The film Psycho, details the story of a woman by the name of Marion Crane, as played by Janet Leigh. The film starts of a with a bedroom scene where Marion starts to discuss her future with her lover Sam. After her brief encounter with Sam, she returns to her work where she comes into contact with $40,000 in cash. With possession of such a large sum of money, Marion runs off with the money; it's implied that she wishes to run away with Sam and the money so they can start fresh. While on the road, she stops at a motel which becomes the scene of her murder and also the scene that will be explored in greater deal. However, after running away with the money, private investigators are hired to track her down to avoid having to involve police. The investigators find her far too late and find and arrest a psychotic man who lives as the memory of his controlling mother. While the film was just absolutely chilling, the one scene that sticks out the most is the infamous shower scene. While I had never watched this film, I came in with the basic knowledge that the shower scene was just brutal to watch; the music scoring and actions of this scene have been parodied in countless movies and shows. One thing I noticed was the very obvious fact that the movie was shot in black and white. This film was produced at a time where color film was widely available and it seemed at first, somewhat pointless to shoot something in black and white when better options were present and also easily accessed; this meant that shooting in color would not greatly increase production values. However, this is far from the actual truth as the black and white adds an element of darkness to the actual picture and creates a depth that would not have existed otherwise... ... middle of paper ... ...here the dark can conceal many things, such as a killer. Another thing that I noticed was the lack of special effects. During the shower scene, besides the music score, the only sounds were the screams of Marion and the stabbing sounds. The knife also did not touch her flesh but it is instead left to the imagination to the viewer to put together the scene. This is a very sharp contrast to what modern horror films do. Often, more modern horror films will use a lot of special effects to make it actually look like a head was hacked off or that a knife went right through someone's chest. While this does look very gory, more often than not this cheapens the overall effect of it when compared to the execution of the stabbing done in this scene. Rather than the intended effect of looking horrifying, it often is poorly executed and at best is cheesy and maybe a bit bloody.
Ken Kesey's award-winning novel, "One Flew over the Cuckoo's Nest", was adapted into a film in 1975 written and directed by New York City native Bo Goldman and Czech director Milos Forman. Towards the end of the novel and film, Chief Bromden escapes from the ward. This scene is conveyed differently in the novel and film; however, there are evident similarities between each form of media. This scene is important to the plot because it wraps up the entire storyline. In the film and novel, similarities within Chief Bromden’s escape from the ward include the way Chief escaped, how he couldn't hear anyone in the ward due to being deaf, and how McMurphy assisted Bromden with gaining his confidence to lift the panel and throw it through the window. McMurphy essentially changed Bromden to help him break out of the asylum and back into the real world.
In the film, American Psycho, Patrick Bateman was a wealthy investment banker who also happened to be a serial killer. He was highly intelligent and was charming which attracted many of the women who came his way. Unlike most people in the world, he lived in constant pain. He was rarely happy with himself, and also hated everyone around him. He felt that he needed to inflict his pain on others in violent ways. He always had something disgusting to say such as, “I like to dissect girls; I am utterly insane.” It is outside of the norm to speak in this way, therefore he would be considered deviant. He displayed feelings of distress as he became frustrated very easily with himself and others. Everything
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was
Although it may been seen partly as a historical accident forced by budgetary constraints, part of the mystique of the film is in how different it was to the horror audience of the day. Romero and the Image Ten team, working with black-and-white in a day in which most mainstream films were released in color, were able to use the black-and-white film to lend a certain documentary feel that evoked feelings of newsreels of the day, which were still shot in black-and-white (Hervey 26). This certain credibility evoked is one that is likely lost on contemporary audiences that grew up in a time in which the news and documentaries are delivered in color, but modern audiences should see parallels in the way The Blair Witch Project co-opted the use of VHS cameras to produce a low-cost horror film with a realistic feel to it.
bank. Marion went home there was a close up shot on the money then on
The film Psycho, directed by Alfred Hitchcock, is a psychological thriller that was created in 1960. The main theme of this film revolves around psychological illnesses. The film focuses on the main character, Norman Bates, and his psychological problems which include a split personality, voyeurism, sadism, guilt and self-punishment, and anal fixation. Throughout the movie you can see Bates exhibit these traits at different points; however, some traits are not as clearly evident as others. This film takes an in-depth look at how someone who possesses a mental illness might behave or think.
The most effective villain, in terms of being frightening that we have witnessed in class would definitely have to be Psycho's (Hitchcock 1960) Norman Bates (Anthony Perkins). Norman Bates is a quirky young man. He lives in a stranded part of town with his 'mother'. He owns a stranded motel, the 'Bates Motel', and rarely gets any guests. When he does, strange things seem to happen a lot of the time, due to his mother not being very fond of anyone who goes. Throughout this film Norman's persona develops into something horrifying, making this villain figure the scariest one we have seen in class.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but instead, it turned into a spectacular psychological, horor film in which Kubrick deeply thought about each scene and every line.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
While both of the films consist of two completely different plots, they still share common aspects. For instance, Hitchcock directly places a blonde woman in both of the films. Since Hitchcock is known for melodramatic films, he puts both, Marion Crane, and Melanie Daniels in extreme danger. In doing so, the film becomes more appealing to the viewer, and it begins to appeal to their emotions. It is clear that Hitchcock has a dramatic preference for blonde women, so he uses that to his advantage by making them symbols in his films. In these two films, the two main characters, Marion, and Melanie, are posed as the triggers for the action that occurs in the story. In Psycho, Marion Crane flees from town, and meets the villain of the story, Norman Bates. If Marion hadn’t stolen the money from the client at the bank, then she would not have met Norman, and she would not have been murdered. On the other hand, Melanie Daniels from the film The Birds meets Mitch Brenner in a San Francisco pet shop. She was intrigued by their encounter, and decided to take a trip to Bodega Bay where Mitch stays during the weekends. If Melanie hadn’t made the decision to go to Bodega Bay, then she would have been able to avoid the deadly bird attacks. If Marion and Melanie did...
To conclude, the shower scene presents a complex compilation of both diegetic and non-diegetic sounds. This extraordinary combination is one of the main reasons the scene stands out as one of the best throughout film history. It is important to remember that sound plays a major part in the craft of storytelling, allowing the filmmakers to convey emotions to moving images which results in a deeper and more dynamic experience to an
Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichés. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological level. The Shining and Jaws evoke fear through the use of three different film aspects: the use of a “danger” color, daunting soundtracks, and suspenseful cinematography.