Basie, otherwise known as The Count, or Count Basie. Basie was among many of the leaders in this era, known for his leadership skills as a band leader and a cunning pianist. Basie was known for having one of the best combo section, or rhythm section around. His rhythm section featured among the best such as Jo Jones, Walter Page, Freddie Green, and Buddy Rich, while Basie accompanied on piano. Basie and his orchestra still perform today even after Basie’s passing, reliving the glory days when such
At its peak, the Muscle Shoals Sound Studios was one of the most renowned recording studios in the nation. The Muscle Shoals Sound Studio was a pivotal recording studio that helped artists from all over the globe, cultivate their sound. Genres from rhythm and blues to rock to pop were continuously being recorded in the 1960s and 70s. Throughout the years, the name of Muscle Shoals has always been affiliated with the rival studio FAME to anyone who isn’t involved in the music recording industry. Today
virtues of music during his time period. Schumann’s uses various qualities in his music such as form, pitch, rhythm and meter, and texture so express different attitudes within his music. These qualities convey music that characterizes romanticism as very emotional, expressional, and dramatic. Schumann’s piano miniature remains a supreme example of the Romantic style in its uses of form, pitch, rhythm, and texture. Although the romantic period lays higher interest in the melody and style of a piece rather
The American composer and pianist, Louis-Moreau Gottschalk (1829 – 1869), was born in New Orleans, Louisiana, one of the most culturally diverse areas in America during his time. His father, Edward Gottschalk, was of German-Jewish heritage, and his mother, Aimée de Bruslé, was a Creole of French-Roman Catholic background. The Bruslé family had fled from Haiti to New Orleans because of the rising slave rebellion. Also, his maternal Grandmother Bruslé and Sally, her African-American nurse, were
specific, literary techniques. Some of the main criteria points include being a long, narrative poem, having an epic hero, and containing rhythm, alliteration, and imagery. Beowulf can be considered an epic because it contains all of this criteria. Beowulf, first and foremost, is a long narrative poem. It contains 3,182 lines and has been divided into forty-three sections. It has been written in a way that formulates a concentrated imaginative awareness of experience and arranged so that the language stimulates
this year. The first piece is La Nativite Du Seigneur and the second is Amen de la Creation. b) What are some of the rhythmic devices I can expect to find in Messiaen? In La Nativite Du Seigneur, Messiaen employs the use of cells, little sections of music upon which he forms the structure of the piece. New cells are constantly introduced and previous cells are brought back and/or developed at the same time. Besides the use of cells, Messiaen also highlights contrasts in the melody and uses
into four different sections. When the musicains walked out, I felt like they were a little nervous but when they started to play fell back into their comfort zone. Through the whole concert, I could see their passion for mucic. First was Combo 1. They played the songs “Equinox”, “Little Sunflower”, and “Lullaby of Birdland”. Combo 1 consisted of drums, three guitars (two bass), two saxophones, and a piano. As I was listening to the music I could hear the basic rhythm section and it consisted of
Gifts of Rain Seamus Heaney's poem Gifts of Rain is divided into 4 sections. These 4 sections could symbolise the stages of life which consists of birth, childhood, adulthood and death. It could also symbolise the stages of the river in which it suggests the development of the river from it's source to where it gets strong. Or of course, it could symbolise the stages of the water cycle. Water is the symbol of life, but i can also be seen as purity, freshness or youth. In this mysterious
OrchestrasClassical OrchestrasString section and basso continuo central to the orchestra. Other instruments are occasional additions.Standard group of four sections: strings, woodwinds, brass and percussion. Different instruments treated individually.Fairly small; generally 10- 40 players.Larger than baroque; great variation to the numbers of players.Flexible use of timbres, e.g. Timpani and trumpets used generally just for festive music.Standardised sections. Most sections used regularly.Tone colour is
a dance. Using sections 1 and 5, discuss this statement. In section 1 we are introduced to the ghosts of the title. Straight away we hear the accompaniment of which is very quiet environmental sounds. They are the sounds of the whistling wind and raindrops, which shows a sense eeriness of the ghosts who we are introduced to after the accompaniment begins. The three ghosts that appear on the stage, dance almost straight away in a trio. Much of the dancing in this section consists of balances
different sections. The Guardia Veja ensembles had one violin, flute, guitar, and bandoneón (an accordion-like instrument of German origin associated with the tango that is also used in contemporary traditional music ensembles. It has 38 buttons in the upper and middle registers and 33 buttons in the lower register. What is argued to be the most famous tango ever written was “La cumparsita” (“The Little Carnival Procession”) by Gerardo Matos Rodriguez in 1917. Early tangos used rhythms related to
technique – ‘col legno’ is to use the wooden side of the bow on the cello strings which is particularly difficult for control of intonation. Quote 13: demonstrates the need to be in control of intonation within the ensemble. This is the case in all sections of the Quatuor scored for two or more parts in octaves. Bibliography ed. Hill, Peter, “The Messiaen Companion” chapter entitled “The End of Time: a Biblical Theme in Messiaen’s Quatuor ,” (London: Faber and Faber 1995) Johnson, Robert Sherlaw
of the motto theme, F-A flat-F, sounded in the opening of the first movement by horns, trumpets and wood wind caused peoples’ attention. The impetuous main theme continued then with the passionate downward sweep of the violins. Vigor was enhanced. Rhythm was then quickened first in horn then in trumpet and finally in clarinets and other winds. The first theme then ...
