bradbury were events such as the Cold War and the writings of other writers such as Edgar Allen Poe. Bradbury’s style of writing was shaped by many factors in his life such as world events, his techniques learned from famous writers, and the progress of society. From life to death Bradbury’s world was always filled with war and government propaganda that attempted to sway the thoughts of citizens about the dangers of foreign threats (Schofelt, Cordon, “Science fiction writer Ray Bradbury: 1920-2012”). Bradbury’s writings were always influenced by the constant reminder of these governments ideology filling his ears. Bradbury’s writing was also influenced by the writings of other writers such as Edgar Allen Poe. His inspiration as a child began with Poe and was forever changed by his style of gothic writing and the morals that Poe always presented to his readers ("Planetary Pariahs: Bradbury and the Influence of Edgar Allan Poe."). Bradbury’s best known works were considered science fiction and always presented a story of the dangers of unchecked technology (Mataconis "Ray Bradbury And The Real Lesson Of Fahrenheit 451."). All these factor into how Bradbury would style his writing and the major themes he presents to his readers.
...sted prior to the Mexican Revolution. Susana San Juan is Rulfo’s acknowledgement that the Revolution did provide an opportunity for the lower and middle classes to better them self through urbanization, but Juan Preciado details Rulfo’s insight towards those that chose to remain within the ghost towns that the conflict created. Rulfo uses these characters in combination to reveal the shortcomings of the Revolution, mainly its failures to lift the entire middle and lower class out of poverty. He believes that all that the Revolution accomplished was to provide an escape for these groups of people, not the redistribution of land that was initially envisioned.
Gabriel Garcia Marquez’s short story, “One of These Days,” describes the disparity between everyday working class people and higher class politicians. The story focuses mainly on two contrasting characters: a humble dentist, Aurelio Escovar, and an aggressive and abusive mayor who takes advantage of his townspeople. Deep in this piece, the situation between the two characters symbolize the corruption of power and the negative influence it can put on society. Though the mayor owns all of the dominance out of everyone in the town, the dentist receives influence for a period of time, taking advantage of it at all cost. We learn at the end of the passage that no matter the identity nor class of an individual, the excess of power can lead to corruption.
Gabriel García Márquez is arguably Latin America’s most well known writer and socialist with Marxist ideals. His short story, Balthazar’s Marvelous Afternoon, is one that well exemplifies a few ideals of Marxism, without enforcing a political agenda, something only the greatest writers can achieve. One concept of Marxism is that capitalism can only thrive on the exploitation of the working class. This leads to economic conflict which creates class tension, this type of disputation is prevalent within Balthazar’s Marvelous Afternoon. To begin, the setting of the story is not clear, it is assumably in a small town since everyone is familiar with one another and the titles and careers of the characters are exposed in the story. One can also assume