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Film Analysis of Psycho When ‘Psycho’ was first screened in New York on 16th June 1960, it was an immediate success. Earning over $15 million, 15 times more than it took to make, ‘Psycho’ had made Hitchcock a multi-millionaire. As well as this, the huge critical acclaim ‘Psycho’ received made Hitchcock the master of suspense he will always be known as. Two sequels were made because the film was so popular people wanted more. Many other film makers were influenced by Hitchcock; these were many of the most well known horror and suspense film makers. The result of the influence is John Carpenter’s ‘Halloween’. Before People even saw ‘Psycho’ they knew of its content and greatness due to excellent publicity and marketing campaign, this was a huge step towards new standards for audience manipulation. The films sexual content and violence was a whole new ground for main stream Hollywood film. ‘Psycho’ was only viewed at night due its content. Hitchcock insisted people alter their habits of going to the cinema if they wanted to see ‘Psycho’. Its release affected the way people thought and acted. It was blamed for the cause of several murders and acts of anti-social behavior. Marion Crane (Janet Leigh), a woman in love, is searching for a way to free her boyfriend, Sam (John Gavin), from the shackles of debt and secure herself a husband. When an over zealous and rather rich oilman teases her with $40,000, Marion sees her future flash before her eyes. Off she goes with money in hand to begin her new life not knowing the terror that awaits her.
In the film, American Psycho, Patrick Bateman was a wealthy investment banker who also happened to be a serial killer. He was highly intelligent and was charming which attracted many of the women who came his way. Unlike most people in the world, he lived in constant pain. He was rarely happy with himself, and also hated everyone around him. He felt that he needed to inflict his pain on others in violent ways. He always had something disgusting to say such as, “I like to dissect girls; I am utterly insane.” It is outside of the norm to speak in this way, therefore he would be considered deviant. He displayed feelings of distress as he became frustrated very easily with himself and others. Everything
‘Psycho’ is a 1960’s thriller that has been voted as one of the top 15
The 1960s brought about what some have argued is the first slasher film Alfred Hitchcock’s Psycho. Hitchcock was able to cast major Hollywood stars to actor in his thriller. He cast a young, handsome Anthony Perkins in the lead and a major star in Janet Leigh, whom Hitchcock kills in the beginning of the movie. In that day it was unheard of now it’s done in movies such as Wes Cravens 1996 movie Scream killing off a major star such as Drew Barrymore. According to FilmmakerIQ.com Psycho “shocked audiences into believing horror could be more than B-Film Fare (14)”.
How Alfred Hitchcock Makes the Viewing of Psycho a Frightening and Worrying Experience I am currently studying Alfred Hitchcock Psycho. Psycho is such an important film because it redefined the genres of thrillers and established the genre used by many film writers today such as Wes Craven (Scream 1/2/3) of stalk and slash movies, using camera angles and other techniques. Hitchcock creates tension in a variety of ways using specific camera angles and high and low pitched music. Although the film proved a big box office success, only gradually did this macabre experiment in black humour become the object of closer scrutiny and more intense analysis. The consensus today is that Psycho is a classic of cinematic art and admiration worldwide.
make the sets look in such a way that the audience were on edge from
bank. Marion went home there was a close up shot on the money then on
Hitchcock's Film Psycho Ever since the first horror movies were produced they have attracted huge audiences seeking to be scared, chilled and thrilled. Horror movies are so popular because the audience can get the adrenaline rush of being scared without actually putting themselves in danger, and also the audience ultimately get a rush of relief at the end of the film when the killer is killed. This is the same reason why people go on roller coasters because you get the adrenaline rush and then the relief when you get off. Also often horror movies are highly sexual films, and what's more it's a great excuse to hug your girlfriend! Horror movies started in the 1920's with German masterpieces of the silent era such as the ''Nosferatu'' directed by F.W Murneau (1922).
Hitchcock's Tension and Suspense in the Film Psycho Of all of Hitchcock's films, "Psycho" is certainly the most critical. acclaimed. The sassy of the sassy. It is thought of by many as 'genre-defining'. certainly introduced many of the popular horror conventions used by filmmakers today.
boss he says ‘I never carry as much as I can afford to lose.’ So when
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Tim Burton uses cinematic techniques such as close up and bottom and side lighting in order to create a feeling of danger and fear. This is important because when someone is in danger or afraid they can eventually overcome it. In most of Tim Burton’s films he portrays those feelings which came from his childhood.
I remember the first time I saw the movie “Ghost” it right away reminded me that I have very close ties with the world beyond, as all members of our family had. I have seen, heard and felt spirits and it has been a really good feeling knowing that there is so much more to life than what we know and see. You cannot imagine how wonderful it is to hear a voice that is dear and familiar to you whispering your name and knowing that even though they have crossed over they are still nearby. I have read and I also believe that there is that threshold somewhere just beyond our reach that separates our world from the next. I also know that supposedly a living person can step over that threshold but just for a moment in time. It
Honestly, who cares?" The structure of Psych: The Movie remains faithful to the structure of the original television show. According to Ryan, the similar structure of the television show and film enables Psych to captivate a new audience despite the fact that the television show no longer airs new
Alfred Hitchcock was a master mass communicator, sometimes misunderstood, who drew satisfaction from his ability to create something of a mass emotion (James, 4). When asked in an interview about the great success of Psycho, the film director said that the message of the film (its subject matter) or the acting did not a play major role (James, 4). However, what he truly cared about were the pieces of film, the photography and the soundtrack that made the audience scream (James, 4). The article’s author mentions comments from film critics such as Moira Walsh, Raymond Bellour and Willem Hesling (James, 5). The first one criticizes Hitchcock by saying that his interest in shocking the audience, as opposed to following the ordinary rules of good filmmaking, put him in a dangerous corner (James, 6). The violation of the very rules of good filmmaking that Walsh refers to are obvious in the fact that the seemingly main character of the movie Marion dies in the first forty-five minutes of the story. First of all, it suddenly and radically strays from what the audiences has presumed to be the most important character (James, 6). Second of all, the $40,000 that she steals in hopes of paying the debt of her lover and starting new life together, are only a bait to get the audience absorbed with the question of whether she will be caught or not (James, 6). Another violation that Hitchcock implemented was killing the main character - Marion. The character was played by Janet Leigh, a beautiful, rising movie starlet (James, 6). Up until then, the movie star was associated with glamour (James, 6). Thanks to Psycho, the audiences began to create new associative pathways such as vulnerability and even gruesome death (James, 6). As history shows, Psycho went down as a masterpiece and an example of a wonderful plot twist and an excellent