overture (Sadie, 1980). Composers such as Lully, Purcell and Handel used the French overture which is in two sections, each marked with a repeat. The French overture begins with a slow homophonic section frequently using dotted rhythms often ending on a half cadence and then moves to a faster fugal or "quasi-fugal" section which usually makes a return to the slow tempo and rhythms of the first section (Stolba, 1998). The Italian overture, or sinfonia as it was sometimes called, was written in three movements
characterized by using a heavy beat. In this essay, I'm going to divide Rock music into four sections: Rock of the 50's, of the 60's, of the 70's and of the 80's. Within these sections I'm also going to discuss several sub-topics such as famous composers and groups, and characteristics of the music. The first section of this essay is Rock n' Roll of the 1950's, when Rock n' Roll was born. It emerged from rhythm and blues, a music similar to jazz played by blacks. This kind of music started to attract
How is rhythm used in the control of tension and repose? I-Introduction Music has Expectations and surprise - tension and repose –Who controls it? First in order to find what controls- what is tension and repose? Tension in music is the part where the simplicity of music goes past our comfort zone. Past our regular expectations and into surprises-creative, varied and complex yet simple sounding parts of music. Repose is the opposite and neutralizes the tension- where the composer places certain
During this time, tango had emerged as a genre of instrumental music. The form during this time consisted of three parts, with different sections (ABC). This form usually uses four instruments: flute, violin, guitar and bandoneon. The most famous tango ever written is from this time period, Gerardo Matos Rodrigez’s “La cumparsita.” This early tango used rhythms related to habanera and milonga in duple meter and began to slow the tempo down during the 1910s. During this time, a quadruple meter with
Jazz Showcase The concert I attended was the Jazz Showcase in Rudder Theatre on Monday June21, 2004 at 7:30 p.m. Surroundings Rudder Theatre is a large venue for this Jazz Showcase. There are five sections with fifteen rows deep in each section. The theatre is decorated modestly with solid colors and nothing too spectacular or eye catching. The chairs were covered in a yellowish fabric. The initial backdrop behind the stage was a white backdrop with red and blue lighting. This backdrop would change
soloist with the band. Goodman remained with Pollack until 1929, when he became a much in-demand session musician in New York. When the band was between jobs, Goodman jammed with members of the Austin High Gang who introduced him to the New Orleans Rhythm Kings and the Dixieland clarinet style of Leon Rappolo. After his 17th birthday Benny made his first recording with Pollack's band with the tune, "He's the Last Word." Benny also played in the bands of leaders such as Red Nichols (from 1929 to
Shunta Goh G20130003 Programme Notes 1) Moto Perpetuo (excerpt) 无穷动 ----- Nicolo Paganini, Adapted by Yan Jie Min This famous devilishly-fast violin piece composed by the enfant terrible of violin, Nicolo Paganini, has been partially adapted to be played on the Erhu as an etude due to its difficulty, characterized by the perpetual motion of 16th notes including huge leaps in register. It has thus become the benchmark test of advanced technical proficiency for Erhu and is now being used