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“Othello” is a tragedy/drama book written by, William Shakespeare. Emilias part in the book shows multiple different archetypes throughout the play. At the beginning of the play she’s seen by the audience as a strumpet. Although she’s such a small character in the play she plays a big role in Iago's plan. Emilia is the master key to Iago's, her husband, sinister plan. Emilia is used in a couple different ways to make the play more intense and make it all tie together at the end. “You rise to play and go to be to work.” (2.1.3) Iago talks about Emilia and how he thinks she’s a strumpet. This in turn, Iago has no respect for Emilia, she in return has little respect for
Archetypes bring order to everyday life- without them there would be chaos. Human use them to predict what may happen, and to empathize with people all around the world. Homer’s the Odyssey has several of these archetypes. The Odyssey is an epic poem, said to have been written down in the time of Ancient Greece. Archetypes are characters, actions, or situations that are generally a prototype of human life. Today, readers can gain insight through the archetypes in the Odyssey. Three main archetypes are: the hero, the monster or villain, and the crossroads.
The presentation of moral issues in Othello focuses on Emilia’s courage to challenge the social and religious morality of their time in Act 4, Scene 3. For instance, Emilia’s Speech establishes cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that with the contraction displayed, Emilia is willing not to ‘marry.’ Therefore, her courage presents a moral issue in the play because challenging the social and religious morality of her time establishes that she disobeys the main principle that “Wives submit…to husbands and the Lord.” She knows that marriage is an obligation and her refusal demonstrates she has “Sense like the men....
Emilia in Othello confronts gender roles when she exploits the method introduced by Christine de Pizan in The Book of the City of Ladies. Christine’s realization of women’s oppression in her journey with the Ladies allows her to view life with a new perspective. Likewise, Emilia demonstrates the same ideals from The Book of the City of Ladies with her opinionated mindset and deviation from the women’s social norms of the time. Furthermore, Emilia develops in a similar progression as Christine, especially in the deconstruction of the men’s manipulation. Even though they go against gender stereotypes, complete equality is one battle avoided by Christine and Emilia. In Shakespeare’s Othello, Emilia defies gender norms when she employs a speculative mindset introduced by the character Christine in The Book of the City of Ladies.
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
She is the only one who is involved but not counted in Iago's scheme. Desdemona shall die, Cassio shall die, but Iago does not plan anything to prevent Emilia from speaking, because he does not anticipate Emilia will abandon her husband for Desdemona. Yet Emilia speaks, and speaks an extremely defenseless thus courageous speech. When Othello tries to stab Iago, he is disarmed twice, once even after everybody has realized what a villain Iago is (Othello 5.2 242&292). But nobody disarms Iago either when he threatens Emilia with his sword or when he stabs Emilia (Othello 4.2 228&242). She is armless but not powerless. The truth she speaks brings justice in, wins the audience's respect, and shows the potential power of a female
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
Emilia is not just in the play to be a simply friend. She is there to tell everyone the horrible acts that have happened. Once, Emilia realizes her mistress has died she starts asking questions which helps her put two and two together. Emilia finds out that Othello thinks Desdemona cheated on her something that Desdemona would never do. Emilia then asks Othello, why? The main reason is the handkerchief. Othello gave Desdemona handkerchief that represents their love and its precious. Because Othello finds out Cassio had it he thinks an affair was going on. Then is when, Emilia reveals that she gave the handkerchief to Iago because she found it. Quickly after that it’s revealed that Iago (her husband) is doing evil acts. Emilia “...That handkerchief thou speak’st of I found by fortune and did give my husband. For often, with a solemn earnestness—More than indeed belonged to such a trifle—He begged of me to steal it.” With that said, Emilia was much more than a
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
Throughout William Shakespeare’s Othello, many different archetypes that commonly associate with readers are found all throughout the story. These different archetypes include situational, character, and symbolic types. A common situational concept in Othello is the unhealable wound represented by the character Othello, the character archetype being the scapegoat represented by Cassio, and the symbolic archetype being the handkerchief Othello gives to Desdemona which represents trickery and deceit.
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Emilia. Othello, Desdemona and Iago are the main characters. Othello focuses on the relationship between Othello and Desdemona. Iago, Emilia and Roderigo play a big role in the relationship. It is a tale of love and deceit.
Iago is the treacherous comrade. Angered that Cassio has been appointed Othello’s lieutenant, a post Iago wanted, Iago plots his revenge. He warns Othello that Cassio is having an affair with Desdemona. Brilliantly manipulating Othello’s jealousy and rising anger, Iago has his wife Emilia, who is Desdemona’s serving maid, steal a handkerchief that Othello gave his bride at their wedding.
...her murdered mistress, resuscitates morality in this play. Emilia refutes the untrue notions which Othello says motivated him to kill; she counters Iago’s lies (“She give it Cassio? No, alas, I found it, / And I did give’t my husband.”) and lays the guilt for Desdemona’s murder on his shoulders. And she sacrifices her very life for the truth; she dies a martyr, stabbed by evil Iago. Othello also is a martyr in a sense, paying in full for the crime that he committed.
Emilia's role is more complex in Othello. Iago likes to dominate Emilia and in many respects uses her quite badly. However, she also proves that she can be strong and show control.[5]
Emilia is being really demanding and acting as if she has authority due to the fact that she knows about Desdemona's death,and what caused it; as a result, Emilia starts to insult Othello for killing Desdemona,and Othello starts to be concerned about Emilia knowing why he killed Desdemona.He starts to question himself about why he did it and now regrets killing Desdemona because of the handkerchief. As a right now all he wants is for her to remain silent since now she has authority over him because of what she knows.